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David Wittenberg: Big Culture

Big Culture

Toward an Aesthetics of Magnitude

Parmenides: New Perspectives

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

What is Art in the age of inequality, climate change and AI? From leading design group, Metahaven.

Cognitive Futures

The Hard Question of Art

Ontological Explorations Routledge Critical Realism

Meta-Reality emerged from the use of critical realist philosophy to address the fundamental philosophical questions; The nature of the self, The limits of thought, The possibility of personal freedom, The role of religion and spirituality in our lives. In this comprehensive introductory text, the originator of meta-Reality Roy Bhaskar talks the reader through the step by step emergence of his philosophy of meta-Reality, from his earlier philosophy of critical realism. The definition of this theory, and its potential to shed new light on issues is then explored in the book's next eight chapters: Identity and the Self Transcendental Identification, Self-Realization and Freedom The Axial Revolution and Modernity Comparative Religion and Spirituality Unfolding the Enfolded: Creativity, Learning and Education Unconditional Love, Peace and Conflict Resolution 'Unthinking' and the Limits of Thought, Spontaneous Right Action and Re-enchanting Reality Conclusion and Summary: Being BeingThroughout this book, the examination of classical philosophical problems helps the reader to fully understand the author's philosophy of meta-Reality, while at the same time exposing the reader to its implications for philosophical inquiry and the wider world. Frequent references are made to the philosophies that it is in conflict with (Descartes, Hobbes and Hume), and their differences are subjected to close scrutiny, helping to situate this new approach in the field. Here Roy Bhaskar has produced an essential text for all students of modern philosophy with an interest in critical realism. The book's comprehensive approach, depth of analysis, and exploration of a wide range of philosophical problems make it crucial and compelling reading for the postgraduate and undergraduate alike.

Meta-Reality emerged from the use of critical realist philosophy to address the fundamental philosophical questions; The nature of the self, The limits of thought, The possibility of personal freedom, The role of religion and spirituality in our lives.In this comprehensive introductory text, the originator of meta-Reality Roy Bhaskar talks the reader through the step by step emergence of his philosophy of meta-Reality, from his earlier philosophy of critical realism. The definition of this theory, and its potential to shed new light on issues is then explored in the book’s next eight chapters:<ul> <li>Identity and the Self</li> </ul><ul> <li>Transcendental Identification, Self-Realization and Freedom</li> </ul><ul> <li>The Axial Revolution and Modernity</li> </ul><ul> <li>Comparative Religion and Spirituality</li> </ul><ul> <li>Unfolding the Enfolded: Creativity, Learning and Education</li> </ul><ul> <li>Unconditional Love, Peace and Conflict Resolution</li> </ul><ul> <li>‘Unthinking’ and the Limits of Thought, Spontaneous Right Action and Re-enchanting Reality</li> </ul><ul> <li>Conclusion and Summary: Being Being</li> </ul>Throughout this book, the examination of classical philosophical problems helps the reader to fully understand the author’s philosophy of meta-Reality, while at the same time exposing the reader to its implications for philosophical inquiry and the wider world. Frequent references are made to the philosophies that it is in conflict with (Descartes, Hobbes and Hume), and their differences are subjected to close scrutiny, helping to situate this new approach in the field. Here Roy Bhaskar has produced an essential text for all students of modern philosophy with an interest in critical realism. The book’s comprehensive approach, depth of analysis, and exploration of a wide range of philosophical problems make it crucial and compelling reading for the postgraduate and undergraduate alike.

A Brief Introduction

Meta-Reality

The Politics of Form in Contemporary British Performance

Proper Theatre

Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility. Resisting dogma, the authors cast a critical eye on past and present practices as they argue for the feminist dramaturg's role in shaping a theatre company's sense of its production potential.

In their lively invocation of a feminist dramaturgy that can lead to innovative and challenging directions in modern theatre-making, Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility.   The authors begin by discussing what happens when a dramaturg's performance strategies are vastly different from what a director envisions. This discussion moves naturally to Hope and Kelly's analysis of canonical plays they hope to re-think in terms of gender at the same time that they resist the implication that a feminist perspective is a prescription for a political and social agenda. Casting a critical eye on "mainstream" approaches to classical plays, the authors revisit casting practices, editing philosophies, and directorial concepts that provide thin, stereotypical depictions of male and female characters, arguing for closer textual and cultural analyses of misguided ventures such as the Lysistrata Project. Their commentary on appeals to audience involvement highlights the difficulty of challenging audience preconceptions and the possibilities for expanding audience reception, while the counterproductive rigidity with which organizations like the Beckett estate resist new  approaches to theatrical production are exposed in a discussion of feminist dramaturgy's potential to reinvigorate a play like Waiting for Godot. Adventures in Dramaturgy concludes with the authors' personal journey to forge new directions within a specific theatre company and in the professional world at large.

The Road Less Traveled

Adventures in Feminist Dramaturgy

Teresita Fernández / Robert Smithson 

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

First published in 2014. Routledge is an imprint of Taylor &amp; Francis, an informa company.

First published in 2014. Routledge is an imprint of Taylor &amp; Francis, an informa company.

A Step by Step Introduction to Epistemology

Knowledge and Reality

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book’s second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author’s own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict,in a search of methodology for improving the effectiveness of current practices.

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Matters of the Image introduces a new framework for thinking about digital images.

Matters of the Image introduces a new framework for thinking about digital images.

Designing Digital Images with Materiality, Energy, and Living Matter

Cinematic Style as Philosophy

Robert Bresson

Big Culture

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