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Warning: this book may cause you to rethink your default typeface settings.

Warning: this book may cause you to rethink your default typeface settings.

Nottingham A: Back to Font / LF

Back to Font

Behind the Typefaces You Thought You Knew

From "All the Way with LBJ" to red MAGA hats, famous and infamous slogans, logos, signage, and accessories are compiled in a striking visual encyclopedia covering presidential elections from 1900 to 2024. Presidential campaigns emerge in state fairs, stump speeches, and selfie lines; but when the crowds disperse and after ballots are cast, movements live on in posters, logos, slogans, and accessories. From Hillary Clinton's "I'm With Her" pins to Warren Harding's "Return to Normalcy" banners, from buttons emblazoned with Dwight Eisenhower's trademark "I Like Ike" to Shepard Fairey's iconic "HOPE" poster for Barack Obama and Joe Biden's "Build Back Better" slogan, campaign materials and supporter-made paraphernalia serve as portals into the complex nature of American politics, values, and emotions. This collection of visual messaging, brimming with over five hundred punchy color images from United States presidential campaigns from the turn of the twentieth century to today, contains the bold graphics, quippy one-liners, and cutting-edge designs that shaped the way America viewed its would-be leaders and revealed the way its would-be leaders viewed America in return. Presidential candidates might range from policy wonks to moral champions to experienced leaders, but they all rely on expert branding to convey their unique platforms to the public. In the fast-moving age of social media, this tangible display of effective--and regrettable--American artifacts is destined to delight political junkies and design aficionados of all stripes.

From “All the Way with LBJ” to red MAGA hats, famous and infamous slogans, logos, signage, and accessories are compiled in a striking visual encyclopedia covering presidential elections from 1900 to 2024.

Presidential campaigns emerge in state fairs, stump speeches, and selfie lines; but when the crowds disperse and after ballots are cast, movements live on in posters, logos, slogans, and accessories. From Hillary Clinton's “I’m With Her” pins to Warren Harding’s “Return to Normalcy” banners, from buttons emblazoned with Dwight Eisenhower's trademark “I Like Ike” to Shepard Fairey's iconic “HOPE” poster for Barack Obama and Joe Biden’s “Build Back Better” slogan, campaign materials and supporter-made paraphernalia serve as portals into the complex nature of American politics, values, and emotions.

This collection of visual messaging, brimming with over five hundred punchy color images from United States presidential campaigns from the turn of the twentieth century to today, contains the bold graphics, quippy one-liners, and cutting-edge designs that shaped the way America viewed its would-be leaders and revealed the way its would-be leaders viewed America in return. Presidential candidates might range from policy wonks to moral champions to experienced leaders, but they all rely on expert branding to convey their unique platforms to the public.

In the fast-moving age of social media, this tangible display of effective—and regrettable—American artifacts is destined to delight political junkies and design aficionados of all stripes.

The Slogans, Logos, and Designs of America’s Presidential Elections: Updated Edition

Words to Win By

Mit Heinz Erhardt durch 2026! 
In diesem wunderschönen Kalender zum Hinhängen oder Hinstellen verbinden&nbsp;sich die grandiose Sprachkunst Heinz Erhardts mit der wunderbaren Kunst der Typographie. Woche für Woche zeigt dieser Postkartenkalender die besten Sprüche, Verse und Aphorismen des Sprachgroßmeisters in immer wieder neuem Lettering! Einzigartige und wunderschöne Karten zum Verschicken, Hinhängen, Sammeln und Amüsieren 
<ul><li>53 Zitate, Sprüche und Aphorismen auf heraustrennbaren Postkartenkalender</li><li>Jede Postkarte ist individuell wunderbar gestaltet</li><li>Zum Verschenken und Sammeln</li></ul>

Mit Heinz Erhardt durch 2026! In diesem wunderschönen Kalender zum Hinhängen oder Hinstellen verbinden&nbsp;sich die grandiose Sprachkunst Heinz Erhardts mit der wunderbaren Kunst der Typographie. Woche für Woche zeigt dieser Postkartenkalender die besten Sprüche, Verse und Aphorismen des Sprachgroßmeisters in immer wieder neuem Lettering! Einzigartige und wunderschöne Karten zum Verschicken, Hinhängen, Sammeln und Amüsieren <ul><li>53 Zitate, Sprüche und Aphorismen auf heraustrennbaren Postkartenkalender</li><li>Jede Postkarte ist individuell wunderbar gestaltet</li><li>Zum Verschenken und Sammeln</li></ul>

Heinz Erhardt Postkartenkalender 2026

Elements in Publishing and Book Culture

This Element first sets the history of printing in Japan in its East Asian context, showing how developments in China, Korea and elsewhere had an impact upon Japan. It then reexamines printing in seventeenth-century Japan and in particular explores the reasons why Japanese printers abandoned typography less than fifty years after it was introduced.

This Element first sets the history of printing in Japan in its East Asian context, showing how developments in China, Korea and elsewhere had an impact upon Japan. It then reexamines printing in seventeenth-century Japan and in particular explores the reasons why Japanese printers abandoned typography less than fifty years after it was introduced.

Printing Technologies and Book Production in Seventeenth-Century Japan

Exploring how the name of Liberty became synonymous with Aestheticism and the English Art Nouveau Movement, and its role in shaping contemporary late-nineteenth- and early-twentieth-century Artistic Dress. Liberty’s dress department opened in 1884, headed by Edward William Godwin, an architect with a multi-faceted career and an important figure in the Aesthetic Movement. From the mid-nineteenth-century, women fought against restrictive clothing such as tight-laced corsets and heavy petticoats which were harmful to their health and chose instead to dress in looser fitting dresses, coloured with natural dyes and ornamented with embroidery and needlework. Liberty was at the forefront of Aestheticism with their recognisable soft drapeable silks, transparent textiles and fabrics imported from parts of Asia and the Middle East and their customers were an eclectic mix of women who wanted to dress artistically and stand out from the crowd. Liberty was the chosen resort of the artistic shopper. With archival materials and previously unpublished pattern books, Anna Buruma navigates Liberty’s role in artistic dress. Examining how their idiosyncratic fashions of Greek and Roman style evening dress and medieval tea gowns translated into late nineteenth and early twentieth century fashionable dress. Liberty sustained their popularity through good taste and willingness to expand into new markets. From their flourishing commitment to Aestheticism to becoming a trail-blazer for the Art Nouveau movement which would emerge from it, Artistic Dress at Liberty &amp; Co: The Early Years is the go-to source for the early history of Liberty’s dress department.

The Early Years

Artistic Dress at Liberty & Co

Fashion in the French Revolution looks at the elaborate dress of French society and the court in the 1780s and the way in which plain clothing became identified with "democracy". Illustrated in full color throughout and with many new additional images, this extensively revised edition of Fashion in the French Revolution looks at the elaborate dress worn by the elite in the 1780s, and then the impact on people's lives and clothing as a result of the events of 1789 onwards. This was a period in which, for the first time, what one wore was radically affected by revolutionary politics and plain clothing became identified with 'democracy'. Award-winning dress historian Aileen Ribeiro skilfully weaves analysis of paintings, engravings, fashion plates and extant garments to reveal how clothing at all levels in society changed as a result. This new edition, as relevant, informative and provocative as when it was first published in 1988, brings the classic Fashion in the French Revolution to a new generation of readers interested in dress history, fine art, European 18th century history, and all those interested in intelligent, articulate and informed discussion of the period.

New Edition

Fashion in the French Revolution

50 Postcards from 10 Decades

Jane Austen at Penguin

"When World War II ended, a textile famine loomed. Garments were chronically scarce. What would everyone wear as uniforms were discarded and soldiers returned home, Nazi camps were liberated, and millions of refugees struggled to subsist? Making Do examines the crucial role of clothing in refashioning lives after devastating violence"--

Britons and the Refashioning of the Postwar World

Making Do

Social Histories of Medicine

Feeling blue is the first historical study of colour in modern British hospitals. The book uses colour to understand the layered meanings of modernity in twentieth-century Britain and its relationship to the 'mundane' or everyday life of hospitals. Colour has long been a crucial part of hospital design and the daily activity of hospitals, from the uniforms that mark out different jobs, to the colour schemes that sort hospital waste. Despite this importance, the history of hospital colour is often overlooked as a subject of study. This book examines colour in relation to six key themes - hygiene, emotion, humanisation, homeliness, play and consumerism - which are tied together by the idea of the 'modern' hospital. The book does not simply describe changes to the appearance of hospitals over time, but instead thinks expansively about the role of colour in shaping how hospitals felt. Feeling blue opens important new understandings of a wide range of subjects including histories of emotions, health, politics, design, architecture, culture and society, and offers a new framework for thinking about 'modernity' and change over time.

Colour and the Modern British Hospital

Feeling Blue

A Fashion Revolutionary

Vivienne Westwood

Dress and Fashion Research

Dress and Identity in America is an examination of the conservatism and materialism that swept across the country in the late 1940s through the 1950s-a backlash to the wartime tumult, privations, and social upheavals of the Second World War. The study looks at how American men sought to recapture a masculine identity from a generation earlier, that of the stoic patriarch, breadwinner, and dutiful father, and in the process, became the men in the gray flannel suits who were complacently conventional and conformist. Parallel to that is a look at how American women, who had donned pants and went to work in wartime munitions factories or joined services like the WACS and WAVES, were now expected to stay at home as housewives and mothers, dressed in cinched, ultrafeminine New Look fashions. As the Space Age dawned, their baby boom children rejected the conventions of their elders and experimented with their own ideas of identity and dress in an emerging era of counterculture revolutions.

Dress and Identity in America is an examination of the conservatism and materialism that swept across the country in the late 1940s through the 1950s—a backlash to the wartime tumult, privations, and social upheavals of the Second World War.

The study looks at how American men sought to recapture a masculine identity from a generation earlier, that of the stoic patriarch, breadwinner, and dutiful father, and in the process, became the men in the gray flannel suits who were complacently conventional and conformist. Parallel to that is a look at how American women, who had donned pants and went to work in wartime munitions factories or joined services like the WACS and WAVES, were now expected to stay at home as housewives and mothers, dressed in cinched, ultrafeminine New Look fashions. 

As the Space Age dawned, their baby boom children rejected the conventions of their elders and experimented with their own ideas of identity and dress in an emerging era of counterculture revolutions.

The Baby Boom Years 1946-1964

Dress and Identity in America

An adventurous collection that examines how the design field has consistently failed to attract and support Black professionals—and how to create an anti-racist, pro-Black design industry instead. An Anthology of Blackness examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in An Anthology of Blackness include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, An Anthology of Blackness is a pioneering contribution to the literature of social justice. Contributors Kprecia Ambers, Jazmine Beatty, Anne H. Berry, John Brown VI, Nichole Burroughs, Antionette D. Carroll, Jillian M. Harris, Asher Kolieboi, Terrence Moline, Tracey L. Moore, Lesley-Ann Noel, Pierce Otlhogile-Gordon, Jules Porter, Stacey Robinson, Melanie Walby, Jacinda N. Walker, Kelly Walters, Jennifer White-Johnson, Maya Aduba Williams, S. Alfonso Williams

An adventurous collection that examines how the design field has consistently failed to attract and support Black professionals—and how to create an anti-racist, pro-Black design industry instead. An Anthology of Blackness examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in An Anthology of Blackness include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, An Anthology of Blackness is a pioneering contribution to the literature of social justice. Contributors Kprecia Ambers, Jazmine Beatty, Anne H. Berry, John Brown VI, Nichole Burroughs, Antionette D. Carroll, Jillian M. Harris, Asher Kolieboi, Terrence Moline, Tracey L. Moore, Lesley-Ann Noel, Pierce Otlhogile-Gordon, Jules Porter, Stacey Robinson, Melanie Walby, Jacinda N. Walker, Kelly Walters, Jennifer White-Johnson, Maya Aduba Williams, S. Alfonso Williams

The State of Black Design

An Anthology of Blackness

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