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Monte Casablanca A: Atractivismo

Atractivismo

Historia de la institucionalización y naturalización del turismo en Nicaragua durante la dictadura somocista (1936–1979)

Scholem Alejchem ist ein Klassiker der jiddischen Literatur, ein Mittler zwischen den Kulturen. Mit seinen augenzwinkernden Erzählungen über die osteuropäischen Dorf-Juden hat er einen bedeutenden Beitrag zur Bewahrung der jiddischen Kultur geleistet. Es ist die Zeit des von Pogromen heimgesuchten russischen Zarenreichs. Die Juden in ihrem von Armut geprägten Schtetl sind ständigen Schikanen ausgesetzt. Scholem Alejchem entführt uns mit viel Wärme und hintergründigem Humor in jeden Winkel von Kasrilewke, in eine Welt, die aus den Fugen gerät. Dem harten Alltag und den Judenpogromen stellen die tragischen Helden Scholem Alejchems die tröstliche Macht ihres Glaubens entgegen. Alejchem lässt seine Figuren die Geschichte des Zerfalls der traditionellen jüdischen Lebenswelt durchleben. Naiv sind sie, seine Schelme und Schlehmile, aber herzensgut. Das macht sie so sympathisch!

Scholem Alejchem ist ein Klassiker der jiddischen Literatur, ein Mittler zwischen den Kulturen. Mit seinen augenzwinkernden Erzählungen über die osteuropäischen Dorf-Juden hat er einen bedeutenden Beitrag zur Bewahrung der jiddischen Kultur geleistet.
Es ist die Zeit des von Pogromen heimgesuchten russischen Zarenreichs. Die Juden in ihrem von Armut geprägten Schtetl sind ständigen Schikanen ausgesetzt. Scholem Alejchem entführt uns mit viel Wärme und hintergründigem Humor in jeden Winkel von Kasrilewke, in eine Welt, die aus den Fugen gerät. Dem harten Alltag und den Judenpogromen stellen die tragischen Helden Scholem Alejchems die tröstliche Macht ihres Glaubens entgegen. Alejchem lässt seine Figuren die Geschichte des Zerfalls der traditionellen jüdischen Lebenswelt durchleben. Naiv sind sie, seine Schelme und Schlehmile, aber herzensgut. Das macht sie so sympathisch!

Weitere Geschichten aus dem Schtetl

Damals in Kasrilewke

Anthroposophische Medizin, Pharmazie und Heilpädagogik im Nationalsozialismus 1933–1945

Anthroposophie und Nationalsozialismus. Anthroposophische Psychiatrie und Heilpädagogik 1933–1945

Genders and Sexualities in History

This book reorients our understanding of the history of modern male homosexuality by focusing on Europe's 'internal Other': Italy. Spanning from the tail-end of the Grand Tour to the mid-fascist years, it argues that Italy was a time/space in which competing epistemologies of homosexuality confronted one another – precisely what characterizes 'modern' male same-sex love and attraction. Turning our understanding of the history of male homosexuality on its head, it proposes that Italy was not primitive, pre-modern, or under-developed but modern in a way that Europe and the US were not. It also highlights the frequently overlooked role working-class men and boys played in the so-called invention of modern male homosexuality. The new scientific epistemologies of sexuality; a pan-European Hellenic revival; a tradition of fostering male same-sex intimacies that cut across age, class, and nationality; Italy's lack of anti-sodomy legislation and specific place in the capitalist world system, including the late entry of bourgeois women into its public sphere; changing understandings of sexuality and gender that resulted from industrialization -- all combined to produce a same-sex sex tourism industry that juxtaposed competing understandings of male same-sex love. These epistemologies were inflected in complex and contradictory ways by issues of gender, class, ethnicity, locality, age and race, such differences not simply 'intersecting' but being constituted alongside one another – particularly given Italy’s ambiguous racial identity, somewhere 'between' the binaries of black and white. Adopting a queer Marxist approach that focuses on both capitalism's long durée and its combined and uneven development, rather than center a history of modern homosexuality on the white bourgeois men who visited Italy, this book seeks to glimpse the lives of their Italian lovers. To this end, it adopts an interdisciplinary approach that examines a wide archive including not only works of literature by privileged white bourgeois traveling gentlemen but also Italian sexology; same-sex sex scandals and their treatment in the Italian press; anthropological work on Italian homosexualities; travel diaries; and police records.John Champagne is Professor Emeritus at Penn State Erie, the Behrend College, USA.

This book reorients our understanding of the history of modern male homosexuality by focusing on Europe's 'internal Other': Italy. Spanning from the tail-end of the Grand Tour to the mid-fascist years, it argues that Italy was a time/space in which competing epistemologies of homosexuality confronted one another – precisely what characterizes 'modern' male same-sex love and attraction. Turning our understanding of the history of male homosexuality on its head, it proposes that Italy was not primitive, pre-modern, or under-developed but modern in a way that Europe and the US were not. It also highlights the frequently overlooked role working-class men and boys played in the so-called invention of modern male homosexuality. The new scientific epistemologies of sexuality; a pan-European Hellenic revival; a tradition of fostering male same-sex intimacies that cut across age, class, and nationality; Italy's lack of anti-sodomy legislation and specific place in the capitalist world system, including the late entry of bourgeois women into its public sphere; changing understandings of sexuality and gender that resulted from industrialization -- all combined to produce a same-sex sex tourism industry that juxtaposed competing understandings of male same-sex love. These epistemologies were inflected in complex and contradictory ways by issues of gender, class, ethnicity, locality, age and race, such differences not simply 'intersecting' but being constituted alongside one another – particularly given Italy’s ambiguous racial identity, somewhere 'between' the binaries of black and white. Adopting a queer Marxist approach that focuses on both capitalism's long durée and its combined and uneven development, rather than center a history of modern homosexuality on the white bourgeois men who visited Italy, this book seeks to glimpse the lives of their Italian lovers. To this end, it adopts an interdisciplinary approach that examines a wide archive including not only works of literature by privileged white bourgeois traveling gentlemen but also Italian sexology; same-sex sex scandals and their treatment in the Italian press; anthropological work on Italian homosexualities; travel diaries; and police records.

The Italian Vice, Italy and the Invention of Modern Male Homosexuality

Cultural Economics & the Creative Economy

“This impressive book gives contemporary academic and multidisciplinary insights into the complex topic of funding and financing of art and culture. It covers a broad range of funding opportunities, from traditional funding models to new and fully digital models, leveraged by new technologies. I highly recommend the book for scholars and practitioners in the cultural and creative sectors.” Trine Bille, Professor of Cultural Economics, Copenhagen Business School, Denmark “This timely collection of essays by a number of distinguished contributors will fill a significant gap in the cultural economics literature. The volume will provide essential guidance to artists, cultural organisations and policymakers in their efforts to deal with rapid changes in the arts funding landscape in the contemporary world.” Professor David Throsby, Distinguished Professor of Economics, Macquarie Business School, Macquarie University, Australia “What makes this book stand out is its insistence on bridging traditional and emerging models—philanthropy, public subsidy, crowdfunding, online patronage, and more—while resisting simplistic narratives of innovation or decline. The editors bring together a remarkable range of scholars who ground their chapters in conceptual clarity, empirical rigor, and an interdisciplinary sensibility that reflects the real complexity of cultural production today. For researchers, policymakers, and practitioners alike, this collection is an indispensable guide to the shifting terrain of cultural finance.” Joanna Woronkowicz, Associate Professor, O'Neill School of Public and Environmental Affairs, Indiana University, USThis edited open access volume offers a comprehensive analysis of new and traditional funding models for the arts and culture. In the economic and political contexts of reduced art funding, the book takes an objective, pragmatic and heterodox approach to demonstrate how financial sustainability in the arts can be achieved via a range of top-down and bottom-up mechanisms which are valued either in terms of institutional or crowd-based legitimacy.&nbsp;The book aims to offer both a scholarly interpretation of funding and financing practices, as well as guidance for artists, creators, and cultural programmers.Carolina Dalla Chiesa is an Assistant Professor of Cultural Economics at the Department of Arts and Culture, Erasmus University, The Netherlands. Anders Rykkja is a Lecturer in Arts and Cultural Industries Management at Queen’s University Belfast, Northern Ireland.

This edited open access volume offers a comprehensive analysis of new and traditional funding models for the arts and culture. In the economic and political contexts of reduced art funding, the book takes an objective, pragmatic and heterodox approach to demonstrate how financial sustainability in the arts can be achieved via a range of top-down and bottom-up mechanisms which are valued either in terms of institutional or crowd-based legitimacy. &nbsp;The book aims to offer both a scholarly interpretation of established and emerging funding and financing practices within the cultural and creative sector, as well as guidance for artists, creators, and cultural programmers through various case studies and multiple examples of current practices. Contributions are divided into three sections. Section one outlines the most important traditional tools and models, while the second part covers the key contemporary practices premised on the use of digital platforms, and the final part introduces several case studies. The objective of this volume is to demonstrate that while traditional models show no signs of being supplanted, digitalisation has facilitated the emergence of new forms. Such an evolution has consequences for creators of works as well as those willing to support them. The contributions address these issues by investigating and analysing the individual or combined adoption of traditional and new funding and financing models in a post-digital context.

A Guide to New and Traditional Models in the Arts and Culture

Cultural Funding and Financing

Mental Health in Historical Perspective

This book explores the marginalisation of thousands of asylum patients who were removed from their home institutions in Scotland during the First World War to make way for soldiers. Examining what life was like for Scotland's mentally ill civilians from 1914-1934, the author explains why and how asylums were taken over by the War Office, and how this created a divide between civilians and soldiers, carved mostly by politicians and the media. The book sheds light on the painstaking process asylum doctors in Scotland went through to find homes for thousands of patients, and how they found ways to protect their health and wellbeing. Providing insights into the patient hierarchy within Scottish asylums, the author argues that soldiers were not the protected class of patient that politicians and the military tried to portray them as. Drawing from the words of Scotland’s asylum patients themselves, this important book highlights the voices of the mentally ill in Scotland during not only a tumultuous period for their nation, but for themselves.Jennifer Farquharson is an independent researcher specialising in early twentieth-century mental healthcare in Scotland, architectural history, and building conservation. She currently works in the heritage sector at Historic Environment Scotland, where she communicates specialist research to general audiences through books, online learning, exhibitions, films, and more. Jennifer was awarded her doctorate in history from Glasgow Caledonian University, in the UK, and is a member of the Society for the Social History of Medicine, the British Society for the History of Science, and an Associate Fellow of the Royal Historic Society.

This book explores the marginalisation of thousands of asylum patients who were removed from their home institutions in Scotland during the First World War to make way for soldiers. Examining what life was like for Scotland's mentally ill civilians from 1914-1934, the author explains why and how asylums were taken over by the War Office, and how this created a divide between civilians and soldiers, carved mostly by politicians and the media. The book sheds light on the painstaking process asylum doctors in Scotland went through to find homes for thousands of patients, and how they found ways to protect their health and wellbeing. Providing insights into the patient hierarchy within Scottish asylums, the author argues that soldiers were not the protected class of patient that politicians and the military tried to portray them as. Drawing from the words of Scotland’s asylum patients themselves, this important book highlights the voices of the mentally ill in Scotland during not only a tumultuous period for their nation, but for themselves.&nbsp;

Life in the Margins

Scotland's Asylums in the First World War

suhrkamp taschenbuch wissenschaft

Eine Naturgeschichte der Gegenwart

Fossile Moderne

This book examines the emergence of a new normal that has structured the lived experiences of individuals during the COVID-19 pandemic through a close reading of graphic medical texts from both digital and print sources. Interdisciplinary in scope and integrating theoretical insights from graphic medicine, health humanities, literary theory, and comics studies, this book scrutinises and interprets the experiences and perspectives of healthcare professionals, frontline workers, patients, and individuals from diverse backgrounds impacted by the COVID-19 pandemic. Through dedicated chapters on masking, sanitization, touch, and altered spatio-temporality, this book investigates the emotional, psychological, and sociocultural implications of these themes, highlighting both universally shared and contextually specific experiences. In particular, the book critically analyses comics that frame the pandemic beyond its immediate biological implications, thus providing readers with a framework to engage with and critically reflect on the COVID-19 crisis.Ishani Anwesha Joshi is an alumna of the Department of Humanities and Social Sciences at the National Institute of Technology, Tiruchirappalli, India. She is currently an independent scholar specializing in Graphic Medicine, Health Humanities, Pandemic Studies, and Comic Studies. Her research articles have been published in various indexed journals such as Medical Humanities, Visual Studies, Perspectives in Biology and Medicine, Journal of Medical Humanities, and Journal of Graphic Novels and Comics among others.Dr. Sathyaraj Venkatesan is a Professor of English in the Department of Humanities and Social Sciences at the National Institute of Technology, Tiruchirappalli, India. An alumnus of IIT Kanpur, his research focuses on Graphic Medicine, Literary Health Humanities, and American Literature. He has authored nine books and published over a hundred research articles in indexed journals. His recent co-authored/co-edited books are&nbsp;India Retold (2021), Infertility Comics and Graphic Medicine (2021), and Pandemics and Epidemics in Cultural Representation (Springer, 2022).

This book examines the emergence of a new normal that has structured the lived experiences of individuals during the COVID-19 pandemic through a close reading of graphic medical texts from both digital and print sources. Interdisciplinary in scope and integrating theoretical insights from graphic medicine, health humanities, literary theory, and comics studies, this book scrutinises and interprets the experiences and perspectives of healthcare professionals, frontline workers, patients, and individuals from diverse backgrounds impacted by the COVID-19 pandemic. Through dedicated chapters on masking, sanitization, touch, and altered spatio-temporality, this book investigates the emotional, psychological, and sociocultural implications of these themes, highlighting both universally shared and contextually specific experiences. In particular, the book critically analyses comics that frame the pandemic beyond its immediate biological implications, thus providing readers with a framework to engage with and critically reflect on the COVID-19 crisis.

COVID-19 and Graphic Medicine

Drawing the Pandemic

Reclams Universal-Bibliothek

Ein tragisches Reiseerlebnis

Mario und der Zauberer

... für Dummies

Avengers für Dummies

Cultures and Practices of Knowledge in History

Genealogische Praktiken alteingesessener Basler Familien um 1800 und 1900

Abstammung und Verwandtschaft

This Palgrave Handbook offers the first comprehensive survey of the history and memory of the Holocaust in Australia. Divided into four parts, the handbook covers key historical connections between Australia and the events of the Holocaust, including the preceding refugee crisis and the aftermath. It then traces the reverberations of these events in forms of representation, commemoration and memorialisation. Finally, chapters that contextualise Australian responses to the Holocaust within the longer history of colonialism in Australia bring the handbook into contemporary debates on the relationship between the Holocaust and genocide. The handbook thus brings together the now substantial research on Australia and the Holocaust into a single volume, whilst also augmenting this body of work through the inclusion of new and cutting-edge research by established and emerging scholars.

The Palgrave Handbook of Australia and the Holocaust

pop.religion: lebensstil – kultur – theologie

Jazz als Musik im Gottesdienst, Jazzgottesdienste und religiös inspirierter Jazz als Kirchenmusik - all dies sind inzwischen etablierte Spielfelder wie sich Jazz und Kirche begegnen und einander inspirieren. Die Wurzeln des Jazz in Spirituals und Gospels sowie im Blues und Rhythm’n’Blues und seine heutige Verwurzelung in allen Weltmusikkulturen bringen Jazzkonzert und Ritual regelmäßig auch auf der Konzertbühne eng zusammen.In Anerkennung all dessen fragten Musiker*innen und Wissenschaftler*innen auf einer Tagung (samt Festival) des internationalen Blue Church-Netzwerkes weiter nach einer spezifischen "Spiritualität des Jazz":<ul><li>Welche Kernelemente des Jazz als Konzertmusik wirken rituell oder spirituell?</li><li>Welche Schnittmengen gibt es zwischen diesen Elementen und religiöser Praxis?</li><li>Aus welchen spirituellen Quellen (oft weit interreligiös ausgreifend) schöpfen Musiker*innen?</li><li>Welche spirituellen Erfahrungen verbinden Rezipient*innen mit Jazzkonzerten und dem Hören von Jazzmusik?</li><li>Welche Wahrnehmungen, Chancen und Herausforderungen können hier auch für die kirchliche Praxis produktiv wirken?</li></ul>Elemente des Festivals und die&nbsp;Tagungsbeiträge &nbsp;sind in diesem Band dokumentiert, erweitert um Beiträge internationaler Jazzforscher.Die Herausgeber Prof. Dr. Gotthard Fermor ist Professor für Kirchliche Bildungsarbeit an der Ev. Hochschule Bochum und Dozent für Gemeindepädagogik am Pädagogisch-Theologischen Institut der EKiR.Dr. Uwe Steinmetz ist Jazzmusiker und Dekanatskantor in der evangelisch-lutherischen Kirche in Bayern.

Jazz als Musik im Gottesdienst, Jazzgottesdienste und religiös inspirierter Jazz als Kirchenmusik - all dies sind inzwischen etablierte Spielfelder wie sich Jazz und Kirche begegnen und einander inspirieren. Die Wurzeln des Jazz in Spirituals und Gospels sowie im Blues und Rhythm’n’Blues und seine heutige Verwurzelung in allen Weltmusikkulturen bringen Jazzkonzert und Ritual regelmäßig auch auf der Konzertbühne eng zusammen.In Anerkennung all dessen fragten Musiker*innen und Wissenschaftler*innen auf einer Tagung (samt Festival) des internationalen Blue Church-Netzwerkes weiter nach einer spezifischen "Spiritualität des Jazz":<ul><li>Welche Kernelemente des Jazz als Konzertmusik wirken rituell oder spirituell?&nbsp;</li><li>Welche Schnittmengen gibt es zwischen diesen Elementen und religiöser Praxis?</li><li>Aus welchen spirituellen Quellen (oft weit interreligiös ausgreifend) schöpfen Musiker*innen?</li><li>Welche spirituellen Erfahrungen verbinden Rezipient*innen mit Jazzkonzerten und dem Hören von Jazzmusik?</li><li>Welche Wahrnehmungen, Chancen und Herausforderungen können hier auch für die kirchliche Praxis produktiv wirken?&nbsp;</li><li>Elemente des Festivals und die Tagungsbeiträge sind in diesem Band dokumentiert, erweitert um Beiträge internationaler Jazzforscher.</li></ul>

Spiritualität des Jazz

Atractivismo

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