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Ramírez M: Banished Citizens

Banished Citizens

A History of the Mexican American Women Who Endured Repatriation

The State, Resource Politics and Development

Zimbabwe's Diamond Trade

Lady Frances, Lady Betty and the Marriage of Four

Burn This Letter

LONGLISTED FOR THE PLUTARCH AWARD FOR BEST BIOGRAPHYA riveting history about the little-known rivalry between Margaret Sanger and Mary Ware Dennett that profoundly shaped reproductive rights in AmericaIn the 1910s, as the birth control movement was born, two leaders emerged: Margaret Sanger and Mary Ware Dennett. While Sanger would go on to found Planned Parenthood, Dennett's name has largely faded from public knowledge. Each held a radically different vision for what reproductive autonomy and birth control access should look like in America. Few are aware of the fierce personal and political rivalry that played out between Sanger and Dennett over decades-a battle that had a profound impact on the lives of American women. Meticulously researched and vividly drawn,&nbsp;The Icon and the Idealist&nbsp;reveals how and why these two women came to activism, the origins of the clash between them, and the ways in which their missteps and breakthroughs have reverberated across American society for generations. With deep archival scope and rigorous execution,&nbsp;Stephanie Gorton&nbsp;weaves together a personal narrative of two fascinating women and the political history of a country rocked by changing social norms, the Depression, and a fervor for eugenics. Refusing to shy away from the enmeshed struggles of race, class, and gender, Gorton has made a sweeping examination of every force that has come in the way of women's reproductive freedom. Brimming with insight and compelling portraits of women's struggles throughout the twentieth century,&nbsp;The Icon and the Idealist&nbsp;is a comprehensive history of a radical cultural movement.&nbsp;

SHORTLISTED FOR THE PLUTARCH AWARD FOR BEST BIOGRAPHYA riveting history about the little-known rivalry between Margaret Sanger and Mary Ware Dennett that profoundly shaped reproductive rights in AmericaIn the 1910s, as the birth control movement was born, two leaders emerged: Margaret Sanger and Mary Ware Dennett. While Sanger would go on to found Planned Parenthood, Dennett’s name has largely faded from public knowledge. Each held a radically different vision for what reproductive autonomy and birth control access should look like in America.Few are aware of the fierce personal and political rivalry that played out between Sanger and Dennett over decades—a battle that had a profound impact on the lives of American women. Meticulously researched and vividly drawn,&nbsp;The Icon and the Idealist&nbsp;reveals how and why these two women came to activism, the origins of the clash between them, and the ways in which their missteps and breakthroughs have reverberated across American society for generations.With deep archival scope and rigorous execution,&nbsp;Stephanie Gorton&nbsp;weaves together a personal narrative of two fascinating women and the political history of a country rocked by changing social norms, the Depression, and a fervor for eugenics. Refusing to shy away from the enmeshed struggles of race, class, and gender, Gorton has made a sweeping examination of every force that has come in the way of women’s reproductive freedom.Brimming with insight and compelling portraits of women’s struggles throughout the twentieth century,&nbsp;The Icon and the Idealist&nbsp;is a comprehensive history of a radical cultural movement.&nbsp;

Margaret Sanger, Mary Ware Dennett, and the Rivalry That Brought Birth Control to America

The Icon and the Idealist

The General Strike of 1926

Nine Days in May

Architect Frida Escobedo's early project Split Subject deconstructs a fraught allegory of national identity and modernism in Mexico. Frida Escobedo: Split Subject unpacks it and traces its influence throughout her career, and includes essays by Julieta Gonzalez, Alejandro Hernández, Erika Naginski, Doris Sommer and José Falconi, and Irene Sunwoo.

Architect Frida Escobedo’s early project Split Subject deconstructs a fraught allegory of national identity and modernism in Mexico. Frida Escobedo: Split Subject unpacks it and traces its influence throughout her career, and includes essays by Julieta Gonzalez, Alejandro Hernández, Erika Naginski, Doris Sommer and José Falconi, and Irene Sunwoo.

Split Subject

Frida Escobedo

The Keystone State Decides

Pennsylvania's Debate to Ratify the Federal Constitution of 1787

How Social Change Has Transformed Crime and the Life Trajectories of Young Americans

Marked by Time

Storying the Immobilities of Gender Violence in the UK and Mexico

A Muslim Community Story

Ramadan for Everyone

Legislative Norms in an Era of Conflict

The Folkways of Congress

"[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It's a stunner." -Publishers Weekly (starred review)"[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead" -Los Angeles TimesWinner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death. In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite--a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs. Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación-friends and sometimes rivals- stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death. Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo's importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize. Translated from the Spanish by Elizabeth Bryer

“[A] rich and lyrical tale of desperation and redemption . . . Throughout, Sainz Borgo applies stark poetry to the terrifying setting, where 'moans and cries attributed to ghosts sometimes masked executions and beatings.' It’s a stunner.” —Publishers Weekly (starred review)“[A] deeply felt meditation on migration, mourning and the simultaneous entanglement and estrangement of the living and the dead” —Los Angeles TimesWinner of the 2023 Jan Michalski Prize, a searing novel of loss and resilience that illuminates the often-overlooked human dimension of the migrant crisis, re-imagining the border as a dreamlike purgatory bridging life and death.In an unnamed Latin American country, a mysterious plague quickly spreads, erasing the memory of anyone infected. Angustias Romero flees with her family, but their flight is tragically cut short when she loses both her children. Consumed by grief, she finds herself within the hallucinatory expanse of Mezquite––a town corrupted by greed and populated by storytellers, refugees, and violent, predatory gangs.Here, Angustias is finally able to lay her children to rest at the Third Country, a cemetery run by the larger-than-life Visitación Salazar and a refuge beyond suffering and fear. While Visitación remains defiant in her mission to care for the dead, the cemetery she oversees is the focal point of a bitter land dispute with Alcides Abundio, the most feared landowner of the border. Caught in this power struggle, Angustias and Visitación–friends and sometimes rivals– stand their ground on a frontier where the law is dictated by violence; a surreal territory whose very nature blurs the boundaries between life and death.Exploring what we are capable of and how far we will go when we have nothing to lose, No Place to Bury the Dead confirms Karina Sainz Borgo’s importance amongst the voices of modern Latin American literature, merging thriller, western, and classic tragedy in an unforgettable and urgent novel that won the 2023 Jan Michalski Prize.Translated from the Spanish by Elizabeth Bryer

A Novel

No Place to Bury the Dead

Unti9780063422506

Banished Citizens

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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