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Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia.

Beyond Virtual Production brings together a range of creative practice research projects that have been undertaken in The Void, an early-adopter university-based virtual production studio at Flinders University in South Australia.

Beyond Virtual Production

Integrating Production Technologies

Introduction 1 From Virtual Production to 'Integrated Production Technologies': The Development of The Void 2 Life Savings: An Interdisciplinary Short Film Collaboration 3 Digital Media Frontiers in Teaching and Learning: Using The Void as a Space for Student and Staff Skills Acquisition, Collaboration, and Teambuilding 4 From an Unreal World to an Integrated One 5 The Beginnings of Big Sand Live: Real-time Virtual Performance in a Physical Venue 6 The Line Where Red Meets Blue: Big Sand Pioneers New Approach to Live Metaverse Performance Using Virtual Production 7 Gender Diversity in Art and Technology: A Conversation in The Void 8 Explorations in Motion Capture and Digital Art 9 Interview with Rosina Possingham 10 Interview with Tiffany Knight 11 Deeper not Broader: In Pursuit of an Actor Training Language to Elicit Nuance and Complexity in Motion Capture Performance 12 The Role of Educational Environments in Influencing the Experience of Women and Gender Diverse People in the Virtual Production Sector 13 Derrida in Practice: The Possibilities of Theory in The Void 14 Photogrammetry and Geophysics for Archaeological and Historical Research Using Immersive Environments: The Case of Martindale Hall 15 SONNY: The Unreal Affordances of Real-Time Game Engine Technologies for Screen Production 16 A Game of Rhetoric: Creating an Interactive Plato’s Cave with Performers and AI in The Void

Designing for Kids helps design students and professionals dive deeply into building a child-centered design practice, providing them with the knowledge, skills and tools to create products with a positive impact on child development, learning, play, and well-being.This fully updated second edition incorporates current and emerging childhood research and analysis that impacts the design process. It includes topics such as digital technology and AI, mental health, identity, climate change, sustainability, and children with disabilities. It supports college classes, company onboarding, and professional settings where young people are the end users of products and designed experiences. In addition to insights from professional designers, this edition also includes interviews with child psychologists, and diverse case studies from North America, South America, Africa, Asia, Europe, Australia and New Zealand from various industries and contexts. From these, readers will learn updated design approaches and how incorporate them into their work to create products and services for a global market. This textbook offer readers more than 150 color images, helpful discussion questions, practical frameworks, skill-building assignments, and debate questions that have been tested in conference workshops, colleges, nonprofits, and corporations.It is written for product designers who want to build more play value into toys, furniture, or schools; architects designing regenerative playgrounds, museum exhibits or children's hospitals; and technologists seeking ethical and educational approaches to interactive games and learning systems. Readers will build a strong foundation in designing for and with children, learning how to create developmentally appropriate and culturally relevant designs. This book will provide the skills and foundational understanding of how to design impactful products, services, and experiences that spark joy and support young people to thrive.

Creating for Playing, Learning and Growing

Designing for Kids

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

The Primacy of Drawing

An Artist in Changing Seasons

Constable's Year

Images in The Age of Heat

Medium Hot

Focal Press' Pocket Lawyer series serves as a legal toolkit for independent producers and artists in the creative industries.The Pocket Lawyer for Comic Book Creators is designed to help emerging artists and veteran professionals in the comic book industry build a solid foundation of business and legal practices for their comic book projects. Readers will learn to:<ul> <li>Protect their copyrights and IP</li> <li>Negotiate publishing deals</li> <li>Hire artists so everyone wins</li> <li>Learn the ins and outs of key contracts</li> <li>Understand the risks of AI in comic book creation</li> <li>Explore innovative new distribution methods, and</li> <li>Develop strategies they need to thrive in today's ever-changing, uncertain world of indie comics.</li> </ul>

A Legal Toolkit for Comic Book Artists and Writers

The Pocket Lawyer for Comic Book Creators

Jane Leeves—who starred as Frasier’s beloved and eccentric Daphne Moon—tells her unique and intimate story of coming into her own on one of the most successful sitcoms ever made.&nbsp;&nbsp; Over the course of more than a decade, Jane Leeves, a former ballerina from humble beginnings in England, saw her life turn on its head as she made a family on and off&nbsp;the set of Frasier—a show that would make her career. As the character Daphne Moon—a live-in physical therapist hired to take care of Frasier Crane’s father—she acted as a perfect, down-to-earth foil to pompous Frasier and his equally pretentious brother, Niles. As Daphne and Niles were falling head-over-heels for each other in one of television’s great romances, Jane was finding her own true love on the Paramount lot and eventually, having children—one of whom calls David Hyde Pierce “godfather.”Eleven seasons and a record-breaking thirty-seven Emmys later, Leeves and the cast and crew of Frasier made television history in making one of the most beloved and influential sitcoms of all time. Now in Daphne Moon Remembers she recounts the most monumental years of her life, sharing the hilarious and moving&nbsp;stories she’s collected over the years, and revisiting remarkable moments behind the scenes of the iconic show we all know and love.

Jane Leeves—who starred as Frasier’s beloved and eccentric Daphne Moon—tells her unique and intimate story of coming into her own on one of the most successful sitcoms ever made.&nbsp;&nbsp; Over the course of more than a decade, Jane Leeves, a former ballerina from humble beginnings in England, saw her life turn on its head as she made a family on and off&nbsp;the set of Frasier—a show that would make her career. As the character Daphne Moon—a live-in physical therapist hired to take care of Frasier Crane’s father—she acted as a perfect, down-to-earth foil to pompous Frasier and his equally pretentious brother, Niles. As Daphne and Niles were falling head-over-heels for each other in one of television’s great romances, Jane was finding her own true love on the Paramount lot and eventually, having children—one of whom calls David Hyde Pierce “godfather.”Eleven seasons and a record-breaking thirty-seven Emmys later, Leeves and the cast and crew of Frasier made television history in making one of the most beloved and influential sitcoms of all time. Now in Daphne Moon Remembers she recounts the most monumental years of her life, sharing the hilarious and moving&nbsp;stories she’s collected over the years, and revisiting remarkable moments behind the scenes of the iconic show we all know and love.

Daphne Moon Remembers

'This groundbreaking volume critically engages with debates on art and displacement, while also advancing vital reflections on ethical practices in museums working with artists of refugee backgrounds - offering rich insights for scholars and students in the intersecting fields of cultural history, art history, and curatorial studies.' --Professor Anne Ring Petersen, University of Copenhagen With the rise of humanitarianism and international refugee laws in the 20th century, visual representations of refugees and their forced displacement permeated the cultural sphere. Understanding displacement aesthetics offers a groundbreaking analysis of the role of visual culture, art and art museums in shaping ideas about people forced to flee. The book identifies the refugee as a cultural figure, analysing the longer history of visual motifs and tropes and their ongoing presence in the contemporary world. Highlighting displaced artists in contemporary contexts, the book explores the barriers they face and their aesthetic outcomes. Language, identity and labour are identified as critical factors informing how art is made, curated, collected and understood by the public. Advancing the new concept of 'displacement aesthetics' - the negotiation of representation, lived experience and institutions - the interdisciplinary research underpinning this book provides a major intervention into the fields of cultural history, art history, and museum studies. Combining archival research, analysis of art, and curatorial research with artists and museums, Understanding displacement aesthetics presents new insights into the role of art and culture in mediating this pressing social and political issue in the 20th and 21st centuries.

History, Art and Museums

Understanding Displacement Aesthetics

Said in Stone

Edmonia Lewis

A practical and motivational guide to self-starting and sustaining a career as a theatre director.

100 Notes on Theatre Directing

The Graft of the Art

The Underdog TV Show That Lit'rally Inspired a Vision for a Better America

Parks and Rec

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

Beyond Virtual Production

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