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Go behind the scenes of Minecraft: The Movie and experience the creative journey that transformed the biggest video game of all time into a big-screen block-buster.

Farago Andrew: A Minecraft Movie: From
Block to Big Screen

A Minecraft Movie: From Block to Big Screen

Pokémon Colour and Design

Sonic the Hedgehog Super Awesome Journal

Create & Learn Collection

A handy, accessible, and beautifully illustrated artist’s guide to using light and shade to push character designs to a professional level.&nbsp; This shorter-form book from 3dtotal Publishing, from our new series Create &amp; Learn Collection, takes readers through clear and simple methods to achieving top-quality lighting in their drawing and digital paintings.&nbsp;The invaluable content is written and illustrated by professional artists, including an in-depth introduction by Kenneth Anderson (aka Character Cube), a character designer and illustrator based in Scotland, UK, who specializes in the creation of characters for animation, gaming, and traditional publishing. After covering the fundamentals of light and shade, he explores the ways lighting and shading can be used to describe form, push character stylization, and enhance storytelling.&nbsp;This is followed by eight invaluable tutorials from global artists, including Iranian concept artist Taraneh Karimi, Serbian illustrator Ognjen Sporin, and Italian character designer Isabella Agosti. They cover a range of topics, including ‘Controlling tonal structure of a character with light and shade’, ‘Using light within a character design’, and ‘Using light and shade in a stylized 3D character’.&nbsp;With a compact format and short, clear tutorial steps, this book is ideal for those wanting a quick reference guide or more relaxed approach from a tutorial book. It’s an ideal gift for an artist friend just discovering their digital-painting skills, or a must-buy for artists wanting to discover how the professionals create spot-on lighting and shade in their designs.

Light & Shade for Characters

Answering every aspiring artists biggest question - how do I find my own artistic style? - this book provides 100 original ways to help!&nbsp; The 100 challenges in this book have been carefully formulated by expert artists from the fields of illustration, video-gaming, animation, concept art, and many more. Some quick and some more detailed, the activity suggestions will help readers to try out different styles with ease - and with practice lead them to the discovery of the style that feels right for them.&nbsp;Draw a tree using only triangles, paint a landscape using one piece of charcoal, or draw a hopeful character in only forty-five seconds... these seemingly simple yet extremely useful creative tasks will challenge artists to expand beyond their usual processes and break free of the invisible limitations they may have set for themselves.&nbsp;Artists of all abilities will find the clear yet creative style of this book a great help, whether they are just starting to explore their art style or have been sticking to the same one for many years and want to try something new.

100 Challenges to Find Your Artistic Style

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.&nbsp;The cover for issue 34 is by Simone Ferriero (aka Simz), a freelance comic-book artist and illustrator from Italy who has a huge 431K followers on Instagram. Simz is known for his drawings of ghost cats and modern-day witches, with a style inspired by Japanese cartoons and comics. He takes us through the creation of his cover, then we interview him about his career and his current creative plans.&nbsp;Also featured in this issue is Tom Booth (335K followers on Instagram) an art director, illustrator, and author, based in Brooklyn, New York. He has created characters for Simon &amp; Schuster, Netflix, Random House, and is known for his extensive work in children's literature. He talks to us about creating the video game Pine, for which he served as the artistic and narrative lead.

A Minecraft Movie: From Block to Big Screen

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