"Revised and expanded to reflect developments in the field since the first edition was published in 2013, this book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years. It offers a critical account of painting, providing a timely exploration of what has remained a persistent and protean medium and addressing a range of global artists and painting practices. Essential reading for students on fine arts painting courses, the book is an invaluable resource for those seeking to understand the themes and issues that have pertained to postmodern and contemporary painting"--