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Massafra S: An Ecocritical Reading of
Andrea Zanzotto's Poetry

An Ecocritical Reading of Andrea Zanzotto's Poetry

The Ecosystem in Verses

New Directions in Religion and Literature

"In the 19th century, an era that saw a reconfiguration of the relationship between the self, the world and the divine, women writers probed the theological depths of embodied faith in new ways through poetry, fictional, devotional prose and life writing. Elizabeth Ludlow explores how eight writers (Elizabeth Barrett Browning, Josephine Butler, George Eliot, Elizabeth Gaskell, Dora Greenwell, Felicia Hemans, Adelaide Anne Proctor and Christina Rossetti) articulated what it means to pray, and thereby understand one's place in a world of individual and communal bodies"--

In the 19th century, an era that saw a reconfiguration of the relationship between the self, the world and the divine, women writers probed the theological depths of embodied faith in new ways through poetry, fiction, devotional prose and life writing. Elizabeth Ludlow explores how, through this process, they articulated what it means to pray, and thereby understand one’s place in a world of individual and communal bodies. The eight women writers discussed – Elizabeth Barrett Browning, Josephine Butler, George Eliot, Elizabeth Gaskell, Dora Greenwell, Felicia Hemans, Adelaide Procter and Christina Rossetti – provide accounts of prayer that stress that the only way to experience and respond to something of the transcendent is through embracing lived experience and through a recognition of the connectedness of all bodies. In detailing how these writers engage with new ways of thinking about faith, desire and the material world, Ludlow argues that they offer models for ethical modes of being in the world and pave the way for later theologies of embodiment.

Prayer and Embodiment in Nineteenth-Century Women’s Writing

"Examining what the eucharist taught early modern writers about their bodies and how it shaped the bodies they wrote about, this book shows how the exegetical roots of the Eucharistic controversy in 16th century England had very material and embodied consequences. Sandberg provides new insights into how Edmund Spenser, William Shakespeare, John Donne, and Aemilia Lanyer use the reformed eucharistic paradigm to imagine the embodied significance of the sacrament for their own bodies, the bodies of their narrative subjects, and the body of their literary work"--

Examining what the eucharist taught early modern writers about their bodies and how it shaped the bodies they wrote about, this book shows how the exegetical roots of the Eucharistic controversy in 16th century England had very material and embodied consequences.
 
To apprehend the nature of Christ’s body—its nature, presence, closeness, and efficacy—for these writers, was also to understand one’s own. And conversely, to know one’s own body was to know something particular about Christ’s.

Sandberg provides new insights into how Edmund Spenser, William Shakespeare, John Donne, and Aemilia Lanyer use the reformed eucharistic paradigm to imagine the embodied significance of the sacrament for their own bodies, the bodies of their narrative subjects, and the body of their literary work. She shows the significance of this paradigm was for poets and playwrights at this time to represent the embodied self and negotiate how the body was read, interpreted and understood.

Early Modern Literature and the Bodies of a Reformed Eucharist

Japanese Forms in American Poetry

Beyond Haiku

The Collected Prose

Songs Among the Ruins

What makes reading a poem unlike reading anything else? While there are as many ways to read a poem as there are types of poetry, every poem demands a conscious attention to language. Reading poems forensically helps us bring that attention to our own writing.
In Real Toads, Imaginary Gardens, acclaimed poet and teacher Paisley Rekdal demonstrates how to observe the building blocks of a poem-including its diction, form, imagery and rhythm-and construct an interpretation of its meaning. Through close analyses of contemporary and classic poems as well as creative exercises and specific, skill-based questions, this book shows how a poem takes shape and accrues meaning through the intersection of all its lyric elements. Lucid and generous, Real Toads, Imaginary Gardens reveals how to read and write critically and how to appreciate-and achieve-the exhilarating craft of poetry.

On Reading and Writing Poetry Forensically

Real Toads, Imaginary Gardens

Bloomsbury Studies in Critical Poetics

"The first book-length study of the poet, artist and activist Anna Mendelssohn (1948-2009), this book establishes Mendelssohn as one of the most important avant-garde British poets of her generation and explores her contribution to the powerful tradition of women writing enclosure and escape"--

The first full-length study of the poet, artist and activist Anna Mendelssohn (1948-2009), this book consolidates Mendelssohn’s reputation as one of the most important avant-garde British poets of her generation and explores her contribution to the powerful tradition of women writing enclosure and escape. Mendelssohn was herself incarcerated in Holloway women’s prison between 1971-76, and her bold and inventive poetry foregrounds and subverts, but does not triumphantly overcome, conditions of constraint. Informed by extensive original archival research, this book reads her highly experimental lyric alongside the poetry of her forerunners and contemporaries, including Nancy Cunard, Muriel Rukeyser and Denise Riley, restoring to view a lost network of radical, Jewish and feminist modernism. With chapters on the poetry of the Spanish Civil War, the legacy of the Holocaust, the Women’s Liberation Movement, the transformation of HMP Holloway in the 1970s and prison abolitionism, Incarceration in the Poetry of Anna Mendelssohn illuminates the historical, political and literary contexts that shape this work and argues that Mendelssohn advances a poetics not of emancipation, but of abolition.

Serve your own Sentences

Incarceration in the Poetry of Anna Mendelssohn

A Norton Short

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterised as "inaccessible", "irrelevant" or "intimidating". She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question and engage across diverse cultures and backgrounds. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to confront life's many uncertainties and losses, to build camaraderie with strangers and to understand ourselves. She grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets, alongside classic poems. By reimagining and re-examining the age-old art form, Fear Less is a warm invitation to find meaning, consolation and hope through poetry.

Poetry in Perilous Times

Fear Less

Providing one of the first book-length accounts of Samuel Beckett's poetry, this book argues how Beckett's poetry reconfigures lyrical language to mark the emergence of an anti-expressive poetics.

Providing one of the first book-length accounts of Samuel Beckett’s poetry, this book argues how Beckett’s poetry reconfigures lyrical language to mark the emergence of an anti-expressive poetics.

Samuel Beckett's Lyric Failure

Environmental Cultures

Examining a wide variety of poets from the last three decades of the 20th century to the present, from Asian, African, South American and settler colonies (Canada, Australia), this book traces a pattern of ecopoetics of vulnerability and resilience.

Examining a wide variety of poets from the last three decades of the 20th century to the present, from Asian, African, South American and settler colonies (Canada, Australia), this book traces a pattern of ecopoetics of vulnerability and resilience.

Place, Precarity and Justice

Postcolonial Poetry and the Environment

Ancient Environments

"Ovid's Metamorphoses offers a compelling site for reconsidering the category of the human within the complex ecologies that make up the world as we know it. The poem's recurrent theme is the physical transformation of humans into other life forms, a theme that invites readers to consider how human and non-human agencies have evolved from and adapted to one another in a relationship characterized by fluctuating perceptions of friction and symbiosis, distance and proximity. This volume of essays traces the variety of ways in which the world of the Metamorphoses offers a set of structures for modelling the relationship between humans and other agencies within the biosphere in ways that answer to many of the precepts of contemporary eco-criticism. The contributors make the case for seeing the worldview depicted in this ancient text as an exemplar of the 'premodern' ecological mindset that contemporary environmental thought seeks to approximate in many ways. Their papers also scrutinize a number of critical moments in the history of the text's ecological reception (including reflections by a contemporary poet, as well as studies of important Medieval and Renaissance receptions of Ovid) in an attempt to recuperate the Metamorphoses as a foundational text in the history of environmental thought"--

This book positions Ovid’s Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity while taking on new physical form. In bending the boundaries of known categories of being, these hybrid entities reveal both the porousness of human and other agencies as well as the dangers released by their fusion. Metamorphosis unsettles the category of the human within the complex ecologies that make up the world as we know it.

Drawing on a range of modern environmental theorists and approaches, the contributors to this volume trace how the Metamorphoses models the relationship between humans and other life forms in ways that resonate with the preoccupations of contemporary eco-criticism. They make the case for seeing the worldview depicted in Ovid’s poem as an exemplar of the ‘premodern’ ecological mindset that contemporary environmental thought seeks to approximate. They also highlight critical moments in the history of the poem’s ecological reception, including reflections by a contemporary poet, as well as studies of Medieval and Renaissance responses to Ovid.

Ovid's Metamorphoses and the Environmental Imagination

Black Literary and Cultural Expressions

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa's foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition - including his adoption of izibongo, Zulu praise poetry - and the role of the artist as a chronicler of his people's history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene's profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art - in this 21st-century moment of climate crisis - as both a form of activism and a political tool to the African creative writer.

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa’s foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition – including his adoption of izibongo, Zulu praise poetry – and the role of the artist as a chronicler of his people’s history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene’s profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art – in this 21st-century moment of climate crisis – as both a form of activism and a political tool to the African creative writer.

African Literature, Aesthetic, and Transatlantic Formulation

The Epic Poetry of Mazisi Kunene

Modernist Archives

Collecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era. Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of 'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany. Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.

The Correspondence of Ezra Pound and the Frobenius Institute, 1930-1959

An Ecocritical Reading of Andrea Zanzotto's Poetry

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

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