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Begin Where You Are

The Colorado Poets Laureate Anthology

The daring and deeply
sexy poems in&nbsp;Lonely Women Make Good Lovers&nbsp;are bold with the
embodied, earthy, and startlingly sensual. 

These
unforgettable love poems—queer, complicated, and almost always
compromised—engage a poetics of humility, leaning into the painful tendernesses
of unbridgeable distance. As Kuipers writes, love is a question “defined not by
what we / cannot know of the world but what we cannot know of ourselves.” These
poems write into that intricate webbing between us, holding space for an “I”
that is permeable, that can be touched and changed by those we make our lives
with.

In
this book, astonishingly intimate poems of marriage collide with the
fetishization of freedom and the terror of desire. At times valiant and at
others self-excoriating, they are flush with the hard-won knowledge of the
difficulties and joys of living in relation.

Lonely Women Make Good Lovers

A Poem for Every Day and Night of the Year

Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Autumn Day, you will find verse that will transport you to vibrant, cosy autumnal scenes, from harvest festival to Remembrance Day. The poems are selected from Allie Esiri's bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year. Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems - together with introductory paragraphs - have a link to the date on which they appear. Includes poems by Robert Louis Stevenson, John Betjeman, Amy Lowell, Paul Laurence Dunbar, William Shakespeare and Christina Rossetti who sit alongside Seamus Heaney, John Agard, Simon Armitage, Patience Agbabi and Imtiaz Dharker. This soul-enhancing book will keep you company for every day of autumn. Enjoy more seasonal poetry collections with A Poem for Every Summer Day, A Poem for Every Spring Day and A Poem for Every Winter Day.

A Poem for Every Autumn Day

A stylish, seductive new novel from Rebecca Sarah Ley, winner of a Betty Trask Prize and the Guardian's Not the Booker Prize'A stylish and gripping take on the campus novel - witty, incredibly sharp, and compulsively readable' Sophie Mackintosh, author of The Water Cure'I loved it: a bleakly funny, off-kilter examination of the dynamics of power and attraction. I raced through it' Rebecca Wait, author of I'm Sorry You Feel That WaySofie Muller can make you into a better writer.That's why Alice and Walt are desperate to be in her creative writing class. She can spot talent and apply pressure, hone you - if you're good enough, if you want it enough - into something more elegant, original, daring.Alice wants it. She wants Sofie's hand guiding hers to greatness, then the book deal, then the prizes and the plaudits.Still, there is gossip. Sofie will kill your darlings. Sofie will drive you too hard. Sofie's boundary-pushing is not just professional, it is personal. By the time Alice realises the rumours may be true, is it too late to wriggle free? And if not, is it worth it to get what she always dreamed of?BAD FICTION is a timely, brilliant novel about fame and mentorship, betrayal and submission, from one of Britain's brightest young writers.

Bad Fiction

In this unique collection of essays, published writers offer an intimate view of how their work has been informed, shaped and transformed by their literary, political, philosophical or personal influences. Providing models of the critical commentaries that all students of creative writing must write, each essay from contemporary authors of fiction, creative non-fiction, poetry, scripts and digital writing demonstrates how what writers write is determined by what they have read, and what they read is then determined by what they are writing. As writers reflect on their process of moving from sources of inspiration to a finished and original piece of writing, they reveal their anxieties, passions, discoveries and motivations, offering fascinating insights into the imagination's journey. Introductory chapters explore why writers reflect on their own work, and place this practice in wider contexts, offering theoretical frameworks for understanding process, influence, and inspiration. As illuminating for aspiring writers as it is for students reflecting on their research and process as part of writing courses, Creative Writing and the Critical Commentary will change the way writers talk about and engage with other texts.

Reflection, Influence, Process

Creative Writing and the Critical Commentary

*2025 NATIONAL BOOK AWARD Finalist*I Do Know Some Things is a brave book, both in content and method.It is brave to write about childhood scars and the heartbreak the dead leave behind. It is brave to reconfigure one’s life in the aftermath of a stroke. Richard Siken presents these subjects directly, without ornament, and with nothing to hide behind, confronting the fact that he can no longer manipulate the constructions of form, or speak lies that tell the truth. In spite of these limitations, Siken chooses to write these poems and release them into a dangerous world. Each image, each sentence, is as direct as the American artist Jasper Johns’s shooting targets. Each poem is like a small room in a house, a room where you will be punched in the throat. As he claws himself back into a self, into a body, Siken has written a book that is unsettling and autobiographical by necessity, and its seventy-seven prose poems invite the reader to risk a difficult intimacy in search of yet deeper truths.

I Do Know Some Things

A classic Batsford poetry collection, now reissued with a stunning new cover.This calming anthology of nature poems, with one for every day of the year, is the perfect bedside companion to help you relax and unwind at the end of every day.Now more than ever we're in need of a daily fix of the natural world, to comfort and distract us from the cares of everyday life. Keep this beautiful book by your bedside and enjoy a dreamy stroll through nature every evening, just before you go to sleep. All the great, time-honoured poets are here - William Wordsworth, John Keats, Emily Dickinson, Robert Bridges - along with some newer and less well-known poetic voices. The poems reflect and celebrate the changing seasons: read Emily Brontë on bluebells in spring and Edward Thomas's evocative 'Adlestrop' in summer, then experience golden autumn with Hartley Coleridge and get some winter comfort from William Blake's 'To Winter'. Beautifully illustrated with scenes from each season, this wonderful book deserves a place on your bedside table for years to come.

A Nature Poem for Every Night of the Year

Explores the relationship between radical poetry and radical politics from the formation of the welfare state to the advent of Thatcherism

Poetry in Britain, 1945-1979

Living in History

SHORTLISTED FOR THE TS ELIOT PRIZE 2025 '(c) Codex' SHORTLISTED FOR THE FORWARD PRIZE FOR BEST SINGLE POEM 'Profound, sheer originality... a tantalising jigsaw puzzle of a book' Tristram Fane-Saunders, Telegraph In The New Carthaginians, time - and with it the world - is out of joint. A hijacked plane lands at Entebbe International Airport in 1976, triggering the crisis that will lead to Idi Amin's Uganda becoming a pariah state and, within a few years, to the young Nick Makoha's flight from the country. A mysterious writer daubs poetic slogans on the walls of late-'70s New York City, signing them SAMO(c). Three characters who are also one - the Poet, a Black Icarus and a resurrected Jean-Michel Basquiat - journey through a time that is both our own and not, watching TV, discussing art and literature and tucking their wings into their jackets on the way to airport security. Concerned throughout with flight and falling, the sample and the loop, The New Carthaginians is a poetry collection of staggering originality: a work by an author at the height of his powers, in which the familiar Western canons of art, history and philosophy are prised apart and reassembled in a new configuration. Drawing on Basquiat's technique of the 'exploded' collage, our heroes' odyssey gathers the symbols of a new mythos, through which the othering of Black life might be undone and the stage set for some fresh emergence, some transfigured understanding of myth and life. 'Hold that note,' writes the poet. 'In this place you are no longer the chorus ... In any future, remember you are a New Carthaginian.' A FINANCIAL TIMES BEST SUMMER BOOK OF POETRY 2025 'In this book, Nick Makoha has found an otherworldly, visionary voice and diction that arrest you from the first page and never let you go.' Jason Allen-Paisant, Winner of the TS Eliot Prize

The New Carthaginians

Looking at Women, Looking at War

"A poet renowned for her "wit and complexity" (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren't we all shape-shifters? Is any animal, vegetable, or mineral-even a commonplace object-what it seems to be at any given moment? Who isn't juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler's latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can't shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, a lullaby for adults, and a ten-minute play"--

A poet renowned for her “wit and complexity”&nbsp;(Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren’t we all shape-shifters? Is any animal, vegetable, or mineral—even a commonplace object—what it seems to be at any given moment? Who isn’t juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler’s latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can’t shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, and a ten-minute play.

Is This My Final Form?

From Robin Gow, the award-winning author of Dear Mothman, comes a gripping middle-grade novel in verse about a boy who digs up and loses control of a saber-toothed tiger Jasper’s favorite person is his older brother, Callan. They go on fossil-finding missions and stay up late while their parents work nights. Callan even helped Jasper pick out his new name when he came out as trans. But Callan starts to grow distant and leaves for college without taking Jasper on a promised fossil dig. Jasper feels abandoned—and angry. Who needs Callan? He will dig by himself, in his backyard. As he digs, he hears a voice: the bones of a saber-toothed tiger. He’s buried deep, and he wants Jasper to DIG. Jasper is sure a discovery like this could change the world, or at least get Callan to text him back. But as the saber-toothed tiger finds freedom, Jasper realizes he may have unleashed a monster that no one was ready for, and that anger can empower you—or destroy you.

Begin Where You Are

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