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Gygax K: Art suisse

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Fall in love with your story through creative prompts for self-reflection, drawn from iconic romantasy themes. Whether you’re looking to build up your personal journaling practice or flex your fan-fiction writing muscles, this guided journal offers you the chance to explore your world in the dreamiest possible way. With prompts designed to spark your imagination, you’ll find inspiration in the dialogue in both your reading and your daily life, gain perspective on past experiences by viewing them through the lens of romantasy themes, and spend time with your favorite characters, real and fictional. No matter what goals you bring to it, this guided journal is a sweet and playful sanctuary for the heart and mind.​

Your Life in Epic Romantasies

A Year of Love and Magic

Spürst du, dass es mehr geben muss? Mehr Freiheit, mehr Gelassenheit, mehr Vertrauen ins Leben? Tief in dir weißt du: Ein anderes Lebensgefühl ist möglich. Doch alte Muster, Abhängigkeiten und der Druck, immer funktionieren zu müssen, halten dich fest. 
Dieses Buch zeigt dir einen Ausweg: den Weg des Loslassens. Schluss mit Kontrolle, Selbstzurücknahme und dem ständigen Versuch, es jedem recht zu machen! In zwölf klaren Schritten führt dich die erfahrene Therapeutin und Coachin Susanne Hühn durch einen tiefgreifenden Prozess, der alles verändern wird. Mit Übungen, Reflexionen und inneren Reisen lernst du, das abzugeben, was dich blockiert, und dich einer inneren Führung anzuvertrauen, die dich wirklich trägt. Wenn du bereit bist, das Alte hinter dir zu lassen, öffnet sich der Raum für dein wahres, strahlendes Selbst - und für ein Leben voller Leichtigkeit und Sinn.
'Mut zum Loslassen' ist kein weiteres Buch über Selbstoptimierung. Es ist eine Einladung, dich von allem zu befreien, was dich kleinhält - ein Gamechanger.

Spürst du, dass es mehr geben muss? Mehr Freiheit, mehr Gelassenheit, mehr Vertrauen ins Leben? Tief in dir weißt du: Ein anderes Lebensgefühl ist möglich. Doch alte Muster, Abhängigkeiten und der Druck, immer funktionieren zu müssen, halten dich fest. 
Dieses Buch zeigt dir einen Ausweg: den Weg des Loslassens. Schluss mit Kontrolle, Selbstzurücknahme und dem ständigen Versuch, es jedem recht zu machen! In zwölf klaren Schritten führt dich die erfahrene Therapeutin und Coachin Susanne Hühn durch einen tiefgreifenden Prozess, der alles verändern wird. Mit Übungen, Reflexionen und inneren Reisen lernst du, das abzugeben, was dich blockiert, und dich einer inneren Führung anzuvertrauen, die dich wirklich trägt. Wenn du bereit bist, das Alte hinter dir zu lassen, öffnet sich der Raum für dein wahres, strahlendes Selbst – und für ein Leben voller Leichtigkeit und Sinn.
»Mut zum Loslassen« ist kein weiteres Buch über Selbstoptimierung. Es ist eine Einladung, dich von allem zu befreien, was dich kleinhält – ein Gamechanger.

Ein Guide für mehr Vertrauen und innere Freiheit

Mut zum Loslassen

How corporations can address legacies of historical oppression in ways that are good for them and good for others. Increasingly, corporate executives find themselves called upon to atone for their predecessors’ moral transgressions. While many are prepared to address inherited failed product lines or dysfunctional teams, few know how to handle demands that their enterprise address legacies of mass atrocity such as slavery, genocide, or colonialism. In Corporate Reckoning, Sarah Federman provides a corporate atonement model for corporate leaders and employees across industries around the world. When survivors and descendants demand reckoning, many corporate leaders initially shirk the responsibilities that follow from these requests. They may claim that history belongs to the historians, that their company’s activities were legal at the time, or that too much time has passed. If it comes to it, courts will rule in their favor, they reassure themselves. Others avoid these issues simply because they have no idea how to address them. Demands for reckoning ebb and flow, but these histories do not disappear. This book offers a way forward that serves companies and those affected by these historical harms. Taking responsibility for irreparable harm is not easy or comfortable. Despite the dilemmas and difficulties, the only way out is through.

How corporations can address legacies of historical oppression in ways that are good for them and good for others. Increasingly, corporate executives find themselves called upon to atone for their predecessors’ moral transgressions. While many are prepared to address inherited failed product lines or dysfunctional teams, few know how to handle demands that their enterprise address legacies of mass atrocity such as slavery, genocide, or colonialism. In Corporate Reckoning, Sarah Federman provides a corporate atonement model for corporate leaders and employees across industries around the world. When survivors and descendants demand reckoning, many corporate leaders initially shirk the responsibilities that follow from these requests. They may claim that history belongs to the historians, that their company’s activities were legal at the time, or that too much time has passed. If it comes to it, courts will rule in their favor, they reassure themselves. Others avoid these issues simply because they have no idea how to address them. Demands for reckoning ebb and flow, but these histories do not disappear. This book offers a way forward that serves companies and those affected by these historical harms. Taking responsibility for irreparable harm is not easy or comfortable. Despite the dilemmas and difficulties, the only way out is through.

How Businesses Can Address Historical Wrongs

Corporate Reckoning

'A gem of a book, serious and clever yet funny and playful' Financial Times 'Professor of philosophy and a public intellectual for the internet age, Callard shows how Socrates can inform the way we live our lives - from romance to politics' Guardian Socrates has been hiding in plain sight. We call him the father of Western philosophy, but what exactly are his philosophical views? He is famous for his humility, but readers often find him arrogant and condescending. We parrot his claim that 'the unexamined life is not worth living,' yet take no steps to live examined ones. We know that he was tried, convicted, and executed for 'corrupting the youth,' but freely assign Socratic dialogues to today's youths, to introduce them to philosophy. We've lost sight of what made him so dangerous. In Open Socrates, acclaimed philosopher Agnes Callard recovers the radical energy at the centre of Socrates' thought and shows why it is still the way to a good life. Callard draws our attention to Socrates' startling discovery that we don't know how to ask ourselves the most important questions- about how we should live, and how we might change. Before a person even has a chance to reflect, their bodily desires or the forces of social conformity have already answered on their behalf. To ask the most important questions, we need help. Callard argues that the true ambition of the famous "Socratic method" is to reveal what one human being can be to another. You can use another person in many ways-for survival, for pleasure, for comfort- but you are engaging them to the fullest when you call on them to help answer your questions and challenge your answers. Here Callard shows that Socrates' method allows us to make progress in thinking about how to manage romantic love, how to confront one's own death, and how to approach politics. In the process, she gives us nothing less than a new ethics to live by.

The Case for a Philosophical Life

Open Socrates

This Is Where We Live zeigt in über 200 Illustrationen, wie Zeichnung unser Verständnis von Raum erweitern kann. Künstler:innen entwerfen Fantasiestädte, verwandeln Grundrisse in Geschichten oder fangen den Alltag in Bildern ein. Detailverliebt oder verspielt, poetisch oder analytisch - die Arbeiten machen sichtbar, wie wir Orte erleben und uns vorstellen. So entsteht ein Buch an der Schnittstelle von Illustration, Architektur und Designkultur, das gleichermaßen inspiriert und überrascht.

This Is Where We Live zeigt in über 200 Illustrationen, wie Zeichnung unser Verständnis von Raum erweitern kann. Künstler:innen entwerfen Fantasiestädte, verwandeln Grundrisse in Geschichten oder fangen den Alltag in Bildern ein. Detailverliebt oder verspielt, poetisch oder analytisch – die Arbeiten machen sichtbar, wie wir Orte erleben und uns vorstellen. So entsteht ein Buch an der Schnittstelle von Illustration, Architektur und Designkultur, das gleichermaßen inspiriert und überrascht.

Illustrated Stories of Place and Space

This Is Where We Live

This is a comprehensive edited volume that explores the global workplace through the lens of cross-cultural management. It serves as both a theoretical foundation and a practical guide for students, preparing them to operate effectively in a multicultural world.Organised into six parts, the book introduces fundamental concept of culture and its impact on management; explores cultural dimensions like individualism versus collectivism, and power distance; develops cultural intelligence with strategies for enhancing awareness, understanding, and respect for cultural differences; delves into common challenges such as managing cross-cultural conflicts and leading virtual teams; and, prepares readers for global leadership roles by fostering skills to create inclusive, productive work environments. Each chapter features case studies and best practices from global companies to illustrate successful management strategies and is structured with features such as learning objectives and discussion questions.An in-depth approach that combines theory with practice, this text is suitable as recommended reading for advanced undergraduate and postgraduate students of human resource management, international business, global leadership and management and organizational behaviour.Online resources for this book include chapter by chapter power point slides to aid teaching.

Navigating the Global Workplace

Mastering Cross-Cultural Management

Author, curator and podcaster Bruno Giussani was the European director and global curator of the TED conferences for two decades (2005-24). In 
 Our Minds Under Siege,
 the specialist of digital culture writes about the "technologies of influence" and their social and political implications. In a world saturated with information, social media, artificial intelligence and strategies of cognitive influence, our capacity for thinking clearly and understanding reality is itself under threat. It is no longer only about disinformation and fake news: these technologies capture our attention, appropriate our data, analyze and exploit our emotions and challenge our autonomy of thought.
 Giussani decrypts how AI and other algorithmic technologies work and what their impacts are. He explains the nature of the relationship that is developing between us and these machines and the economic and power structures in which they exist. And he offers guidance to resisting against this technological takeover and for us to become competent users of AI without being used by it.

How to Avoid Being Manipulated in the Age of Artificial Intelligence

Our Minds Under Siege

From the author of the groundbreaking exposé Gomorrah comes a book that encourages and challenges the people to stand up for themselves and to not be fooled by the coercive nature of political power. Featuring short biographical sketches of a surprising mix of admired and deplored figures and works from history, this is a book that demands of readers to open one’s eyes and be outraged. The iconic Italian author Roberto Saviano’s latest work of nonfiction is an urgent cry for people to stand up for themselves and the things they believe in, featuring those who have most inspired him—Russian poet Anna Akhmatova, Martin Luther King Jr., the Calipygian Venus, immortalized in marble—alongside those whose actions were most deplorable—Nazi propaganda minister Joseph Goebbels and Rwandan radio host Kantano Habimana, who encouraged the 1993-’94 genocide there. Saviano quotes the Italian author and Auschwitz survivor Primo Levi: “I write what I wouldn’t be able to tell anyone.” Saviano, like Levi, embraces his readers within a similar protective halo of intimacy, taking us in his arms to warn us. Other lives and works that Saviano evokes in Shout It Out! are Hypatia, the murdered Alexandrian philosopher, mathematician and astronomer; political theorist Carl Schmitt; trailblazing Russian journalist Anna Politkovskaya; Saudi journalist Jamal Khashoggi; NSA Whistleblower Edward Snowden; 16th century astrology and alchemist Giordano Bruno, burned at the stake by the Inquisition in 1600; Russian poet Anna Akhmatova who chose silence rather than collaboration; Émile Zola; the Brothers Grimm; Martin Luther King; murdered anti-corruption activist Daphne Caruana Galizia; the ancient roman statue of the Callipygian Venus; Terry Bollea (Hulk Hogan); American actress Jean Seberg; Italian filmmaker Pier Paolo Pasolini; Nazi propaganda minister Joseph Goebbels; Rwandan radio host Kantano Habimana; Settimia Spizzichino, one of 50 from the Rome ghetto sent to Auschwitz, and the only survivor; Chinese poet and factory worker Lizhi Xu; Italian-American saint Sister Francesca Saverio Cabrini; Italian architect and London fire victim Gloria Trevisan; George Floyd. Shout It Out dives into world history—and Roberto Saviano’s mind—in a way that constantly surprises.

From the author of the groundbreaking exposé Gomorrah comes a book that encourages and challenges the people to stand up for themselves and to not be fooled by the coercive nature of political power. Featuring short biographical sketches of a surprising mix of admired and deplored figures and works from history, this is a book that demands of readers to open one’s eyes and be outraged. The iconic Italian author Roberto Saviano’s latest work of nonfiction is an urgent cry for people to stand up for themselves and the things they believe in, featuring those who have most inspired him—Russian poet Anna Akhmatova, Martin Luther King Jr., the Calipygian Venus, immortalized in marble—alongside those whose actions were most deplorable—Nazi propaganda minister Joseph Goebbels and Rwandan radio host Kantano Habimana, who encouraged the 1993-’94 genocide there. Saviano quotes the Italian author and Auschwitz survivor Primo Levi: “I write what I wouldn’t be able to tell anyone.” Saviano, like Levi, embraces his readers within a similar protective halo of intimacy, taking us in his arms to warn us. Other lives and works that Saviano evokes in Shout It Out! are Hypatia, the murdered Alexandrian philosopher, mathematician and astronomer; political theorist Carl Schmitt; trailblazing Russian journalist Anna Politkovskaya; Saudi journalist Jamal Khashoggi; NSA Whistleblower Edward Snowden; 16th century astrology and alchemist Giordano Bruno, burned at the stake by the Inquisition in 1600; Russian poet Anna Akhmatova who chose silence rather than collaboration; Émile Zola; the Brothers Grimm; Martin Luther King; murdered anti-corruption activist Daphne Caruana Galizia; the ancient roman statue of the Callipygian Venus; Terry Bollea (Hulk Hogan); American actress Jean Seberg; Italian filmmaker Pier Paolo Pasolini; Nazi propaganda minister Joseph Goebbels; Rwandan radio host Kantano Habimana; Settimia Spizzichino, one of 50 from the Rome ghetto sent to Auschwitz, and the only survivor; Chinese poet and factory worker Lizhi Xu; Italian-American saint Sister Francesca Saverio Cabrini; Italian architect and London fire victim Gloria Trevisan; George Floyd. Shout It Out dives into world history—and Roberto Saviano’s mind—in a way that constantly surprises.

28 Portraits for a Committed World

Shout It Out!

The first book to explore the full scope and beauty of Korean design - from traditional craft to celebrated contemporary creationsCharacterized by a unique blend of tradition and innovation, and by a focus on sustainability and efficiency, Korean design is recognized for its creativity, quality, and beauty. Jeong: The Spirit of Korean Craft and Design is the first book to present an immersive visual exploration of the country's fascinating craft and design scene to an international audience.A Korean concept with no direct translation in English, jeong conveys a deep affection, emotional connection, and a sense of attachment that develops over time through shared experiences, care, and familiarity. In the context of craft and design, jeong is revealed through attention to detail and the profound connection between maker, object and user.This elegant volume presents 175 inspiring and important objects, from anonymous folk crafts to celebrated masterpieces, including lacquerware, ceramics, embroidery, furniture, textiles and more. Each illustrated with a striking full-page image, featured pieces include traditional moon jars, intricately woven baskets, delicate textiles, and cutting-edge contemporary furniture.Printed on tactile craft paper and stitch-bound in traditional Korean style, the book is itself a stunning object that invites exploration. Design-obsessed readers will also find in-depth essays by contemporary Korean design prodigy Teo Yang; curator Beth McKillop; and J Kathryn Hong, Chairperson of the Arumjigi Foundation in Seoul.This special book reveals the spirit and sensibility of jeong to readers around the world.

The Spirit of Korean Craft and Design

Jeong

Palgrave Studies in Comics and Graphic Novels

The Materiality of Digital Comics asks how we can speak meaningfully about digital comics, and how we can do so in a way that remains meaningful as time passes and technology changes. In Part I, the book&nbsp;proposes a model for the study of digital comics that is founded on a material understanding of the form. Across three chapters, the book explores what digital comics are, in physical terms, and how we might structure our understanding of digital comics using six key terms: identifier, file type, software, firmware, hardware, and producers/readers. Each of these elements is explored individually before the relationships between them are discussed. The second part of the book develops this framework across three key areas: economics, histories and geographies. Chapter 5 explores the sales of digital comics and highlights a variety of costs and risks in digital comics that do not apply straightforwardly to print comics. Chapter 6 considers questions of histories as they pertain to digital comics, framing the discussion around four stages in the “life cycle” of a digital comic: creation, maintenance, movement and destruction. Chapter 7 addresses geographies through four topics: localities, nationalities, languages and law. Central to this chapter is the argument that digital comics are physically located things. The book concludes with a discussion of how the model presented here, and the concerns it raises, might be used actively for further scholarship, as well as an outline of other key areas that might be explored through a material analysis of digital comics in future.
Dr Ian Hague is the Associate Dean of Research at London College of Communication, University of the Arts London (UAL), UK. He is the author of Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels, as well as numerous shorter works. He co-edited Representing Multiculturalism in Comics and Graphic Novels and two volumes on Violence in Comics. Ian is the founder of Comics Forum and a founding member of UAL’s Comics Research Hub.&nbsp;

The Materiality of Digital Comics
 asks how we can speak meaningfully about digital comics, and how we can do so in a way that remains meaningful as time passes and technology changes. In Part I, the book&nbsp;proposes a model for the study of digital comics that is founded on a material understanding of the form. Across three chapters, the book explores what digital comics are, in physical terms, and how we might structure our understanding of digital comics using six key terms: identifier, file type, software, firmware, hardware, and producers/readers. Each of these elements is explored individually before the relationships between them are discussed. The second part of the book develops this framework across three key areas: economics, histories and geographies. Chapter 5 explores the sales of digital comics and highlights a variety of costs and risks in digital comics that do not apply straightforwardly to print comics. Chapter 6 considers questions of histories as they pertain to digital comics, framing the discussion around four stages in the “life cycle” of a digital comic: creation, maintenance, movement and destruction. Chapter 7 addresses geographies through four topics: localities, nationalities, languages and law. Central to this chapter is the argument that digital comics are physically located things. The book concludes with a discussion of how the model presented here, and the concerns it raises, might be used actively for further scholarship, as well as an outline of other key areas that might be explored through a material analysis of digital comics in future.

The Materiality of Digital Comics

Build organizations where employees feel truly safe to learn, contribute, and challenge the status quo. The proven practical guide to psychological safety is now expanded with updated research and powerful new frameworks and tools. Psychological safety—the belief that you can speak up without risk of punishment or humiliation—is crucial for high-performing teams and innovative organizations. This revised and expanded edition of Timothy Clark's groundbreaking framework provides leaders with a research-backed roadmap through four distinct stages that enable individuals to feel safe, valued, and empowered. The four stages build progressively: <ul><li>Inclusion Safety (feeling included and accepted),</li><li>Learner Safety (feeling safe to learn and ask questions),</li><li>Contributor Safety (feeling safe to contribute and participate), and</li><li>Challenger Safety (feeling safe to challenge the status quo and speak truth to power).</li></ul> This new edition adds compelling quantitative evidence from Clark's global database of 1.2 million data points, validating the four-stage model across cultures and demographics. New chapters explore what psychological safety is not, the dangers of “nice” cultures, the relationship between psychological and physical safety, and practical measurement strategies. Leaders will learn to banish fear, create performance-based accountability, and build environments where people thrive beyond expectations.

Build organizations where employees feel truly safe to learn, contribute, and challenge the status quo. The proven practical guide to psychological safety is now expanded with updated research and powerful new frameworks and tools. Psychological safety—the belief that you can speak up without risk of punishment or humiliation—is crucial for high-performing teams and innovative organizations. This revised and expanded edition of Timothy Clark's groundbreaking framework provides leaders with a research-backed roadmap through four distinct stages that enable individuals to feel safe, valued, and empowered. The four stages build progressively: <ul><li>Inclusion Safety (feeling included and accepted),</li><li>Learner Safety (feeling safe to learn and ask questions),</li><li>Contributor Safety (feeling safe to contribute and participate), and</li><li>Challenger Safety (feeling safe to challenge the status quo and speak truth to power).</li></ul> This new edition adds compelling quantitative evidence from Clark's global database of 1.2 million data points, validating the four-stage model across cultures and demographics. New chapters explore what psychological safety is not, the dangers of “nice” cultures, the relationship between psychological and physical safety, and practical measurement strategies. Leaders will learn to banish fear, create performance-based accountability, and build environments where people thrive beyond expectations.

How to Build a High-Performance Culture

The 4 Stages of Psychological Safety, Second Edition

Das modernistische Diktum Less is More hat auch heute nichts von seiner Attraktivität verloren, auch wenn es immer mehr mit der kapitalistischen Forderung More for Less zu verschwimmen scheint. Die Kritik an der Verschwendung finanzieller, ökologischer und sozialer Ressourcen ist so zum moralischen Paradigma der Schuld und der »zynischen Feier des Ethos der Austerität« geworden, die insbesondere jenen, die ohnehin wenig haben, Sparsamkeit und Verzicht verordnet. 
In seinem brillanten Essay kritisiert Architekt und Theoretiker Pier Vittorio Aureli Ästhetisierungen der Askese, die »Austerity-Chic« zu Lifestyle, Calvin-Klein-Stores zu ­ Klöstern der Moderne, Steve Jobs zum ­ Inbegriff mönchischen Lebens und Minimalismus zum ­ neuesten Konsum-Trend fetischisieren.

Aureli fordert uns auf, Weniger weder unter dem Paradigma von Verlust und Schulden noch unter dem Anspruch von Wachstum und Steigerung zu betrachten und stattdessen entlang des Mottos Weniger ist genug alternative und kritische, kollektive und soziale Wendungen der Erfüllung jenseits von Besitz und Produktivität zu erforschen.

Architektur und Askese

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