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Gesamtkatalog

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Argues that protest politics, represented by both the Tea Party and Occupy, respond to-and influence-politics in mainstream political institutions.

Argues that protest politics, represented by both the Tea Party and Occupy, respond to-and influence-politics in mainstream political institutions.

Meyer D: Battle for America

Battle for America

The Tea Party, Occupy, and Their Impact on Mainstream Politics

The American Revolution and the Atlantic Working Class

Empire Ablaze

A practical and caring workbook to help you simplify your taxes as a self-employed person, including mindset-shifting exercises, practical checklists, and simple systems to keep your US taxes feeling doable. In the Taxes for Humans Workbook, author Hannah Cole delivers a hands-on workbook for&nbsp;freelancers, solopreneurs, creatives, and students doing their best to navigate the American tax system. This Workbook supplements Cole's Taxes for Humans book with mindset exercises, checklists, helpful illustrations, and other practical tools you can use immediately to get your taxes done with confidence and simplify them moving forward. The resources in this book will help you get financially comfortable, smarter, and more organized. You'll learn simple systems to improve your tax records and bookkeeping processes. Set up sustainable, effective systems that keep you organized and compliant with the tax laws that govern Schedule C workers. You'll also find: <ul> <li>Bookkeeping and organization tools you can apply right away to make sense of your&nbsp;finances.</li> <li>Visuals that make taxes feel clear and understandable for visual learners. </li> <li>Mindset prompts that help you manage the emotional side of doing your taxes, and get out of your way to clear, easy management of your small business/freelance dollars.</li> </ul> Perfect for freelancers, artists, and other self-employed people, Taxes for Humans&nbsp;Workbook offers the tools and resources you need to successfully navigate your taxes with calm, confidence and self-compassion.&nbsp;

Taxes for Humans Workbook

The Politics of Presidential Mercy

The Pardon

Economics is sold as pure and apolitical: scientific, neutral, exact. This urgent book exposes its true role: to convince us there's no alternative to capitalism. We live in a world dominated by the dogma that austerity is necessary, unemployment natural, endless wars inevitable and central banks all-powerful. It doesn't have to be this way.In her bold, groundbreaking manifesto, economist Clara E. Mattei tears the mask off our economic system. She unpacks key concepts like growth, inflation, unemployment and balanced budgets to show how they're weaponized to enforce market dependence, not freedom, stripping us of the power to shape the democratic decisions that govern our daily lives. Enduring problems such as poverty and inequality are not accidents or bugs in the economy, but core features - justified with pseudoscientific models to support a system that unfairly rewards people with the most resources.Why should we accept this? Capitalism, Mattei argues, isn't inevitable, scientific, or natural - it's a relatively young system that can be replaced. Inspired by a lineage of political resistance, Escape From Capitalism calls for us to challenge the broken economics of our times, and pave the way towards liberation.

Economics is Political, and Other Liberating Truths

Escape From Capitalism

A fascinating biography of the philanthropist Albert Barnes, whose pioneering collection of modern art was meant to transform America’s soulFrom prominent critic and biographer Blake Gopnik comes a compelling new portrait of America’s first great collector of modern art, Albert Coombs Barnes. Raised in a Philadelphia slum shortly after the Civil War, Barnes rose to earn a medical degree and then made a fortune from a pioneering antiseptic treatment for newborns. Never losing sight of the working-class neighbors of his youth, Barnes&nbsp;became a ruthless advocate for their rights and needs. His vast art collection—181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos—was dedicated to enriching their cultural lives. A miner was more likely to get access than a mine owner.Gopnik’s meticulous research reveals Barnes as a fierce advocate for the egalitarian ideals of his era’s progressive movement. But while his friends in the movement worked to reshape American society, Barnes wanted to transform the nation’s aesthetic life, taking art out of the hands of the elite and making it available to the average American.The Maverick’s Museum&nbsp;offers a vivid picture of one of America’s great eccentrics. The sheer ferocity of Barnes’s democratic ambitions left him with more enemies than allies among people of all classes, but for a circle of intimates, he was a model of intelligence, generosity, and loyalty. In this compelling portrait, Gopnik reveals a life shaped by contradictions, one that left a lasting impact.

Albert Barnes and His American Dream

The Maverick's Museum

The Enduring Search by Formerly Enslaved People to Find Their Lost Families

Last Seen

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

Islam of the Global West

Rethinking Boundaries, Inequities, and Faith in the Republic

Muslim and Catholic Experiences of National Belonging in France

Blacklists, McCarthyism, and the Making of Modern America

Red Scare

The perfect holiday read for fans of Taylor Jenkins Reid

The Three Lives of Cate Kay

A History of Iran–US Relations

Axis of Empire

Scholars and contemporary artists reckon with decommissioned monuments, examining fraught narratives of the legacy of the Civil War and slavery as well as national identity in the United StatesThis volume features a selection of decommissioned monuments, many of them Confederate, presented alongside contemporary artworks that address American history and national identity. MONUMENTS, which accompanies the eponymous exhibition, marks the last several years of monument removals as a historic moment and aims to build a better understanding of our shared history and ideals, while holding the monuments accountable to the present. Featuring contributions by the exhibition curators, Bennett Simpson, Hamza Walker and Kara Walker, as well as scholars, poets and artists, the publication attends to the social, political, historical and art historical context of these monuments as well as the legacies of the people and events they commemorate. It includes additional essays by Sven Beckert, Emily Bingham, Thomas J. Brown, Karen Cox, Hilary N. Green, Grace Elizabeth Hale, Michael Lobel, Dani R. Merriman, Charmaine A. Nelson, Michael Ralph, Kirk Savage, Cherise Smith, Tsione Wolde-Michael and Dell Upton, and contributions by Derrick Austin, Mark Thomas Gibson, David Hartt, Ashley M. Jones, Melissa Lyttle and Kiki Petrosino. Artists include: Bethany Collins, Karon Davis, Abigail DeVille, Stan Douglas, Leonardo Drew, Torkwase Dyson, Kevin Jerome Everson, Nona Faustine, Jon Henry, Kahlil Robert Irving, Monument Lab, Walter Price, Martin Puryear, Andres Serrano, Cauleen Smith, Hank Willis Thomas, Davone Tines, Kara Walker. This book was published in association with The Museum of Contemporary Art, Los Angeles; The Brick.

MONUMENTS

Battle for America

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