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Perspektiven einer intermedialen Panoramatik

Arts, Research, Innovation and Society

Transforming Understanding—Understanding Transformation

Uncertain Curiosity in Artistic Research, Philosophy, Media and Cultural Studies

Italian and Italian American Studies

Palimpsestic Webs and Archival Encounters

Naples and the Anglophone

Pier Paolo Pasolini gehört zu den streitbarsten und schillerndsten Figuren des 20. Jahrhunderts, dessen Texte und Filme – er war Dichter und gleichzeitig Regisseur – die Gemüter bis auf den heutigen Tag bewegen und durch ihren experimentellen Charakter herausfordern. Anlässlich seines 100. Geburtstages im Jahr 2022 wird Pasolinis „Kino der Poesie“ jenseits seiner Provokationen und Skandale neu perspektiviert. Pasolinis Insistieren auf Mythen und Märchen pocht auf eine Nachhaltigkeit jenseits von Konsum und Konformität. Das Pasolinische ‚Licht der Dichtung‘ inszeniert faszinierende Bilder, die der Autor zugleich in semiotischen Auseinandersetzungen u.a. gegen Umberto Ecos Kritik verteidigt.

Pier Paolo Pasolini gehört zu den streitbarsten und schillerndsten Figuren des 20. Jahrhunderts, dessen Texte und Filme – er war Dichter und gleichzeitig Regisseur – die Gemüter bis auf den heutigen Tag bewegen und durch ihren experimentellen Charakter herausfordern. Anlässlich seines 100. Geburtstages im Jahr 2022 wird Pasolinis „Kino der Poesie“ jenseits seiner Provokationen und Skandale neu perspektiviert. Pasolinis Insistieren auf Mythen und Märchen pocht auf eine Nachhaltigkeit jenseits von Konsum und Konformität. Das Pasolinische ‚Licht der Dichtung‘ inszeniert faszinierende Bilder, die der Autor zugleich in semiotischen Auseinandersetzungen u.a. gegen Umberto Ecos Kritik verteidigt.

Pier Paolo Pasolini und das Kino der Poesie

Palgrave Animation

“City in Motion is an original and valuable account of the animation industry in New York in the latter-half of the twentieth century. It provides a timely insight into the effects of technological change on animation production and paints a vivid picture of the communities and individuals involved. Drawing on first-hand accounts from interviews and primary sources, it offers new insight into an under-researched and neglected aspect of animation history that has been overshadowed by the dominant Hollywood animation studios, shining a light on previously ignored pioneers. With accessible and enthusiastic writing and copiously illustrated, it transports the reader to this vibrant place and time.”— Malcolm Cook, Associate Professor in Film Studies, University of SouthamptonFocusing on a specific period in New York’s rich animation history, City in Motion&nbsp;examines the unique styles, movements, personalities, and projects that emerged in the city from 1966 to 1999. During this era, New York became a hub of significant stylistic, cultural, and market transformations, playing a crucial role in nurturing the rise of independent animation as well as the development of digital production platforms and methods. This shift ultimately led to the decline of cel and film techniques, which had been the dominant means of animation production until that time. Nonetheless, it also provided independent artists with opportunities to influence the future direction of animation. A central theme of this work links the efforts in New York to today's creator-driven animation, illustrating a direct connection between New York independents and properties such as Sesame Street, MTV, Adult Swim, and The Simpsons.Robby Gilbert&nbsp;is an American animator, illustrator, and cartoonist, best known for his work in educational and interactive media. His work often explores the relationships and interconnectivity among various artistic disciplines. Gilbert has taught animation, illustration, and game design at several colleges and is currently a professor of animation at Rowan University in Glassboro, NJ, USA, where he directs the Moving Image Research Lab.

Focusing on a specific period in New York’s rich animation history,&nbsp;City in Motion&nbsp;examines the unique styles, movements, personalities, and projects that emerged in the city from 1966 to 1999. During this era, New York became a hub of significant stylistic, cultural, and market transformations, playing a crucial role in nurturing the rise of independent animation as well as the development of digital production platforms and methods. This shift ultimately led to the decline of cel and film techniques, which had been the dominant means of animation production until that time. Nonetheless, it also provided independent artists with opportunities to influence the future direction of animation. A central theme of this work links the efforts in New York to today's creator-driven animation, illustrating a direct connection between New York independents and properties such as Sesame Street, MTV, Adult Swim, and The Simpsons.

A City in Motion

New York Animation 1966-1999

Das Handbuch leistet eine erste Bestandsaufnahme der im Fach Medienwissenschaft genutzten Methoden zur Untersuchung digitaler Kulturen. Es vermittelt einen Überblick über medienkulturwissenschaftliche Forschungsdesigns und den Umgang mit Forschungsdaten. Dabei stellt das Handbuch sowohl methodische Ansätze zur Erhebung und Analyse digitaler Artefakte, Praktiken und Phänomene vor, wie auch spezifisch digitale Methoden der Datenanalyse und -visualisierung. Die Beiträge stellen konkrete Anwendungen vor und reflektieren den jeweiligen methodischen Ansatz in der Fachkultur und den Arbeitsgebieten der Medienwissenschaft.

Handbuch Digitale Medien und Methoden

Zoo Frankfurt Wimmelbuch

Palgrave Studies in Audio-Visual Culture

This book approaches music in audiovisual culture as a complex merged signal rather than as a simple ‘addition’ to the images of film. The audiovisual is central to modern culture, with screens and speakers (including headphones) dominating communication, leisure and drama. While this book mostly addresses film, it also deals with sister media such as television and video games, registering that there is a ‘common core’ of synchronized image and sound at the heart of these different but related media. The traditions of sound and what Michel Chion calls ‘audiovision’ (1994), including principles of accompaniment and industrial processes from film, have been retained and developed in other media. This book engages with the rich history, and varied genres, different traditions and variant strategies of audiovisual culture. However, it also points to and emphasizes the ‘common core’ of flat moving images and synchronized sound and music which marks a dominant in electronic media culture (what might be called ‘screen and speaker/diaphragm culture’).Addressing music as both diegetic and non-diegetic, as both songs and score, the analyses presented in this book aim to attend the precise interaction between music and other elements of audiovisual culture as defining overall configurations. While many writings about music in audiovisual culture focus on ‘what it communicates’, its processes are more complicated and can form a crucial semi-conscious (or perhaps unconscious) background. While music’s effect might be far from simple and unified, part of screen music’s startling effect comes from its unity with the image. Cross-modal ‘crosstalk’ between sound and image forms a whole new signal of its own. . Each chapter marks a case study making for a varied collection that embraces rich history and different traditions, as well as the distinct aesthetic boldness of different genres and formats.K. J. Donnelly is Professor of film and film music at Southampton University, UK. He is Author of The McGurk Universe: The Physiological and Psychological in Audiovisual Culture (2023) and Co-Editor of Folk Horror on Film (2023) and Contemporary Musical Film (2019), among other works.

This book approaches music in audiovisual culture as a complex merged signal rather than as a simple ‘addition’ to the images of film. The audiovisual is central to modern culture, with screens and speakers (including headphones) dominating communication, leisure and drama. While this book mostly addresses film, it also deals with sister media such as television and video games, registering that there is a ‘common core’ of synchronized image and sound at the heart of these different but related media. The traditions of sound and what Michel Chion calls ‘audiovision’ (1994), including principles of accompaniment and industrial processes from film, have been retained and developed in other media. This book engages with the rich history, and varied genres, different traditions and variant strategies of audiovisual culture. However, it also points to and emphasizes the ‘common core’ of flat moving images and synchronized sound and music which marks a dominant in electronic media culture (what might be called ‘screen and speaker/diaphragm culture’).Addressing music as both diegetic and non-diegetic, as both songs and score, the analyses presented in this book aim to attend the precise interaction between music and other elements of audiovisual culture as defining overall configurations. While many writings about music in audiovisual culture focus on ‘what it communicates’, its processes are more complicated and can form a crucial semi-conscious (or perhaps unconscious) background. While music’s effect might be far from simple and unified, part of screen music’s startling effect comes from its unity with the image. Cross-modal ‘crosstalk’ between sound and image forms a whole new signal of its own. Each chapter marks a case study making for a varied collection that embraces rich history and different traditions, as well as the distinct aesthetic boldness of different genres and formats.

Collected Writings on Music in Audiovisual Culture

Hearing Eyes, Seeing Ears

Roman

Noli me tangere

Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print

“This admirable study takes up an unsettling aspect of Romanticism, appropriately termed ‘dark,’ in works by Henry Fuseli, William Blake, and Mary Shelley. The&nbsp;numerous well-chosen images are not so much supplementary to the text as embedded in it, establishing a visual message concurrent with the verbal one. In all, this is one of the most stimulating books in one of the most energetically discussed areas of Romantic scholarship.”
 —
 Morton D. Paley
 , Professor Emeritus of English, University of California, Berkeley, USA
 
 “With over 50 stunning color images, this lucidly written study examines the liminal states of life and beauty, offering fresh insights into&nbsp;
 Frankenstein
 &nbsp;and the dark sensibilities that destabilize traditional notions of taste and genre. A masterful blend of art and literature, this book is as enlightening as it is captivating.”
 
 —
 Sharon Ruston
 , Professor of English and Creative Writing, Lancaster University, UK
 
 This book explores the dark regions of Romantic imagination in late eighteenth- and early nineteenth-century literature and art. It uncovers the palpable and pleasing anxiety about the human body in the works of Henry Fuseli, William Blake, and Mary Shelley, focusing on the negotiations of pleasure and pain, life and death, beauty and monstrosity. Each of the works examined revolves in some manner around the breakdown of an idealized body in order to illuminate the transition from organic to&nbsp;fragmented form. This approach involves reorienting conventional accounts of Romanticism around the emergence of a visual paradigm. Engaging with cultures of print, aesthetic discourse, anatomical art, as well as natural historical knowledge circulating in England at the turn of the century, 
 Dark Romanticism
 cultivates visual literacy and argues that literary and pictorial elements are inseparable when imagination is at work.
 Silvia Riccardi
 &nbsp;is a postdoctoral researcher at Umeå University, Sweden, specializing in eighteenth- and nineteenth-century literature and visual culture. She has previously held positions at the University of Freiburg and Uppsala University.

This book explores the dark regions of Romantic imagination in late eighteenth- and early nineteenth-century literature and art. It uncovers the palpable and pleasing anxiety about the human body in the works of Henry Fuseli, William Blake, and Mary Shelley, focusing on the negotiations of pleasure and pain, life and death, beauty and monstrosity. Each of the works examined revolves in some manner around the breakdown of an idealized body in order to illuminate the transition from organic to&nbsp;fragmented form. This approach involves reorienting conventional accounts of Romanticism around the emergence of a visual paradigm. Engaging with cultures of print, aesthetic discourse, anatomical art, as well as natural historical knowledge circulating in England at the turn of the century, 
 Dark Romanticism
 cultivates visual literacy and argues that literary and pictorial elements are inseparable when imagination is at work.

Literature, Art, and the Body

Dark Romanticism

The textbook provides an overview of the entire European energy law. In order to grasp the breadth of energy law, it is indispensable to know the European and international framework conditions. This knowledge is a prerequisite for successful work in the energy industry, politics, administration and associations. Last but not least, it is also the basis for understanding the energy transition. The textbook explains private and public law aspects of energy industry and energy environment law. Starting from the internal energy market, current energy law and regulatory issues are dealt with, from the Energy Union to the globalisation of energy trading.

A Handbook

European Energy Law

Oper in Bewegung

Der Band bietet Überblickskapitel zu Geschichte, Gattungen und Genres des Kinder- und Jugendfilms und geht auch auf Animationsfilm und 3D-Kino ein. Er bietet eine ausführliche Anleitung zur Filmanalyse: Dramaturgie, Mise-en scène, Ton/Auralität, Montage etc. Ein weiteres Kapitel gibt Hinweise zur didaktischen Arbeit im Schulunterricht. Mit zwei umfangreichen Beispielanalysen. - Weitere Analysen sowie Sequenzprotokolle (Musterblätter und Beispiele) im Internet. Zweite, aktualisierte und erweiterte Auflage eines 2013 bei UVK/UTB erschienenen Bandes.

Der Band bietet Überblickskapitel zu Geschichte, Gattungen und Genres des Kinder- und Jugendfilms und geht auch auf Animationsfilm und 3D-Kino ein. Er bietet eine ausführliche Anleitung zur Filmanalyse: Dramaturgie, Mise-en scène, Ton/Auralität, Montage etc. Ein weiteres Kapitel gibt Hinweise zur didaktischen Arbeit im Schulunterricht. Mit zwei umfangreichen Beispielanalysen. - Weitere Analysen sowie Sequenzprotokolle (Musterblätter und Beispiele) im Internet. Zweite, aktualisierte und erweiterte Auflage eines&nbsp;2013 bei UVK/UTB erschienenen Bandes.

Eine Einführung

Kinder- und Jugendfilmanalyse

Alles im Blick

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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