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Warning: this book may cause you to rethink your default typeface settings.

Warning: this book may cause you to rethink your default typeface settings.

Nottingham A: Back to Font / LF

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Behind the Typefaces You Thought You Knew

In Reading Design, noted architect Craig Hodgetts sorts through the myriad of things that surround us with an eye trained by years of teaching at UCLA's world class School of Architecture. Since the success of the precedent-setting Blueprints for Modern Living exhibition at the Los Angeles Museum of Contemporary Art (MOCA), Hodgetts has been immersed in the selection and appreciation of objects that are not only outstanding examples of contemporary design, but that exude an emotional connection to evolving lifestyles - attributes that range from the sublime to the brutal. Consisting of over two hundred hand drawn sketches illuminating themes and bold departures from the norm, this book can change the way we look at things, and break down the barriers that markets and tastemakers erect by their recommendations.

The Visual Language of Common Objects

Reading Design

A Fashion Revolutionary

Vivienne Westwood

Louis-René Boquet Between Tradition and Reform

Performance Costume in 18th-Century France

Dress Cultures

Focussing on prisoner clothing in the Auschwitz concentration camp, Dress in Auschwitz examines clothing's profound importance to the inmates' physical, psychological, and spiritual survival, through primary sources and survivors' experiences.

Focussing on prisoner clothing in the Auschwitz concentration camp, Dress in Auschwitz examines clothing's profound importance to the inmates' physical, psychological, and spiritual survival, through primary sources and survivors’ experiences.

Clothing and Survival in the Holocaust

Dress in Auschwitz

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities. From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories. A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today. For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

A guidebook to the institutional transformation of design theory and practice by restoring the long-excluded cultures of Indigenous, Black, and People of Color communities. From the excesses of world expositions to myths of better living through technology, modernist design, in its European-based guises, has excluded and oppressed the very people whose lands and lives it reshaped. Decolonizing Design first asks how modernist design has encompassed and advanced the harmful project of colonization—then shows how design might address these harms by recentering its theory and practice in global Indigenous cultures and histories. A leading figure in the movement to decolonize design, Dori Tunstall uses hard-hitting real-life examples and case studies drawn from over fifteen years of working to transform institutions to better reflect the lived experiences of Indigenous, Black, and People of Color communities. Her book is at once enlightening, inspiring, and practical, interweaving her lived experiences with extensive research to show what decolonizing design means, how it heals, and how to practice it in our institutions today. For leaders and practitioners in design institutions and communities, Tunstall’s work demonstrates how we can transform the way we imagine and remake the world, replacing pain and repression with equity, inclusion, and diversity—in short, she shows us how to realize the infinite possibilities that decolonized design represents.

A Cultural Justice Guidebook

Decolonizing Design

Exploring how the home economics movement offered an alternative to mainstream modernist architecture - one which foregrounded women, participatory design, sustainability, and accommodated the disabled body.

Exploring how the home economics movement offered an alternative to mainstream modernist architecture – one which foregrounded women, participatory design, sustainability, and accommodated the disabled body.

Home Economics and the Design of Domestic Space in the US, 1900-1960

Another Modernism

The 1970s is often considered the period that design forgot. In Private sets out to challenge this view, offering a cultural history of domestic interior design in Britain and America over the course of a decade that shaped the contemporary relationship between fashion and interiors. 

With each chapter dedicated to a different room in the house, this collection explores style, design and socio-cultural influence from the sitting room to the sauna, and from the kitchen to the conservatory. Considering the key critical discourses which arise from the style and function of each space, In Private looks at how the public sphere informed the decorating styles, furniture and furnishing of the private home, from shag pile carpets to Swedish duvets.

Demonstrating how the cultural environment of the 1970s sparked the ideas, styles and practices that have become common currency in today's interior design, the book examines questions of sensuality, tactility, fashion, fantasy and gender. Beautifully illustrated and packed with original research, it provides an insight into 1970s innovation and eclecticism in fashion, textiles and the domestic interior.

The 1970s is often considered the period that design forgot. In Private sets out to challenge this view, offering a cultural history of domestic interior design in Britain and America over the course of a decade that shaped the contemporary relationship between fashion and interiors. 

With each chapter dedicated to a different room in the house, this book explores style, design and socio-cultural influence from the sitting room to the sauna, and from the kitchen to the conservatory. Considering the key critical discourses which arise from the style and function of each space, In Private looks at how the public sphere informed the decorating styles, furniture and furnishing of the private home, from shag pile carpets to Swedish duvets.

Demonstrating how the cultural environment of the 1970s sparked the ideas, styles and practices that have become common currency in today’s interior design, the book examines questions of sensuality, tactility, fashion, fantasy and gender. Illustrated throughout and packed with original research, it provides an insight into 1970s innovation and eclecticism in fashion, textiles and the domestic interior.

Interior Design as Lifestyle in the 1970s Home

In Private

A key introduction to critical and speculative design practice

History, Theory, and Practice

Critical Design in Context

A powerful collection of perspectives on the contemporary and evolving meanings of home, and how they capture both the shared and conflicting narratives that impact our country today. Home is shaped by many factors: culture, region, environment, citizenship, economics, state of mind, and more. Edited by Alexandra Cunningham Cameron, Christina De León, and Michelle Joan Wilkinson, Making Home explores the diverse perspectives on home across the United States, US Territories, and Tribal Nations to reveal how design impacts this country, its value systems, and the people who inhabit its landscapes. Positioning home not only as a place of dwelling but also as a complex and highly subjective ecosystem, contributors show how notions of home resonate through private and public consciousness to inform the shared or conflicting histories that impact our country. Probing urgent topics related to home such as colonialism, technological innovation, landscapes and the environment, and aesthetics and culture, Making Home uses the framework of design to pair investigative and practical analyses with imaginative and speculative ones. Contributors include designers, scholars, writers, artists, and critical thinkers across disciplines whose work and lived experiences illustrate specific circumstances that shape the contemporary home. Contributors: Brian Adams, AphroChic, Joe Baker, Joseph Becker, La Vaughn Belle, Frank Blazquez, Lori Brown, Michael Bullock, CareHaus, Mona Chalabi, Katrina Collins, Michelle Commander, Sean Connelly, Reverand Houston Cyprus, Design Earth, Designing Justice + Designing Spaces, Leah DeVun, Heather Dewey Hagborg, Terrol Dew Johnson, Jarrett Earnest, Sofia Gallisa Muriente, Roxane Gay, Sophia Gebara, Curry Hackett, David Hartt, Hord, Coplan, Macht, Joyce Hwang, Alan Isaac, Sandra Jackson-Dumont, Dalton Johnson, Kenneth Kuper, Ruba Katrib, Elleza Kelley, Michelle Lanier, Natalia LaSalle Morillo, Liam Lee, Brent Leggs, Dominic Leong, Sarah Lopez, Gervais Marsh, Carlos Martin, Catherine E. McKinley, Joiri Minaya, Tommy Mishima, Victoria Munro, Maria Nicanor, Caroline O’Connell, Camille Okhio, Betty Poncho, Sheila Pree Bright, Ronald Rael, Suchi Reddy, Katherine Simóne Reynolds, Tracey Robertson Carter, Dr. Yashica Robinson, William Scott, Siddhartha V. Shah, SITU Research, Gretchen Sorin, Carlos Soto, Renée Stout, Journey Streams, Isabel Strauss, Davóne Tines, Gene Tinnie, Dr. Wallis Tinnie, Cornelius Tulloch, Whitney Lee White, Kevin Young, John Zeisel A copublication with the Cooper Hewitt, Smithsonian Design Museum.

A powerful collection of perspectives on the contemporary and evolving meanings of home, and how they capture both the shared and conflicting narratives that impact our country today. Home is shaped by many factors: culture, region, environment, citizenship, economics, state of mind, and more. Edited by Alexandra Cunningham Cameron, Christina De León, and Michelle Joan Wilkinson, Making Home explores the diverse perspectives on home across the United States, US Territories, and Tribal Nations to reveal how design impacts this country, its value systems, and the people who inhabit its landscapes. Positioning home not only as a place of dwelling but also as a complex and highly subjective ecosystem, contributors show how notions of home resonate through private and public consciousness to inform the shared or conflicting histories that impact our country. Probing urgent topics related to home such as colonialism, technological innovation, landscapes and the environment, and aesthetics and culture, Making Home uses the framework of design to pair investigative and practical analyses with imaginative and speculative ones. Contributors include designers, scholars, writers, artists, and critical thinkers across disciplines whose work and lived experiences illustrate specific circumstances that shape the contemporary home. Contributors: Brian Adams, AphroChic, Joe Baker, Joseph Becker, La Vaughn Belle, Frank Blazquez, Lori Brown, Michael Bullock, CareHaus, Mona Chalabi, Katrina Collins, Michelle Commander, Sean Connelly, Reverand Houston Cyprus, Design Earth, Designing Justice + Designing Spaces, Leah DeVun, Heather Dewey Hagborg, Terrol Dew Johnson, Jarrett Earnest, Sofia Gallisa Muriente, Roxane Gay, Sophia Gebara, Curry Hackett, David Hartt, Hord, Coplan, Macht, Joyce Hwang, Alan Isaac, Sandra Jackson-Dumont, Dalton Johnson, Kenneth Kuper, Ruba Katrib, Elleza Kelley, Michelle Lanier, Natalia LaSalle Morillo, Liam Lee, Brent Leggs, Dominic Leong, Sarah Lopez, Gervais Marsh, Carlos Martin, Catherine E. McKinley, Joiri Minaya, Tommy Mishima, Victoria Munro, Maria Nicanor, Caroline O’Connell, Camille Okhio, Betty Poncho, Sheila Pree Bright, Ronald Rael, Suchi Reddy, Katherine Simóne Reynolds, Tracey Robertson Carter, Dr. Yashica Robinson, William Scott, Siddhartha V. Shah, SITU Research, Gretchen Sorin, Carlos Soto, Renée Stout, Journey Streams, Isabel Strauss, Davóne Tines, Gene Tinnie, Dr. Wallis Tinnie, Cornelius Tulloch, Whitney Lee White, Kevin Young, John Zeisel A copublication with the Cooper Hewitt, Smithsonian Design Museum.

Belonging, Memory, and Utopia in the 21st Century

Making Home

An exploration of the ways dress and dressed appearance have been used to express identity.

Dress as Biography

Redressing Captain Cook's Endeavour voyage and centering the navigator, Tupaia, this book brings together indigenous perspectives to explore material history alongside acts of commemoration in Britain and the Pacific.

A Material History

Tupaia, Captain Cook and the Voyage of the Endeavour

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