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Ethridge R: American Polychronic

American Polychronic

The first monographic study of American artist Alison Knowles, a significant yet overlooked cofounder of the Fluxus movement. Alison Knowles stands out as the sole female artist among the founders of Fluxus, yet she has remained an enigmatic, underrecognized figure in the history of art. Performing Chance fills a gap in the record, bringing to light Knowles's transformative body of work as it evolved from abstract painting in the late 1950s, to silkscreens, print media, and performance in the early 1960s, to groundbreaking works in digital poetry, acoustical art, and large-scale installations in the late 1960s-70s. Through her access to previously unpublished archival materials and direct interviews with the artist, Nicole L. Woods provides close readings of pivotal works, disclosing the ways Knowles instituted formal tactics that moved beyond modernist painting, championed principles of indeterminacy and chance, and fostered sociopolitical consciousness. Situating Knowles's innovations in various media within the distinct cultural contexts of Wiesbaden, London, Paris, New York City, and Los Angeles, Performing Chance brings this key artist back to her rightful place as a leader of the postwar avant-garde and provides a nuanced history of the role of women artists in Fluxus and beyond.

The Art of Alison Knowles In/Out of Fluxus

Performing Chance

Graphis Journal Magazine

The Graphis Journal issue #383 is packed with top-tier creative talent that's changing the game across design, advertising, photography, and beyond. These aren't just names-they're industry disruptors and trailblazers who push boundaries and redefine what's possible in visual communication. This Journal is more than just a magazine-it's a masterclass in creativity, with insights from award-winning talents who are shaping the future of design and advertising. Why These Talents Matter:- David Carson (USA): Known for his groundbreaking work with Ray Gun magazine, David is the rebel of graphic design and one of today's biggest influencers in the industry today. His rule-breaking approach has led him to work with some of the biggest brands, including The Macallan, Nike, Stussy, a Dubai skatepark, and more, proving that pushing creative boundaries leads to success. &nbsp;&nbsp;- Ron Taft (USA): His design philosophy goes beyond visuals-it makes people feel something. Ron's work, including his recent ad campaigns, proves that great design isn't just seen; it's experienced. - Goodby, Silverstein &amp; Partners (USA): The legendary advertising firm behind iconic campaigns like "Got Milk?" These guys continue to raise the bar in creative storytelling and are revered across the industry for their ability to balance humor and impact. - Colin Douglas Gray (USA) and Lindsay Siu (CA): These photographers are capturing the essence of their subjects in a way that moves the viewer. Colin's work has been seen everywhere, from the New York Comic Con to high-end editorial shoots, while Lindsay brings a unique, multicultural perspective to her advertising and portrait photography. - SEAN &amp; EVE (UK/CA): This dynamic duo blends typography, illustration, and CGI like nobody else. Their ability to bridge digital and analog techniques sets them apart as true innovators in the field. - Simon Johnston (USA): A respected designer and professor at the ArtCenter College of Design, Simon isn't just creating beautiful work-he's shaping the next generation of design thinkers. His work combines intellectual depth with visual beauty, making him a leader both in and outside the classroom. Why Your Clients Will Love It:This Journal offers more than just stunning visuals. It's packed with in-depth exclusive Q&amp;As, where these creative icons share their stories, processes, and what drives them to succeed. It's a chance for customers to learn from the best-whether they're creatives themselves or simply appreciate the artistry behind award-winning work. Make It Relatable:Your clients who cater to creative minds are constantly seeking inspiration and insight into what's working in today's competitive market. The Graphis Journal issue #383 delivers exactly that-exclusive access to the thoughts and methods of today's industry leaders who are driving the biggest trends and innovations. It's not just a resource, it's a competitive advantage. What's In It for You:When you sell The Graphis Journal issue #383, you're not just selling a quarterly magazine-you're sharing insights that can only come from the world's top creative minds. Key Selling Points to Drive Home:- Exclusive interviews with today's industry leaders who shape global trends. - Stunning, full-page visuals of award-winning work. - Insights that can fuel the creative process. &nbsp;&nbsp;Get your clients excited about The Graphis Journal issue #383-because if they're serious about creativity, this is the ultimate resource they can't afford to miss!

Graphis Journal Magazine 383

A Portrait of John Singer Sargent

Beyond Beauty

The twentieth anniversary edition of An-My Lê's acclaimed first book Small Wars, reissued with five new images and an afterword by Ocean Vuong.	For the past three decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling. 	First published in 2005, Small Wars brings together three interconnected series. In Viêt Nam, Lê returns to the country she left in her teens and attempts to reconcile memories of her childhood home with the contemporary landscape; in Small Wars, she engages a small community of Vietnam War reenactors; and in 29 Palms, she documents the preparations of marines in the California desert as they undergo training for conflict in Iraq and Afghanistan. Taken together, this trilogy brilliantly presents a complexly layered exploration of the issues surrounding landscape, memory, and the representation of violence and war. 	With great precision and clarity, Lê is able to evoke the work of nineteenth-century landscapes as well as that of the New Topographics--but by weaving in her own personal narrative of refuge and return, she pushes beyond both to produce a uniquely revelatory body of work. The twentieth anniversary edition of Small Wars is a lush reissue of the original, with five additional images and a new afterword by Ocean Vuong, who discusses how these bodies of work resonate twenty years later.

Twentieth Anniversary Edition

An-My Le: Small Wars

A career-spanning examination of the work of Robert Bergman and its place within the history of American art

Robert Bergman

Fortune of the Spirit

A vivid showcase of work by more than thirty of the world¿s leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today.

A vivid showcase of work by more than thirty of the world’s leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today.

Female Photographers Now

Firecrackers

The Shankill, a roughly mile long road in Belfast Northern Ireland, is home to a working class, Protestant community. Their history is complex and troubled and yet they have survived with pride and resilience. During the thirty years of sectarian violence, many stories of this community have been told. A Peace Agreement was signed in 1998 and most journalists and photographers packed their bags and left before the ink had dried. But it is still a fragile peace that remains. The Shankill: A Portrait of Pride and Resilience depicts a proud community defined by their traditions, hoping to move beyond their past. It is a portrait of today.

A Portrait of Pride and Resiliance

The Shankill

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

This story is a modern bildungsroman-the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens. Jaffe's determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe's story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

This story is a modern bildungsroman—the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens.
Jaffe’s determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe’s story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

Trips

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts.

Victoria Sambunaris: Transformation of a Landscape

Offering a new perspective on Weegee's oeuvre, Weegee: Society of the Spectacle presents the photographer's iconic images beside lesser-known works.

Society of the Spectacle

Weegee

A close-up look at 50 artists-their work, their studios, their style-creating a wide variety of art in the HamptonsIt's one thing to admire an artist's work; it's another to get a real feel of the person behind the work. In these pages you'll get a close-up look at 50 painters, sculptors, printmakers, photographers, and mixed-media artists who are living and working on the famed East End of Long Island, New York. Photographer Jaime Lopez has captured each artist both in revealing portraits and at work in their studios, and journalist and curator Coco Myers has contributed insightful interviews. The East End has long been a magnet for artists who are drawn to the inspiring nature of the landscape-the light, the fields, the farms, and of course, the expansive sea. And while the legacy of artists like Jackson Pollock, Lee Krasner, Willem de Kooning, and others remains strong, the area continues to be rich in talent today. Lopez's photographs and Myers's text reveal the creativity, intelligence, and humor of these 50 artists as well as the vibe of their workplaces and the tools of their craft.

Hamptons Artists and Their Studios

Light, Sand, and Sea

American Polychronic

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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