NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Thèmes principaux

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Kanzleien und Behörden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Infos, Tipps und Tricks

Infos, conseils et astuces

Vorankündigungen

Préavis

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Dittmar Tim: Audio Engineering 101

Audio Engineering 101

A Beginner's Guide to Music Production

SEMPRE Studies in The Psychology of Music

The Body in Music is a groundbreaking music psychology text innovatively marrying perspectives from western music performance practice and pedagogy with those spanning experimental to social research. Founded on a significant heritage of artistic practice, it reinvigorates traditional ideas with fresh knowledge garnered from the burgeoning field of inquiry into the role of the body in generating, communicating, and perceiving performance. An exemplar vignette, crafted from the authors' shared performance experience, sets the tone for the work, embedding it in an established socio-cultural context. Case-study driven chapters strive to reconcile empirical work and performance practice. Woven together, they form a narrative journeying the multi-dimensional roles of bodily engagement with music performance. This text is timely in that it bridges a widening gap between disciplines, researcher, and practitioner offering pathways of convergence towards developing theory and understanding of the body in music performance.

The Body in Music is a groundbreaking music psychology text innovatively marrying perspectives from western music performance practice and pedagogy with those spanning experimental to social research. Founded on a significant heritage of artistic practice, it reinvigorates traditional ideas with fresh knowledge garnered from the burgeoning field of inquiry into the role of the body in generating, communicating, and perceiving performance. An exemplar vignette, crafted from the authors’ shared performance experience, sets the tone for the work, embedding it in an established socio-cultural context. Case-study driven chapters strive to reconcile empirical work and performance practice. Woven together, they form a narrative journeying the multi-dimensional roles of bodily engagement with music performance. This text is timely in that it bridges a widening gap between disciplines, researcher, and practitioner offering pathways of convergence towards developing theory and understanding of the body in music performance.

The Body in Music

Play with Sound: Manual for Electronic Musicians and Other Sound Explorers offers a thorough introduction to music technology by centering on curiosity and creativity in the exploration of the fundamentals of sound.

Play with Sound: Manual for Electronic Musicians and Other Sound Explorers offers a thorough introduction to music technology by centering on curiosity and creativity in the exploration of the fundamentals of sound.With color illustrations throughout, this book covers topics regarding audio software, acoustical principles, electroacoustic systems, audio processing, sound synthesis, and communication protocols. Each chapter features creative exercises that utilize live electronics, production, and composition to unearth the theories presented and develop technical and musical creativity. Additionally, interactive graphics and lesson slides are available as digital resources to enhance learning inside and outside the classroom.Play with Sound is an ideal textbook for beginners of all backgrounds looking for an introduction to music technology, production, and live electronics. By engaging with this book, everyone, including traditional students as well as those learning outside the traditional classroom setting, will be able to expand their musical skills and professional opportunities into the world of music technology.

Manual for electronic musicians and other sound explorers

Play with Sound

Elements in England in the Early Medieval World

Entertainment, Pleasure, and Meaning in Early England

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Strategies for Digital Creativity

Musical Composition in Max/MSP

The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.

The Rejects takes an intimate, thoughtful look at people who've been kicked out of bands, what they experienced and what came afterwards.

An Alternative History of Popular Music

The Rejects

"Finally, a text that is a reference source and tells the story and impact of the Groupe de Recherches Musicales from its beginning with Pierre Schaeffer and his many experiments at French National Radio."--John Chowning, Stanford University "The clearest, most insightful, and most comprehensive history of the GRM in print. It is absolutely indispensable for understanding how musique concrète became a school of composition, a research program, a technological laboratory, and an institution."--Brian Kane, Yale University "Évelyne Gayou's pathbreaking history of the GRM is now available in this beautiful English translation by David Vaughn. Of interest to both scholars and a general audience, it charts the course of a musical revolution that contributed to the evolution of cultural life in the twentieth and twenty-first centuries."--David W. Bernstein, Mills College at Northeastern University "The evolution of musical languages is inextricably linked to technology. A Revolution in Music identifies the seminal importance of both the recording medium and the radio station to the development of contemporary musical thought. In this fluent translation, Gayou provides a comprehensive analysis of the interactions between people, technology, and composition at the GRM."--John Dack, Guildhall School of Music and Drama, UK

Established in the 1950s by musician and engineer Pierre Schaeffer, the Groupe de Recherches Musicales would become the nerve center for avant-garde artists experimenting with sound and acoustics, as well as the birthplace of a genre of music-making enabled by new recording technologies and sound pioneers: musique concrète. Évelyne Gayou—herself a researcher, composer, and producer at the GRM—tells the history of the storied institution through the people, works, technologies, and research developed there. Placing musique concrète within a broad historical context extending from the early twentieth-century avant-garde's experiments with noise to the development of techniques in sound recording (at the Studio d'Essai in the 1940s) and later in sound synthesis, Gayou shows how recording technology made it possible for composers to not only create music from sounds in the world around them but also create acousmatic music—novel sounds without a visible connection to their source. Available in English translation for the first time, this updated edition will be an important resource for readers interested in the pioneering works and techniques of Schaeffer and his contemporaries, as well as their influence on the makers of new music and the contemporary avant-garde.

The History of the Groupe de Recherches Musicales

A Revolution in Music

Explore the makings of a musical phenomenon in this ultimate celebration of Coldplay. Life in Technicolor is the definitive tribute to Coldplay, telling the complete story one of the most successful bands of the twenty-first century. Co-authored by Debs Wild, the A&amp;R scout who discovered Coldplay, this fully illustrated book reveals rare, behind-the-scenes moments from the band's rise to global superstardom - from their acclaimed debut album Parachutes to the record-breaking Music of the Spheres Tour. Featuring individual profiles of Chris Martin, Guy Berryman, Will Champion, and Jonny Buckland, and packed with rare, original memorabilia including setlists, flyers, tour passes and candid snapshots, this is an essential companion for any Coldplay fan and the most complete celebration of the band to date.

Life In Technicolor: A Celebration of Coldplay (2025)

Music Theory in Britain, 1500–1700: Critical Editions

The critical edition of John PlayfordâEUR(TM)s Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of PlayfordâEUR(TM)s seminal pedagogical treatise in the middle of its development. Although PlayfordâEUR(TM)s Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century. The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

The critical edition of John Playford’s Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford’s seminal pedagogical treatise in the middle of its development. Although Playford’s Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century.The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

John Playford’s Introduction to the Skill of Musick, 1672

What does it mean to be human in a world where machines, too, can be artists? The Uncanny Muse explores the history of automation in the arts and delves into one of the most momentous and controversial aspects of AI: artificial creativity. The adoption of technology and machinery has long transformed the world, but as the potential for artificial intelligence expands, David Hajdu examines the new, increasingly urgent questions about technology's role in culture.
From the life-size mechanical doll that made headlines in Victorian London to the doll's modern AI-pop star counterpart, Hajdu traces the fascinating, varied ways in which inventors and artists have sought to emulate mental processes and mechanise creative production. For decades, machines and artists have engaged in expressing the human condition-along with the condition of living with machines-through player pianos, broadcasting technology, electric organs, digital movie effects, synthesisers and motion capture. By communicating and informing human knowledge, the machines have exerted considerable influence on the history of art-and often more influence than humans have been willing to recognise. As Hajdu proclaims: "before machine learning, there was machine teaching".
With thoughtful, wide-ranging and surprising turns from Berry Gordy and George Harrison to Andy Warhol and Stevie Wonder, David Hajdu takes a novel and contrarian approach: he sees how machines through the ages have enabled creativity, not stifled it-and The Uncanny Muse sees no reason why this shouldn't be the case with AI today.

Music, Art, and Machines from Automata to AI

The Uncanny Muse

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

This collection of studies by Ellen Rosand represents the range of her contribution to the history and criticism of music of the seventeenth and eighteenth centuries.  Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works--from its function in representing the ideals of the Republic of Venice through its essential role in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi.  With methodological flexibility, Rosand's analyses are responsive to the works themselves.  Exploring the mimetic significance of particular formal motifs and scenic conventions, the intimate relationship of music and text, or a composer's dramatic choices, discovering a new musical personality (Barbara Strozzi) or the historical and cultural circumstances, the practical and creative dynamics of an emerging dramatic art (opera in Venice), she has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

The latest instalment in the bestselling All The Songs series, this definitive book reveals the complete story behind every track Beyoncé has ever released.

The Story Behind Every Track

Beyoncé All The Songs

Audio Engineering 101

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema