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Dittmar Tim: Audio Engineering 101

Audio Engineering 101

A Beginner's Guide to Music Production

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

George Michael: A Life in Pictures

Notes for Performers

Notes for Oboists: A Guide to the Repertoire is an essential resource for professional, amateur, and student oboists that collects the important historical and analytical information for thirty-five of the best-known pieces composed for the instrument. These works span the eighteenth through the twenty-first century and include sonatas, concertos, chamber music, and works for solo oboe by a wide range of composers. Chapters will cover compositions such as Alessandro Marcello's Concerto in D Minor, Robert Schumann's Three Romances Op. 94, Francis Poulenc's Sonata for Oboe and Piano, Isang Yun's Piri for Oboe Solo, Reena Esmail's Jhula Jhule for Oboe and Piano, and thirty other treasures of the oboe repertoire.

Writing in engaging and accessible prose supported by fact-filled analytical charts, Nora A. Lewis offers rich biographical information on individual composers, historical context for compositions (such as the circumstances for its development), as well as clear structural analyses to help oboists gain a deeper understanding of well-known repertoire. In offering both historical/biographical as well as musicological insight, Notes for Oboists connects performance studies with scholarship, allowing readers to build a more complete picture of the music and encourage them to approach other compositions in a similarly analytical manner.

A Guide to the Repertoire

Notes for Oboists

An album cover collection exploring 70 years of surprising, shocking and frankly hilarious nude and provocative art. Sexy covers sold all musical genres, from funk to punk, and the silly German schlager. Comedy albums range from mid-century "stag party" pin-ups to the undeniably raunchy '70s sensation, Blowfly. Steamy, seamy and adults only.

Sexy, schlüpfrig und nur für Erwachsene: Diese Sammlung erforscht 70 Jahre erstaunlicher, anstößiger oder schlichtweg komischer Albumcover. Sexy Cover verkauften sich in allen Musikgenres, von Funk über Punk bis hin zum deutschen Schlager. Comedy-Alben reichen von mid-century „Stag Party“ Pin-ups bis hin zum schlüpfrigen 70er-Jahre-Hit Blowfly.

Sexy Record Covers

This open access book draws on recent developments in children’s rights, particularly concerning the child’s right to participation, provision and protection.&nbsp;Since 1989, the UNCRC has become a catalogue of rights that expresses legal norms used by all countries in the world. The UNCRC can be considered a toolkit that expresses a normative order, that is, a human rights standard for how to legitimately protect children, and to facilitate processes of participation. For many children and adolescents’ music is a significant source for gaining health and social/cultural participation. Music then, has the potential for realizing values inherent in the UNCRC. The main aim of this book is to utilize The United Nations Conventions on the Rights (UNCRC) as a tool to give an overview of relevant themes, and to critically explore what implications the convention has for the profession of music therapy, and more specifically, music therapy for children and adolescents.Viggo Krüger&nbsp;is Associate Professor at the Grieg Academy Center for Music Therapy Research, University of Bergen, NorwayKathleen Murphy&nbsp;is Assistant Professor/Program Director for Music Therapy Graduate Studies at the State University of New York, USA

This open access book draws on recent developments in children’s rights, particularly concerning the child’s right to participation, provision and protection.&nbsp;Since 1989, the UNCRC has become a catalogue of rights that expresses legal norms used by all countries in the world. The UNCRC can be considered a toolkit that expresses a normative order, that is, a human rights standard for how to legitimately protect children, and to facilitate processes of participation. For many children and adolescents’ music is a significant source for gaining health and social/cultural participation. Music then, has the potential for realizing values inherent in the UNCRC. The main aim of this book is to utilize The United Nations Conventions on the Rights (UNCRC) as a tool to give an overview of relevant themes, and to critically explore what implications the convention has for the profession of music therapy, and more specifically, music therapy for children and adolescents.

Integrating Best Interest of the child into Theory, Research, and Practice

Child-Centred Music Therapy

Focus on World Music Series

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers.The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers. The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

Elements in Music and Musicians 1750-1850

This Element explores the similarities between Wagner's early aesthetic writings and Delsarte's 'Cours d'esthétique appliquée'. It also details the rise of François Delsarte (1811-1871) as a celebrated teacher of aesthetics and interpreter of Gluck's repertoire during the same years Wagner was living in the city.

Catholicism, Romanticism, and Ancient Music

The Aesthetic System of François Delsarte and Richard Wagner

Winner of the 2010 Non-Fiction National Book Award Patti Smith's evocative, honest and moving coming-of-age story of her extraordinary relationship with the artist Robert Mapplethorpe

Dyslexia-friendly Edition

Just Kids

A melodic odyssey through the interwoven worlds of music, physics and mathematics.

Music, Mathematics and Science

A Perfect Harmony

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today¿s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.
</ul>

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> </ul>The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.

An Introduction to Music Technology

African music’s most distinctive feature is the urbatextuality that transpires through its diversity and plural functions and the specific geographical, cultural, religious, linguistic, political, economic, and social contexts from which it evolves. This music and its circum-Atlantic offspring are characterized by wisdom, subtlety, resilience, and creativity. They are cultural texts marked by an openness to other customs and societies since they maintain authenticity that does not foreclose hybridity, cosmopolitanism, and other global human sensibilities. These elements have made West African music a transnational commodity and a source of inspiration and survival both on the continent and in the black diaspora. Such patterns characterize Pan-African musical traditions that thrive in several spaces where both plurality and authenticity are welcome. These characteristics are apparent in rich, complex, and vibrant musical cultures such as rap in Senegal, France, and Burkina Faso, Malian traditional music in Canada and France, hip-life and hip-hop in Ghana, Christian songs in Ghana and Nigeria, and ngoyaan, Cape Verdean cabo, and zouk in Senegal. African music’s distinctive features are also noticeable in Niger’s guitar-playing traditions and Tuareg oral poetry as well as in Senegambian blues that influenced their African American offspring whose imprints they bear. By exploring all these elements, the chapters in this book pay homage to the heterogeneity, memories, hope, pain, and humanity in the music of Africa and the black diaspora.Babacar M’Baye&nbsp;is Professor of English at Kent State University, USA.Fallou Ngom&nbsp;is Professor of Anthropology at Boston University, USA.Khadimou Rassoul Thiam&nbsp;is Associate Professor of Comparative Literature&nbsp;at Université Gaston Berger, Senegal.Alioune Willane&nbsp;is Associate&nbsp;Professor of Comparative Literature&nbsp;at Université Gaston Berger, Senegal.

African music’s most distinctive feature is the urbatextuality that transpires through its diversity and plural functions and the specific geographical, cultural, religious, linguistic, political, economic, and social contexts from which it evolves. This music and its circum-Atlantic offspring are characterized by wisdom, subtlety, resilience, and creativity. They are cultural texts marked by an openness to other customs and societies since they maintain authenticity that does not foreclose hybridity, cosmopolitanism, and other global human sensibilities. These elements have made West African music a transnational commodity and a source of inspiration and survival both on the continent and in the black diaspora. Such patterns characterize Pan-African musical traditions that thrive in several spaces where both plurality and authenticity are welcome. These characteristics are apparent in rich, complex, and vibrant musical cultures such as rap in Senegal, France, and Burkina Faso, Malian traditional music in Canada and France, hip-life and hip-hop in Ghana, Christian songs in Ghana and Nigeria, and ngoyaan, Cape Verdean cabo, and zouk in Senegal. African music’s distinctive features are also noticeable in Niger’s guitar-playing traditions and Tuareg oral poetry as well as in Senegambian blues that influenced their African American offspring whose imprints they bear. By exploring all these elements, the chapters in this book pay homage to the heterogeneity, memories, hope, pain, and humanity in the music of Africa and the black diaspora.

Performance Traditions in West Africa and its Diasporas

Music as Cultural Text

Audio Engineering 101

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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