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Cushing S: Blues Before Sunrise 3

Blues Before Sunrise 3

Guitar Slingers and Backbeaters

Genre: A 33 1/3 Series

Minimalist Music looks critically into the music's past, shows how the genre thrives across styles, and points the way toward minimalism's ongoing future. Minimalism as a genre is best defined not by any style or flavor but by its means. Certain rhythms and chords in other music may identify things like jazz or bossa nova or reggae; take those same elements and put them through the processes of minimalism and you have minimalism with the hues of other musics. A still young genre with ancient roots, minimalism is much less any kind of style than a practice, a manner of making music. Reviving those means and applying them to contemporary sounds and experiences, the pioneers of minimalism created a new and avant-garde music that immediately communicated its power to listeners of all kinds. The global appeal of minimalism and the way the methods adapt to myriad styles open up a view into how music actually works as an art and an experience, how through time it connects in a fundamental way to how we as humans listen. Minimalist Music is also available in audiobook format from audiobook retailers.

Minimalist Music

TimeMust-Read Books of 2024IndependentBest Non-Fiction Books 2024MojoBooks of the Year 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" TimesCelebrated music critic Ann Powers explores the life and career of the legendary Joni Mitchell.What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it's a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her invention, and of me on her trail, heading toward the ringing of her voice.One of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and writers, while never stopping still herself.In Travelling,celebrated music critic Ann Powers seeks to understand the paradox of Mitchell - at once both elusive and inviting - through her myriad journeys. Drawing on extensive inter­views with Mitchell's peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell's musical evolution, follows the winding road of Mitchell's collaborations with other greats and explores the loves that fed her songwriting.Kaleidoscopic in scope and intimate in detail, Travellingis a fresh and fascinating addition to the Joni Mitchell corpus - and one that questions whether an artist can ever truly be known to their fans.

On the Path of Joni Mitchell

Travelling

'Ted Kessler and Hamish MacBain are fantastic chaps. The Dudley Moore and Peter Cook of music journalism LG x' - Liam Gallagher This instant Sunday Times bestseller is the definitive book about the music of Oasis, published as the reunion tour was making headlines around the world. A deeply researched tribute to the creative talent and star power of the Gallaghers, A Sound So Very Loud is crammed with unknown detail and the kind of anarchic, brilliantly funny anecdotes that only Oasis could generate. Music journalists Ted Kessler and Hamish MacBain first met Liam and Noel in 1994, when the brothers were playing tiny venues, and have since interviewed them dozens of times, tracking the astonishing success of Oasis as they became one of the biggest bands in the world. In this comprehensive telling of the Oasis story through their spectacular back catalogue, Kessler and MacBain focus on the enduring power of the music, exploring the tales behind the lyrics and revealing the background to the writing, recording and impact of all the songs, from megahits like 'Live Forever', 'Wonderwall' and 'Champagne Supernova' to the fan-favourite B-sides and deep cuts such as 'Acquiesce', 'The Masterplan' and 'Half the World Away'. With their unique perspective on all things Oasis, Kessler and MacBain bring this story to life in glorious colour. A Sound So Very Loud is the book every Oasis fan needs on their shelves, destined to be as timeless and as moreish as the music itself. 'Essential reading. Hamish and Ted have had front row tickets to the Oasis story from the very beginning. There's no one who knows more about the band, the music and its impact' - Mat Whitecross, director of Oasis: Supersonic 'Something special: a book of wit and verve about why Oasis matter' - The Telegraph

The Inside Story of Oasis And All Their Songs

A Sound So Very Loud

'To see The Clash on the White Riot tour was like discovering how to be a rock star: you just did it yourself. You didn't wait for someone to come and discover you. That was the most important thing that came out of punk... We came home and we cut our hair and bought skinny trousers. It was year zero. That was the moment for me' Billy Bragg Punk Rock is a book like no other. It is an oral history of a radical movement which exploded in Seventies Britain. With its own clothes, hair, artwork, fanzines and radical politics, Punk boasted a DIY ethos that meant anyone could take part. The scene was uniquely vibrant and energetic, leaving an extraordinary legacy of notorious events, charismatic characters and inspirational music. John Robb has spent over a year interviewing more than 100 contributors including Glen Matlock, Mick Jones, Don Letts, Slash, Billy Bragg, Hugh Cornwell and Captain Sensible. Now, for the first time, they give the inside view on events such as The Sex Pistols' swearing live on the Bill Grundy TV show and staging their anti-Jubilee riverboat party on the Thames, famous gigs at The Roxy and 100 Club, and the groundbreaking records by The Pistols, The Clash, The Damned and others. From the widely debated roots of punk in the late-Sixties through to the fallout of the post-punk period in 1984, and the ongoing influence on today's bands, Punk Rock is the definitive oral history of an inimitable and exciting movement.

An Oral History

Punk Rock

33 1/3

In this exploration of Cocteau Twins' quintessential album, Chris Tapley traces lines in all directions from Blue Bell Knoll to paint a revealing portrait of the enigmatic trio and their career-long struggles with self-doubt, stubborn principles, and pure experimentation. Throughout their career, Cocteau Twins sought to escape definition. Lyrics were a closely guarded secret, their transcendent recordings sounded completely unique, and they were notoriously tight-lipped during interviews. The music, they said, should speak for itself. Only nobody could agree on what the music said. Released in 1988, their fifth full-length album, Blue Bell Knoll, is the pinnacle of Cocteau Twins' legendary ambiguity. The first album recorded entirely in their own studio, these dense dreamlike songs capture the band as they refined the key elements of their iconic sound while testing the limits of language and the mixing desk. From lyrics and production to artwork and interviews, everything about this influential, one-of-a-kind band stokes contradictions and uncertainty, and raises the question: can anyone ever really define what a song means?

In this exploration of Cocteau Twins’ quintessential album, Chris Tapley traces lines in all directions from Blue Bell Knoll to paint a revealing portrait of the enigmatic trio and their career-long struggles with self-doubt, stubborn principles, and pure experimentation. Throughout their career, Cocteau Twins sought to escape definition. Lyrics were a closely-guarded secret, their transcendent recordings sounded completely unique, and they were notoriously tight-lipped during interviews. The music, they said, should speak for itself. Only nobody could agree on what the music said. Released in 1988, their fifth full-length Blue Bell Knoll is the pinnacle of Cocteau Twins’ legendary ambiguity. The first album recorded entirely in their own studio, these dense dreamlike songs capture the band as they refine the key elements of their iconic sound by testing the limits of language and the mixing desk. In this exploration of Cocteau Twins’ quintessential album, Chris Tapley traces lines in all directions from Blue Bell Knoll to paint a revealing portrait of the enigmatic trio and their career-long struggles with self-doubt, stubborn principles, and pure experimentation. From lyrics and production to artwork and interviews, everything about this influential, one-of-a-kind band stokes contradictions and uncertainty, and raises the question: can anyone ever really define what a song means?

Cocteau Twins' Blue Bell Knoll

Why X Matters S.

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence &nbsp; From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. &nbsp; Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up!

Why Sound Matters

Howard Hanson's previously unpublished autobiography is now compiled and edited from manuscript sources, providing valuable insight into the life and work of this important American musician and educator.

Howard Hanson was an American composer, conductor, and educator. Following his retirement as director of the Eastman School of Music, he worked intermittently for about a half-dozen years on an autobiography before abandoning the project. A Romantic Symphony: The Autobiography of Howard Hanson has been compiled and edited from various manuscript sources and now published as a valuable source of information concerning a man of wide influence in the music world of his time.

Although an important composer, it is perhaps as an educator and advocate for American music that he should be most remembered. His early efforts to establish criteria for the Bachelor of Music curriculum and later for the development of a professional doctorate in music were among his most notable achievements. Of equal importance, however, was his support for the work of fellow American composers through his annual American Composers' Concerts and Festivals of American Music, which gave these composers opportunities to hear live performances of their works, often for the first time. Equally significant were Hanson's many recordings of American music that were issued on the RCA Victor, Columbia, and Mercury labels over a period of more than three decades. Hanson's autobiography is an important addition to our knowledge, understanding, and appreciation of this important figure in American music.

Howard Hanson's previously unpublished autobiography is now compiled and edited from manuscript sources, providing valuable insight into the life and work of this important American musician and educator.

The Autobiography of Howard Hanson

A Romantic Symphony

Compositional thinking as a practice of opening, queering, and reordering - beyond authorship, control, and musical autonomy.

What does compositional thinking mean beyond notes, parameters, and musical autonomy? This essay understands composition as a practice of structuring, opening, and queering the world. Moving between music, theatre, and performance, it approaches scores not as instructions but as invitations: to collaboration, ambivalence, loss of control, and re-use. Compositional thinking emerges as a transdisciplinary strategy - political, embodied, material - resisting normative order, academic seriousness, and binary logic. Music becomes a testing ground for new forms of togetherness, collective authorship, and working in the in-between.

Über kompositorisches Denken in mehr-als-musikalischen Kontexten / On Compositional Thinking in More-Than-Musical Contexts

Die Welt strukturieren queeren [?] / Structuring queering [?] the world

Get the definitive story of the ’90s alt-rock movement&nbsp;straight from the musicians and figures who lived it. No period in the history of rock music offered such an abrupt shift in prevailing tastes as the 1990s. While just a short while before, radio and MTV were clamoring for hair metal bands, suddenly alt-rockers such as Jane’s Addiction, Nine Inch Nails, Faith No More, Primus, Smashing Pumpkins, and of course, Nirvana, brought a sea change not just in what the most popular bands sounded like, but also in fashion, politics, and seemingly all aspects of pop culture. In Alternative for the Masses: The Oral History of the ’90s Alt-Rock Revolution, veteran music critic Greg Prato presents more than 60 new interviews conducted exclusively for the book—with an emphasis on the 1990–1995 peak period—including insights from renowned names like: <ul><li>Ian MacKaye (Fugazi, Dischord Records)</li><li>Frank Black (Pixies)</li><li>Corey Glover (Living Colour)</li><li>Moby (solo artist/DJ)</li><li>Al Jourgensen (Ministry)</li><li>Les Claypool (Primus)</li><li>Kennedy (host of MTV’s&nbsp;Alternative Nation)</li><li>Matt Pinfield (host of MTV’s 120 Minutes)</li><li>Butch Vig (producer of Nirvana’s&nbsp;Nevermind)</li><li>Tanya Donnelly (Belly, Breeders)</li><li>Fred Armisen (Portlandia, Saturday Night Live)</li></ul> Prato also includes excerpts from one of the last interviews with Steve Albini, arguably the period’s most influential recording engineer and producer, responsible for influential albums by the likes of Nirvana and PJ Harvey producer, among many others. Prato sets out his book in thematic chapters covering topics such as: <ul><li>The Lollapalooza music festival</li><li>The impact of Nirvana</li><li>Alt-rock’s many subgenres</li><li>Notable producers of the period</li><li>The impact of women rockers</li><li>MTV’s influence</li><li>Drugs and addiction</li><li>and much more!</li></ul> Do you long for the days when it seemed rock artists were all about daring to be different, speaking their minds, and shaking up the music industry? The last decade before the internet, downloads, and streaming took over music?&nbsp;Alternative for the Masses will take you back to that time when alt-rock truly promised something different.

Alternative for the Masses: The Oral History of the ’90s Alt-Rock Revolution&nbsp;offers insights, opinions, and memories from an incredible cast of musicians and producers who created the music.

The '90s Alt-Rock Revolution - An Oral History

Alternative for the Masses

A wide cast of musicians and artists provide surprising and thought-provoking insights into punk rock from the lens of spirituality and liberation. Punk Spirit! is an oral history that examines this movement from many unique perspectives, bringing together well-known and cutting-edge bands including Sex Pistols, Minor Threat, Dead Kennedys, The Ramones, Gang of Four, Pussy Riot, Crass, Talking Heads, Propagandhi, The Slits, Bad Religion, Shelter, Rebel Riot, Blackfire, and many others. Punk Spirit! ventures into the emotional and personal experiences of punk artists and activists from around the world and highlights intelligent, thoughtful, and humorous discussions on liberation, spirituality, and living freely. They discuss a myriad of topics from creativity and anger to freedom from suffering and the ways that punk rock has opposed or embodied religious and moral tenets. Chapters dive deeply into a variety of interconnected realms of punk rock such as the subgenre of straight edge, Krishnacore and Taqwacore, evangelical punk concerts in southern California churches, illegal punk concerts in East German churches, anti-religious sentiment within punk rock, the vital connections between punk and self-expression, and the myriad ways punk rock has been combined with spiritual and religious traditions to illuminate ideas from science, atheism, Buddhism, Christianity, Judaism, Islam, and other ways of being in the world.

An Oral History of Punk Rock, Spirituality, and Liberation

Punk Spirit!

Musik und Klangkultur

Die ökologische Krise fordert das Hören und Hervorbringen von Klang und Musik neu heraus. Wissenschaftliches und künstlerisches Arbeiten mit Field Recordings und Umweltdaten berührt, durchdringt und inspiriert sich gegenseitig. Von Klanginstallationen und Kompositionen über Lecture Performances und Hörspiele bis hin zu Disziplinen wie der Soziologie, der Musikwissenschaft und der Ökoakustik reicht das Spektrum, in dem neue Begegnungsräume entstehen: zwischen Klimakunst und -forschung, Aktivismus und Dialog, Recherche und Komposition. Die Künstler*innen und Beiträger*innen aus den Natur-, Sozial-, Geistes- und Kulturwissenschaften reflektieren, was in diesen Räumen geschieht, und zeigen dabei auch auf, wie sich ihre jeweiligen Disziplinen dabei verändern.

Die ökologische Krise fordert das Hören und Hervorbringen von Klang und Musik neu heraus. Wissenschaftliches und künstlerisches Arbeiten mit Field Recordings und Umweltdaten berührt, durchdringt und inspiriert sich gegenseitig. Von Klanginstallationen und Kompositionen über Lecture Performances und Hörspiele bis hin zu Disziplinen wie der Soziologie, der Musikwissenschaft und der Ökoakustik reicht das Spektrum, in dem neue Begegnungsräume entstehen: zwischen Klimakunst und -forschung, Aktivismus und Dialog, Recherche und Komposition. Die Künstler*innen und Beiträger*innen aus den Natur-, Sozial-, Geistes- und Kulturwissenschaften reflektieren, was in diesen Räumen geschieht, und zeigen dabei auch auf, wie sich ihre jeweiligen Disziplinen dabei verändern.

Neue Diskurs- und Erfahrungsräume zwischen Musik und Wissenschaft

Klima – Klang – Transformation

This book is about unveiling and exploring the many layered gestures of Re. Re, the 1994 album by the Mexican group Café Tacvba, is a spectacularly unique musical object that adopts and adapts myriad musical genres with the pulse, the attitude, and the energy of punk and rock. Mambo and ska, samba and salsa, punk and industrial, disco and Mexican banda, are but a few of the genres in this musical trip. But Re is not appropriation, but rather transformation: 20 original tracks of music that think through the music created and consumed in Latin America. The lyrics add layer after layer of either nuance or shock, as they play with the cultural and musical expectations of the many genres included in the album. Re, in a very real way, displays the post-punk origins of the band-loud, thoughtful, nerdy and quirky, irreverent-and it does so by creating songs that represent the historical, cultural, musical and political complexity of Mexico and Latin America. The general reaction of Re in the Anglo world is that this is Café Tacvba's 'White Album', but the album far exceeds that simplistic comparison.

Café Tacvba's Re

Blues Before Sunrise 3

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