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Salt R: A Mother's Promise / B

A Mother's Promise

My true story of surviving Auschwitz and the horrors of the Holocaust, the Sunday Times bestseller

Penguin Monarchs

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

The Afflicted King

Henry IV (Penguin Monarchs)

The Death of Stalin

Fleet

An authoritative, illustrated analysis of the official French Navy in World War II, under the command of the Third Republic and of Vichy.

The Marine Nationale in World War II

French Navy 1939–42

Becoming a Voice for Young People

After the German and Italian attack on Yugoslavia, Croatian fascists - the Ustasha - declared the independence of Croatia in April 1941. This short-lived state became one of the most significant theatres of genocide of wartime Europe, with these independent nationalists committing acts of violence against Serbs, Jews, and Roma.

Intertwined Genocides explores the patterns and the internal logic of the genocides carried out by Croatian fascists - the Ustasha - against Serbs, Jews, and Roma during the Second World War. Korb argues that the Croatian fascists were not German puppets, but strong-minded and largely independent agents, despite the German and Italian occupation of their country. They tried to transform their short-lived wartime Croatian state into a mono-ethnic nation-state by force. Whilst pursuing their violent agenda, they soon lost control over much of their territory owing to the armed resistance of their victims. What followed was an escalation of multiple layers of collective violence: local genocide, the German Holocaust, the occupiers' war against partisans, and an escalating civil war, all inextricably intertwined.

Because of this mix of perpetrators and their competing agendas, and because of the dynamics of violence and counter-violence, resistance and revenge, aggression and fear, Croatia became one of the most violent venues during the Second World War. Intertwined Genocides shows that South-eastern European nationalists carried out genocide independently of the Germans. Moreover, Alexander Korb brings critically important insights to the histories of violence, genocide, and its perpetrators: in a multi-ethnic society, genocide cannot be studied as an isolated phenomenon. Its dynamic escalation had dramatic effects on every ethnic group, and the victims' responses had a significant impact on the course of events throughout the Second World War, and into the latter half of the twentieth-century.

Mass Violence in Western Yugoslavia during the Second World War

Intertwined Genocides

Friends and Lovers, Freedom and War

A Vast Horizon

Undercover with the Next Generation of Cyber Fraudsters

Scam Nation

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

Author Helen Muir drew on her journalistic and personal correspondence to provide a memoir of her friendship with poet Robert Frost during the 30 years he wintered in South Miami (between 1934-1963). Frost and his wife, Elinor, brought a property in Miami to escape public life. After Elinor's death, Frost maintained their five-acre home named Pencil Pines, comforting himself with birdwatching and stargazing, cultivating flowers and friendships. Muir's children have taken up the task of releasing the work in paperback with a new foreword and new photos to give readers a fresh look at this iconic memoir written by their mother.

Robert Frost in Florida

No sex. No kids. No future? When Tom Feiling moved to Tokyo as a student in the early nineties, Japan was a beacon of the future: a rising superpower, a technology giant, a global symbol of prosperity, civility and success. When he returned twenty-four years later, the country was still a sign of things to come-but, he began to realize, it was no longer a beacon. It was a warning. This is a unique account of contemporary Japan, which travels from the quiet of its furthest flung villages to the aspiration and dynamism of its cities. It tells the story of how, from the mid-seventies onwards, Japanese society unknowingly embarked on a vast, silent process of transformation that is still unfolding today. It is still peaceful; it is still prosperous. But the Japanese population is dwindling at an alarming rate. As things stand, Japan's populace will shrink by a third with each new generation; by 2070 it will have lost the equivalent of the entire population outside of Tokyo, Osaka and Nagoya. Travelling through shrines and bars, rice fields and mango farms, coffee shops and old peoples' homes, Feiling meets with those affected by, and driving, this transformation. Through countless interviews and extensive research, he weaves together a powerful account of how and why men and women are ceasing to pair off and have kids. He reveals how sexual appetites and behaviours are both shaped by, and reshaping the evolving economy, and he considers both the dangers and the opportunities of the rise in solo living in Japan-and beyond. For although this is a Japanese story, it will soon be playing out all around the world. A low birth rate, an ageing society, and a shrinking population are visible everywhere from Spain to South Korea. Japan is simply further down the line. So this really is a journey to the future: sex robots and herbivorous men are now Japanese phenomena, but they may soon be coming for us all.

A Journey to the Future

Alone in Japan

Out of the cocaine-fuelled, rock'n'roll debauchery of the 1970s came an iconic collaboration between an influential rocker and a visionary filmmaker. From The Last Waltz to The Wolf of Wall Street and The Irishman, the creative legacy of Robbie Robertson and Martin Scorcese has spanned decades. Filled with high octane exploits, bacchanalian parties and untold amounts of debauchery, this is the intimate and unvarnished behind-the-scenes story of a partnership that has shaped American culture like no other. PRAISE FOR TESTIMONY 'A book of memories and wonders, a personal testament of a magical time in American music from someone who was there, at the center of it all . . . Robbie brings you along with him, keeps you right by his side first to last, just the way his songs do, drawing you close, spellbound by his easy sorcery. You can feel the music in every word' Martin Scorsese 'Robust, wry, gritty and wise' Wall Street Journal 'Confident and well oiled. At times it has the mythic sweep of an early Terrence Malick movie' New York Times 'Captivating... this is essential reading' Rolling Stone 'Robertson is an immensely capable storyteller and a keen observer' New Yorker

Insomnia

A Time of Loss

A Mother's Promise

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