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Schreiber D: A Time of Loss / LF

A Time of Loss

Anthem Impact

This study investigates how medieval intellectuals compared their own cultures with others. It aims to establish Cultural Comparisons as an area of medieval studies by looking at some of the outstanding texts, mainly from the twelfth to the fourteenth centuries.

How Medieval Thinkers Analysed Cultural Differences

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

Routledge Studies in Critical Realism

Through an extensive critical review of the major traditions of social theory from the perspective of social realism, this book develops the argument that social theory to date has been hamstrung by its resort to conflationary-reductive analytical modes. Deploying social realism as a tool of explanatory critique of influential sociological theories of contemporary society, such as risk, liquid modernity, reflexive modernity, and postmodernity, this book is essential reading for students and scholars of critical theory, critical realism, philosophy and sociology.

The failure of social philosophers to make sense of an object of knowledge that embodies real divisions and polarities has generated a fundamental problem of social theory: the fallacy of reductive-conflationary analytical and explanatory models in sociological research. This book seeks to define the problem of sociology as one of developing appropriate theoretical and methodological tools for describing and analysing a multi-faceted social reality. Through an extensive critical review of the major traditions of social theory from the perspective of social realism, this book develops the argument that social theory to date has been hamstrung by its resort to conflationary-reductive analytical modes. Part I presents a realist critique of the traditional rivals of holism and individualism while Part II offers a realist critique of the major paradigms of sociological elisionism. In Part III the author builds on these critiques by exploring how the ontology of social realism can sustain a robust social theory that resolves the traditional dilemmas and antinomies. Deploying this social realism as a tool of explanatory critique of influential sociological theories of contemporary society, such as risk, liquid modernity, reflexive modernity, and postmodernity, this book is essential reading for students and scholars of critical theory, critical realism, philosophy and sociology.

Structure and Agency Revisited

Realism and Social Theory

Critical Concepts in Religious Studies

There is a substantial and growing literature on both theories and methods in the study of religion. This new four-volume collection will showcase the very best cutting-edge research and canonical literature.

Methods and Theories in the Study of Religion

A Philosophical Guide to Our Most Misunderstood Emotion

How to Love

A Memoir

One Day at a Time

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

Undercover with the Next Generation of Cyber Fraudsters

Scam Nation

The Devil in the Flesh

This is a personal account of the being a lifeboat volunteer and an insight into the crews who keep it afloat.

Lifeboat at the End of the World

Now I Surrender

A Time of Loss

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