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Carlisle Susan: A Kiss Under The
Northern Lights / Healing The Baby Surg

A Kiss Under The Northern Lights / Healing The Baby Surgeon's Heart

A Kiss Under the Northern Lights / Healing the Baby Surgeon's Heart

Bittersweet Symphony Duet

Bittersweet Melody is the extended epilogue to spicy romance duology, Bittersweet Symphony, by the author of TikTok sensation The Ravenhood Trilogy, Kate Stewart.

Bittersweet Melody

A heart warming and irresistible novel about the rejuvenating power of pottery, for fans of Before The Coffee Gets Cold and What You Are Looking For Is In The Library. Jungmin is down on her luck. She's worked tirelessly as a screenwriter her whole life, and has finally burnt out. But after months of isolation, she realises it's time to make a change, and ventures out into the streets near Seoul. When she stumbles upon a pottery workshop, a new world opens up to her. Leaning into the joys of her craft, Jungmin's heart is slowly warmed by the kiln's intense heat. Everyone at the workshop has their own story to tell, and as summer ebbs to autumn, autumn to winter, winter to spring, wounds begin to heal. Pot by pot, plate by plate, Jungmin discovers that as her hands become busier, her mind becomes calmer and her heart opens up like never before... From a rising literary talent, this is a story of new friends and old practices; of finding community with loved ones and with yourself, and of what happens when you finally slow down in this fast-paced world.

A heart warming and irresistible novel about the rejuvenating power of pottery, for fans of Before The Coffee Gets Cold and What You Are Looking For Is In The Library. Jungmin is down on her luck. She's worked tirelessly as a screenwriter her whole life, and has finally burnt out. But after months of isolation, she realises it's time to make a change, and ventures out into the streets near Seoul. When she stumbles upon a pottery workshop, a new world opens up to her. Leaning into the joys of her craft, Jungmin’s heart is slowly warmed by the kiln’s intense heat. Everyone at the workshop has their own story to tell, and as summer ebbs to autumn, autumn to winter, winter to spring, wounds begin to heal. Pot by pot, plate by plate, Jungmin discovers that as her hands become busier, her mind becomes calmer and her heart opens up like never before... From a rising literary talent, this is a story of new friends and old practices; of finding community with loved ones and with yourself, and of what happens when you finally slow down in this fast-paced world.

The Healing Season of Pottery

Untitled

The Retreat

The Underdog

Mrs Sidhu’s Just Desserts

'Julie Owen Moylan writes about mid-20th century women like no-one else' Laura Price PRE-ORDER the dazzlingly compulsive new novel from Julie Owen Moylan - perfect for fans of Cabaret and The Whalebone Theatre 'A tale of two sisters and a city, all three of them so vividly drawn, I felt I knew them. An almost unbearably poignant story of missed chances, long-hidden lies and women fighting the odds to grab happiness where they can. Superbly atmospheric, with convincingly flawed characters that just leap off the page' Frances Quinn 'An all-singing, all-dancing, moving and masterful book about two complex sisters living in incredibly complex times. Mid-twentieth century Berlin and the glittering world of Babylon Circus are brilliantly evoked and the characters live with us long after we've closed the book. Brilliant.' Anna Mazzola BERLIN, 1926: After the death of their parents, sisters Leni and Annette only have each other. Dreaming of better days, but desperate, Leni finds work at a notorious cabaret: the Babylon Circus. From the dancer's barely-there costumes, to the glimmering mirrors that cover the walls, the Babylon Circus is a place where reality and fantasy merge. For Leni, it's an overwhelming new world, and she's happiest hiding in the shadows. Until she meets the cabaret's resident pianist, Paul. And so begins a love affair that will shape the lives of Leni and Annette, as they navigate the next forty years in the dark and dazzling city they call home. . . PRAISE FOR JULIE OWEN MOYLAN: 'Touching, entertaining and hopeful' Sunday Times 'Dazzling' Good Housekeeping 'I was gripped from the first page' Sara Cox 'Psychologically astute and emotionally absorbing,' DAILY MAIL 'A wonderfully evocative, immersive novel that brings 50s London to life, from the smog and the nightlife to attitudes towards women' SUNDAY EXPRESS 'Emotional, immersive and utterly absorbing' JENNIFER SAINT

'Julie Owen Moylan writes about mid-20th century women like no-one else' Laura Price PRE-ORDER the dazzlingly compulsive new novel from Julie Owen Moylan – perfect for fans of Cabaret and The Whalebone Theatre 'Sexy, electrically stylish, and beautiful - a gorgeous story about sisterhood, and a glamorous, evocative passport to a period we all long to get lost in' Daisy Buchanan 'Julie's best novel yet' Georgina Moore 'A tale of two sisters and a city, all three of them so vividly drawn, I felt I knew them. An almost unbearably poignant story of missed chances, long-hidden lies and women fighting the odds to grab happiness where they can. Superbly atmospheric, with convincingly flawed characters that just leap off the page' Frances Quinn BERLIN, 1926: After the death of their parents, sisters Leni and Annette only have each other. Desperate, but dreaming of better days, Leni finds work at a notorious cabaret: the Babylon Circus. From the dancer’s barely-there costumes, to the glimmering mirrors that cover the walls, the Babylon Circus is where reality and fantasy merge. For Leni, it’s an overwhelming new world, and she’s happiest hiding in the shadows. Until she meets the cabaret’s resident pianist, Paul. And so begins a tentative love affair that will play out over the next forty years. But, in a city whose divisions will define a century, can a love born within the feverish walls of the Babylon Circus ever survive? And can the bond between Leni and Annette – tugged in opposite directions of their own – also endure? In Berlin, two sisters dared to dream of a better life – but where in this dark and dazzling city will they find their true home? 'An all-singing, all-dancing, moving and masterful book about two complex sisters living in incredibly complex times. Mid-twentieth century Berlin and the glittering world of Babylon Circus are brilliantly evoked and the characters live with us long after we've closed the book. Brilliant.' Anna Mazzola 'Bold, brave and absorbing' Elizabeth Buchan 'An epic novel, spanning decades as it explores with compassion and humanity the relationship of two sisters torn between the love and obligation they feel towards one another, and their desire for freedom and a better life that will split them apart' Louise Fein PRAISE FOR JULIE OWEN MOYLAN: 'Touching, entertaining and hopeful' Sunday Times 'Dazzling' Good Housekeeping 'I was gripped from the first page' Sara Cox 'Psychologically astute and emotionally absorbing,' DAILY MAIL 'A wonderfully evocative, immersive novel that brings 50s London to life, from the smog and the nightlife to attitudes towards women' SUNDAY EXPRESS 'Emotional, immersive and utterly absorbing' JENNIFER SAINT

Circus of Mirrors

In the 21st century, decision-making processes are increasingly being transferred from humans to machines. Algorithms and prediction capture and shape our choices about how we live and interact with others before we can register their mechanisms of reaching outcomes. The time that we would allocate to critical thinking, reflecting and assessing, evaporates. Through an examination of the work that predictive machines do when making decisions and their impact on human capacities, this cutting-edge study looks to 'uncertainty' as a central, epistemic tool for reimagining human-machine encounters. It focuses on the space of 'maybes', before prediction, as an area for critical inquiry and cultivation.

Through a transdisciplinary approach that brings together design studies and philosophies of processes and technology, Betti Marenko explores how the area of uncertainty can be mapped, diagrammed and designed. By framing uncertainty as a design material, she demonstrates how it can be mobilized to create new modes of knowledge production. 

This book sheds light on how current computational processes can deepen contested classifications, inequalities and hierarchies, and offers alternative anticipatory design methods and stratagems based on uncertainty that can be used to avoid reduction and algorithmic capture. It offers a framework for harnessing the power of 'maybes' through design and contributes to contemporary debates around the growing intelligence and autonomy of machines. It is a timely intervention on how to reinvent critique in the algorithmic age by designing new modes of living attuned not to what is, but to what may be.

In the 21st century, decision-making processes are increasingly being transferred from humans to machines. Algorithms and prediction capture and shape our choices about how we live and interact with others before we can register their mechanisms of reaching outcomes. The time that we would allocate to critical thinking, reflecting and assessing, evaporates. Through an examination of the work that predictive machines do when making decisions and their impact on human capacities, this cutting-edge study looks to ‘uncertainty’ as a central, epistemic tool for reimagining human-machine encounters. It focuses on the space of ‘maybes’, before prediction, as an area for critical inquiry and cultivation.

Through a transdisciplinary approach that brings together design studies and philosophies of processes and technology, Betti Marenko explores how the area of uncertainty can be mapped, diagrammed and designed. By framing uncertainty as a design material, she demonstrates how it can be mobilized to create new modes of knowledge production. 

This book sheds light on how current computational processes can deepen contested classifications, inequalities and hierarchies, and offers alternative anticipatory design methods and stratagems based on uncertainty that can be used to avoid reduction and algorithmic capture. It offers a framework for harnessing the power of ‘maybes’ through design and contributes to contemporary debates around the growing intelligence and autonomy of machines. It is a timely intervention on how to reinvent critique in the algorithmic age by designing new modes of living attuned not to what is, but to what may be.

A Kiss Under The Northern Lights / Healing The Baby Surgeon's Heart

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