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Calling all type nerds! Get ready for a chatty and opinionated, deeply nerdy history of how 16 of the most famous typefaces were made and why they look the way they do. Who were their "parents" and "family"? Where do they come from and how were they born? And what was happening in the world at the time that influenced their growth and use? What's pretty and interesting about them, and what isn't? How are the typefaces used (and abused), and where can we find them "in the wild"? Finally, and most importantly, Back to Font will help you decide whether to kiss, kill, or marry that typeface. An entertaining yet authoritative text by two Australian academics will be enhanced by color illustrations showing typefaces in use. Based on the authors' podcast The Type Pod. Warning: this book may cause you to rethink your default font settings. Contents: Times New Roman / Gill Sans / Futura / Bodoni / Goudy / Baskerville / Akzidenz Grotesk / Mrs Eaves / Trajan / Novarese / Bell Centennial / Foundry Sterling / Transport / Zapf Dingbats / Univers / Papyrus

Nottingham A: Back to Font

Back to Font

Behind the Typefaces You Thought You Knew

Dress, Body, Culture

"This new edition of Fashion under Fascism expands the work of Eugenia Paulicelli's classic text - and includes updated material on gender and masculinity, the role of uniforms in standardizing individuality, race and colonial Italy, and the reception of 1930s cinema. Paulicelli explores the subtle yet sinister changes to the seemingly innocuous practices of everyday dress and shows why they were such a concern for the state, while demonstrating how these developments impacted the global dominance of Italian fashion today. Including interviews with major designers, it is an essential read for all those interested in the history of fashion, politics, national identity and the culture of fascism"--

Looking at the dark history of Italian fashion by focusing on the impact of 1930s Fascism, this is the second edition of Eugenia Paulicelli's classic text. In Fashion under Fascism, Paulicelli explores the subtle yet sinister changes to the seemingly innocuous practices of everyday dress and shows why they were such a concern for the state. Importantly, she also demonstrates how these developments impacted on the global dominance of Italian fashion today. Alongside interviews with major designers, such as Fernanda Gattinoni and Micol Fontana, this newly expanded revised edition includes updated material on gender and masculinity, the role of uniforms in standardizing individuality, race and colonial Italy, and the reception of 1930s cinema. It sheds new light on the complicated relationship between style and politics and is an essential read for all those interested in the history of fashion, politics, national identity and the culture of fascism.

Beyond the Black Shirt

Fashion under Fascism

Pick up your pen, paintbrush or stylus, and learn to create uplifting art with this delightful step-by-step guide to drawing your very own mantras!&nbsp;

Embark on a delightful journey into the world of drawing your own mantras with this insightful guide! Get ready to nurture your creative spirit as you explore the art of crafting personal affirmations that resonate with your soul. Whether you're a hobbyist seeking a meditative escape or someone passionate about infusing positivity into your daily routine, this book offers a perfect blend of creativity and mindfulness. Dive into the joy of hand lettering, calligraphy strokes, and illustration, making the process both therapeutic and fulfilling. Discover the magic of drawing your affirmations—capturing the essence of your intentions on paper and allowing them to become a powerful tool for self-reflection and growth. ​Let this guide be your companion as you unlock the art of creating meaningful mantras that not only inspire you but also leave a lasting imprint on your daily life.

Create empowering affirmation art

Draw Your Own Mantra

Graphis Advertising Annual

Explore the A to Z of modern advertising. Graphis Advertising 2025&nbsp;From Issey Miyake's architectural style to Netflix key art, this comprehensive volume features over 400 award-winning pieces of styles, movements, and trends that have shaped international advertising this past year. A phenomenal homage to some of the finest work selected by an acclaimed international jury of ad agencies creative directors. Each ad takes readers behind the scenes of the imagery with personal tales of inspiration and the passion, intent, and results behind each project.

Graphis Advertising Annual 2025

kriegundfreitag

kriegundfreitag: Postkartenkalender 2026

An insider's perspective on the diversity of textile traditions, culture and religious practices across Muslim cultures.

Textiles and clothing are interwoven with Islamic culture. In Islamicate Textiles, readers are taken on a journey from Central Asia to Tanzania to uncover the central roles that textiles play within Muslim-majority communities.

This thematically arranged book sheds light on the traditions, rituals and religious practices of these regions, and the ways in which each one incorporates materials and clothing. Drawing on examples including Iranian lion carpets and Arabic keffiyeh, Faegheh Shirazi frames these textiles and totemic items as important cultural signifiers that, together, form a dynamic and fascinating material culture. Like a developing language, this culture expands, bends and develops to suit the needs of new generations and groups across the world.

The political significance of Islamicate textiles is also explored: Faegheh Shirazi’s writing reveals the fraught relationship between the East – with its sought-after materials and much-valued textiles – and the European countries that purchased and repurposed these goods, and lays bare the historical and contemporary connections between textiles, colonialism, immigration and economics. Dr Shirazi also discusses gender and how textiles and clothing are intimately linked with sexuality and gender identity.

Fashion, Fabric, and Ritual

Islamicate Textiles

The 1970s is often considered the period that design forgot. In Private sets out to challenge this view, offering a cultural history of domestic interior design in Britain and America over the course of a decade that shaped the contemporary relationship between fashion and interiors. 

With each chapter dedicated to a different room in the house, this collection explores style, design and socio-cultural influence from the sitting room to the sauna, and from the kitchen to the conservatory. Considering the key critical discourses which arise from the style and function of each space, In Private looks at how the public sphere informed the decorating styles, furniture and furnishing of the private home, from shag pile carpets to Swedish duvets.

Demonstrating how the cultural environment of the 1970s sparked the ideas, styles and practices that have become common currency in today's interior design, the book examines questions of sensuality, tactility, fashion, fantasy and gender. Beautifully illustrated and packed with original research, it provides an insight into 1970s innovation and eclecticism in fashion, textiles and the domestic interior.

The 1970s is often considered the period that design forgot. In Private sets out to challenge this view, offering a cultural history of domestic interior design in Britain and America over the course of a decade that shaped the contemporary relationship between fashion and interiors. 

With each chapter dedicated to a different room in the house, this book explores style, design and socio-cultural influence from the sitting room to the sauna, and from the kitchen to the conservatory. Considering the key critical discourses which arise from the style and function of each space, In Private looks at how the public sphere informed the decorating styles, furniture and furnishing of the private home, from shag pile carpets to Swedish duvets.

Demonstrating how the cultural environment of the 1970s sparked the ideas, styles and practices that have become common currency in today’s interior design, the book examines questions of sensuality, tactility, fashion, fantasy and gender. Illustrated throughout and packed with original research, it provides an insight into 1970s innovation and eclecticism in fashion, textiles and the domestic interior.

Interior Design as Lifestyle in the 1970s Home

In Private

The Book-Makers is a celebration of 550 years of the printed book, told through the lives of eighteen extraordinary men and women who took the book in radical new directions: printers and binders, publishers and artists, paper-makers and library founders. This is a story of skill, craft, mess, cunning, triumph, improvisation, and error. Some of these names we know. We meet jobbing printer (and American Founding Father) Benjamin Franklin. We watch Thomas Cobden-Sanderson conjure books that flicker between the early twentieth century and the fifteenth. Others have been forgotten. We don't remember Sarah Eaves, wife of John Baskerville, and her crucial contribution to the history of type. Nor Charles Edward Mudie, populariser of the circulating library - and the most influential figure in book publishing before Jeff Bezos. Nor William Wildgoose, who meticulously bound Shakespeare's First Folio, and then disappeared from history. The Book-Makers puts people back into the story of the book. It takes you inside the print-shop as the deadline looms and the adrenaline flows - from 1492 Fleet Street to 2023 New York. It's a story of contingencies and quirks, of successes and failures, of routes forward and paths not taken. The Book-Makers is a history of book-making that leaves ink on your fingers, and it shows why the printed book will continual to flourish.

A History of the Book in 18 Remarkable Lives

The Book-Makers

Social Histories of Medicine

Colour and the Modern British Hospital

Feeling Blue

"Shoes are everyday objects but they are loaded with meaning. This study reveals how shoes played a powerful role in the wider story of shifts in gender relations in eighteenth-century Britain. It focuses on the relationship of shoes with the body and its movements, and therefore how what we wear on our feet relates closely to social, occupational and gender roles. It also uses footwear to explore topics such as politics, war, dance and disability"--

Shoes are everyday objects but they are loaded with meaning. This book reveals how shoes played a powerful role in the wider story of shifts in gender relations in 18th-century Britain. It focuses on the relationship of shoes with the body and its movements, and therefore how what we wear on our feet relates closely to social, occupational and gender roles. It also uses footwear to explore topics such as politics, war, dance and disability. Thinking about shoes as material objects, McCormack studied historic shoes first-hand in museums, in order to ascertain their physical properties and what they would have been like to wear. Worn shoes preserve traces of the wearer’s body in their indentations, stretches and scuffs, providing a unique primary source about their wearer. This approach forges new connections between the histories or material culture, gender and the body, and sheds new light on what it meant to be a man in the 18th century.

Shoes and the Georgian Man

An adventurous collection that examines how the design field has consistently failed to attract and support Black professionals—and how to create an anti-racist, pro-Black design industry instead. An Anthology of Blackness examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in An Anthology of Blackness include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, An Anthology of Blackness is a pioneering contribution to the literature of social justice. Contributors Kprecia Ambers, Jazmine Beatty, Anne H. Berry, John Brown VI, Nichole Burroughs, Antionette D. Carroll, Jillian M. Harris, Asher Kolieboi, Terrence Moline, Tracey L. Moore, Lesley-Ann Noel, Pierce Otlhogile-Gordon, Jules Porter, Stacey Robinson, Melanie Walby, Jacinda N. Walker, Kelly Walters, Jennifer White-Johnson, Maya Aduba Williams, S. Alfonso Williams

An adventurous collection that examines how the design field has consistently failed to attract and support Black professionals—and how to create an anti-racist, pro-Black design industry instead. An Anthology of Blackness examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in An Anthology of Blackness include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, An Anthology of Blackness is a pioneering contribution to the literature of social justice. Contributors Kprecia Ambers, Jazmine Beatty, Anne H. Berry, John Brown VI, Nichole Burroughs, Antionette D. Carroll, Jillian M. Harris, Asher Kolieboi, Terrence Moline, Tracey L. Moore, Lesley-Ann Noel, Pierce Otlhogile-Gordon, Jules Porter, Stacey Robinson, Melanie Walby, Jacinda N. Walker, Kelly Walters, Jennifer White-Johnson, Maya Aduba Williams, S. Alfonso Williams

The State of Black Design

Anthology of Blackness, An

Mit Heinz Erhardt durch 2026! 
In diesem wunderschönen Kalender zum Hinhängen oder Hinstellen verbinden&nbsp;sich die grandiose Sprachkunst Heinz Erhardts mit der wunderbaren Kunst der Typographie. Woche für Woche zeigt dieser Postkartenkalender die besten Sprüche, Verse und Aphorismen des Sprachgroßmeisters in immer wieder neuem Lettering! Einzigartige und wunderschöne Karten zum Verschicken, Hinhängen, Sammeln und Amüsieren 
<ul><li>53 Zitate, Sprüche und Aphorismen auf heraustrennbaren Postkartenkalender</li><li>Jede Postkarte ist individuell wunderbar gestaltet</li><li>Zum Verschenken und Sammeln</li></ul>

Heinz Erhardt Postkartenkalender 2026

On any given day, millions of people will read e-books. Yet many of us will do so while holding them apart from 'real books'. The fact that a book can be worthy - of our time, money, respect, even love - without being 'real' is a fascinating paradox of twenty-first century reading. Drawing on original data from a longitudinal study, Laura Dietz investigates how movement between conceptions of e-books as ersatz, digital proxy, and incomplete books serves readers in unexpected ways. The cultural value of e-books remains an area of intense debate in publishing studies. Exploring the legitimacy of e-books in terms of their 'realness' and 'bookness', Dietz enriches our understanding of what e-books are, while also opening up new ways of thinking about how we imagine, how we use, and what we want from books of every kind. This title is also available as Open Access on Cambridge Core.

Laura Dietz explores a paradox of the e-book revolution: mass adoption without full acceptance as 'real books'. Drawing on new data, she investigates how conceptions of e-books as ersatz, digital proxy, and incomplete books serve readers in unexpected ways. This title is also available as Open Access on Cambridge Core.

Digital Reading and the Experience of Bookness

E-books and ‘Real Books’

Back to Font

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