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Acts of Art in Greenwich Village

Die griechische Plastik 2

The Political Friendships of Maya Angelou, Lorraine Hansberry, Abbey Lincoln, Miriam Makeba, and Nina Simone

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From the Pulitzer Prizewinning journalist Madeleine Blais, the dramatic and untold story of legendary tennis star and international celebrity, Alice Marble

From the Pulitzer Prize-winning journalist Madeleine Blais, the dramatic and colorful story of legendary tennis star and international celebrity, Alice MarbleIn August 1939, Alice Marble graced the cover of Life magazine, photographed by the famed Alfred Eisenstaedt. She was a glamorous worldwide celebrity, having that year won singles, women’s doubles, and mixed doubles tennis titles at both Wimbledon and the US Open, then an unprecedented feat. Yet today one of America’s greatest female athletes and most charismatic characters is largely forgotten. Queen of the Court places her back on center stage.Born in 1913, Marble grew up in San Francisco; her favorite sport, baseball. Given a tennis racket at age 13, she took to the sport immediately, rising to the top with a powerful, aggressive serve-and-volley style unseen in women’s tennis. A champion at the height of her fame in the late 1930s, she also designed a clothing line in the off-season and sang as a performer in the Sert Room of the Waldorf Astoria Hotel in New York to rave reviews. World War II derailed her amateur tennis career, but her life off the court was, if anything, even more eventful. She wrote a series of short books about famous women.&nbsp;She turned professional and joined a pro tour during the War, entertaining and inspiring soldiers and civilians alike.&nbsp;Ever glamorous and connected, she had a part in the 1952 Tracy and Hepburn movie Pat and Mike, and she played tennis with the likes of Charlie Chaplin, Marlene Dietrich, and her great friends, Clark Gable and Carole Lombard. However, perhaps her greatest legacy lies in her successful efforts, working largely alone, to persuade the all-white US Lawn Tennis Association to change its policy and allow African American star Althea Gibson to compete for the US championship in 1950, thereby breaking tennis’s color barrier.In two memoirs, Marble also showed herself to be an at-times unreliable narrator of her own life,&nbsp;which Madeleine Blais navigates skillfully, especially Marble’s dramatic claims of having been a spy during World War II. In Queen of the Court, the author of the bestselling In These Girls, Hope Is a Muscle recaptures a glittering life story.

The Many Lives of Tennis Legend Alice Marble

Queen of the Court

Holmes, Margaret & Poe

It's their toughest case yet. And their best detective is missing. Holmes, Margaret and Poe's Brooklyn-based detective agency solves the crimes no one else can. Or they did - until Holmes decided to leave the business. There is no time to waste as the team are called to a fresh NYPD crime scene - and tasked with looking into the disappearance of six infants. Time is ticking as they work to unravel the mystery. But they need Holmes. If they're going to solve the crime of the century, first they must save their friend. _____________________________ Praise for Holmes, Margaret and Poe . . . 'A classic, witty and wonderful mystery from the king of crime. Fast-paced and fun, clever and exciting. I loved it' Chris Whitaker I loved every criminally delicious moment of Holmes, Margaret and Poe. What a wild ride! Hooked from the first page - and not just by the edge of my seat crime stories but also the depth and complexity of the characters. Rock on Book 2! - Dreda Say Mitchell ____________________________________ PRAISE FOR JAMES PATTERSON 'Nobody does it better' JEFFERY DEAVER 'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades' LEE CHILD 'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind' MICHAEL CONNELLY 'James Patterson is The Boss' IAN RANKIN 'The master storyteller of our times' HILLARY RODHAM CLINTON 'One of the greatest storytellers of all time' PATRICIA CORNWELL

It’s their toughest case yet. And their best detective is missing. Holmes, Margaret and Poe’s Brooklyn-based detective agency solves the crimes no one else can. Or they did – until Holmes decided to leave the business. There is no time to waste as the team are called to a fresh NYPD crime scene – and tasked with looking into the disappearance of six infants. Time is ticking as they work to unravel the mystery. But they need Holmes. If they're going to solve the crime of the century, first they must save their friend. _____________________________ Praise for Holmes, Margaret and Poe . . . 'A classic, witty and wonderful mystery from the king of crime. Fast-paced and fun, clever and exciting. I loved it' Chris Whitaker I loved every criminally delicious moment of Holmes, Margaret and Poe. What a wild ride! Hooked from the first page - and not just by the edge of my seat crime stories but also the depth and complexity of the characters. Rock on Book 2! - Dreda Say Mitchell ____________________________________ PRAISE FOR JAMES PATTERSON ‘Nobody does it better' JEFFERY DEAVER 'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades' LEE CHILD 'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind' MICHAEL CONNELLY 'James Patterson is The Boss' IAN RANKIN 'The master storyteller of our times' HILLARY RODHAM CLINTON 'One of the greatest storytellers of all time' PATRICIA CORNWELL

(Holmes, Margaret and Poe 2)

Holmes Is Missing

'Moving' THE NEW YORK TIMES 'A joy' THE WASHINGTON POST 'Vibrant' LIT HUB 'Powerful' NEW YORKER Lucy Sante has often felt like an outsider. Born in Belgium to conservative Catholic working-class parents, she was transplanted to the United States without ever entirely settling here. But a feeling of home finally arrived when she moved to New York City in the early 1970s amidst her fellow bohemians. Through those electric years, some of her friends would die young, from drugs and AIDS, and others would become jarringly famous. Lucy flirted with both fates, on her way to building a glittering career as a writer. But she could never shake that feeling. When she was finally ready, Lucy decided to confront the façade she'd been presenting to everyone, including herself, over these years. I Heard Her Call My Name is the story of that confrontation, of a life with a missing piece that with transition, falls into place. This a memoir of grace and wit that parses the issues of gender identity and far beyond with unbounding humility and hope. 'Radical, humble and wise' HERMIONE HOBY 'An astonishing, once-in-a-lifetime achievement' HUA HSU 'Vivid, encompassing and compassionate' CATHERINE LACEY

‘Moving’ THE NEW YORK TIMES ‘A joy’ THE WASHINGTON POST ‘Vibrant’ LIT HUB ‘Powerful’ NEW YORKER Lucy Sante has often felt like an outsider. Born in Belgium to conservative Catholic working-class parents, she was transplanted to the United States without ever entirely settling here. But a feeling of home finally arrived when she moved to New York City in the early 1970s amidst her fellow bohemians. Through those electric years, some of her friends would die young, from drugs and AIDS, and others would become jarringly famous. Lucy flirted with both fates, on her way to building a glittering career as a writer. But she could never shake that feeling. When she was finally ready, Lucy decided to confront the façade she’d been presenting to everyone, including herself, over these years. I Heard Her Call My Name is the story of that confrontation, of a life with a missing piece that with transition, falls into place. This a memoir of grace and wit that parses the issues of gender identity and far beyond with unbounding humility and hope. 'Radical, humble and wise' HERMIONE HOBY 'An astonishing, once-in-a-lifetime achievement' HUA HSU 'Vivid, encompassing and compassionate' CATHERINE LACEY

A memoir of transition

I Heard Her Call My Name

Number Two

1930 New York As the Great Depression bites, show dancer Grace's Irish immigrant family can't afford the rising rents, nor the medicine that her little sister urgently needs. When her twin brother is injured and can no longer work on the construction of the half-built Empire State Building, Grace steps up - literally. In secret, she trades her dancing shoes for worker boots, braving deadly metal work hundreds of feet in the sky. But survival isn't guaranteed. Failure could mean not only losing her job, but also her life, and the livelihood of her family and her team. Sparks fly across the great metal beams as a terrible accident and a split-second decision leaves Grace re-evaluating everything that she thought she knew about herself. A breathtaking story of heart and hope, danger and sacrifice, this debut novel is as electrifying as the city that never sleeps. (Headline Review logo) (Author photo) www.headline.co.uk (twitter logo) @gem_tizz (Instagram logo) @gemma_tizzard Cover design credit Author photograph © Alex Harvey-Brown ISBN 9781035412174 (also available in ebook and audio)

The breathtaking debut novel of a daring young woman in 1930s New York, who takes her brother's place to risk her life above the city that never sleeps... As the Great Depression bites, show dancer Grace's Irish immigrant family can't afford the rising rents, nor the medicine that her little sister urgently needs. When her twin brother is injured and can no longer work on the construction of the half-built Empire State Building, Grace steps up - literally. She trades her dancing shoes for worker boots, braving deadly metal work hundreds of feet in the sky. But survival isn't guaranteed. Failure could mean not only losing her job, but also her life, and the livelihood of her family and team. Sparks fly across the great metal beams, as a terrible accident and a split-second decision leaves Grace re-evaluating everything that she thought she knew about herself... Set against the backdrop of a city at a crossroads, this electrifying story is full of heart and hope, family and friendship, and the sacrifices we make for those we love...

The breathtaking story of one young woman's courage high above Manhattan

Grace of the Empire State

Only in New York

AVAILABLE FOR PRE-ORDER NOW. From the global No. 1 bestselling author and creator of the hit Netflix drama Stay Close and Fool Me Once comes the unputdownable new crime thriller. 'He never disappoints' Stephen King 'A great writer' John Grisham 'Unbelievably brilliant' Richard Osman __________ A year after the devastating events that took place in Fool Me Once, a secret from former Detective Sami Kierce's college days comes back to haunt him. Present day is hard enough for Kierce, but his past isn't through with him yet... MALAGA, 2000 Sami Kierce, a young man backpacking in Spain with friends, wakes up one morning. He is covered in blood. There's a knife in his hand. Beside him, the body of a woman. Anna. Dead. He begins to scream. NEW YORK CITY, 2025 Kierce, now a disgraced detective, is teaching night classes when he recognizes a familiar face in the crowd. Anna. It's unmistakably her. But as soon as he makes eye contact with her, she runs. For Kierce there is no choice. He knows he must find this woman and solve the mystery that still haunts his every waking moment. His investigation will bring him face-to-face with his past. Soon he discovers that some secrets should stay buried . . . __________ HARLAN COBEN never ever lets you down - LEE CHILD HARLAN COBEN: simply one of the all-time greats - GILLIAN FLYNN HARLAN COBEN never disappoints - STEPHEN KING HARLAN COBEN is the modern master of the hook and twist - DAN BROWN HARLAN COBEN is unbelievably brilliant - RICHARD OSMAN HARLAN COBEN is a GREAT writer - JOHN GRISHAM

MALAGA – 2000 Sami Kierce, a young American backpacker, wakes up. He is covered in blood. There’s a knife in his hand. Beside him, the body of a woman. Anna. Dead. He doesn’t know what happened. He begins to scream. NEW YORK CITY – 2025 Kierce, now a disgraced detective, is teaching night classes when he recognises a familiar face in the crowd. Anna. It’s unmistakably her. As soon as she sees Kierce, she runs. For Kierce there is no choice. He knows he must find this woman and solve the impossible mystery that has haunted his every waking moment. His investigation will bring him face-to-face with his past. Soon he discovers that some secrets should stay buried . . . _______________________________ HARLAN COBEN never ever lets you down - LEE CHILD HARLAN COBEN: simply one of the all-time greats - GILLIAN FLYNN HARLAN COBEN never disappoints – STEPHEN KING HARLAN COBEN is the modern master of the hook and twist - DAN BROWN HARLAN COBEN is unbelievably brilliant - RICHARD OSMAN HARLAN COBEN is a GREAT writer - JOHN GRISHAM

Harlan Coben 2025

IMAGINES – Classical Receptions in the Visual and Performing Arts

This book examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the "fit" American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus - most frequently, the Venus de Milo - as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the "American race" by reviving the robust health and moral righteousness of the ancient Greeks.
 
 Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody - or to try to embody - the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health.

This book examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks.
 
 Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women’s health.

Venus Envy

Ancient Sculpture and Twentieth-Century American Womanhood

Famous film star Lila Crayne is America's Sweetheart: she's generous and kind, gorgeous and magnetic. A golden girl. She and her fiancé, visionary filmmaker Kurt Royall, have settled into a stunning New York apartment, and are embarking on a new movie: a modern feminist adaptation of a classic twentieth-century novel. To prepare for the leading role, Lila begins work with charming and accomplished therapist Jonah Gabriel to dig into the trauma of her past. Soon, Lila's impeccably manicured life begins to unravel on the therapy couch - and Jonah is just the man to pick up the pieces. But everyone has a secret, no one is quite who they seem, and before long, careers, reputations and lives are in danger of being irrevocably destroyed . . .

Famous film star Lila Crayne is America's Sweetheart: she's generous and kind, gorgeous and magnetic. A golden girl. She and her fiancé, visionary filmmaker Kurt Royall, have settled into a stunning New York apartment, and are embarking on a new movie: a modern feminist adaptation of a classic twentieth-century novel. To prepare for the leading role, Lila begins work with charming and accomplished therapist Jonah Gabriel to dig into the trauma of her past. Soon, Lila's impeccably manicured life begins to unravel on the therapy couch - and Jonah is just the man to pick up the pieces. But everyone has a secret, no one is quite who they seem, and before long, careers, reputations and lives are in danger of being irrevocably destroyed . . .

Sweet Fury

Acts of Art in Greenwich Village

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