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2wenty-5ive

Arts of Life 2000-2025

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Beautiful wood engravings by Gertrude Hermes in a new calendar from Flame Tree, created with the Ashmolean Museum. The Ashmolean began when the wealthy antiquary Elias Ashmole (1617–92) gifted his collection to the University of Oxford in 1682. It was then combined with an older University collection that included Guy Fawkes’ lantern. Today, the Ashmolean Museum of Art and Archaeology houses Western Art, Eastern Art, Antiquities, Cast Gallery and the Coin Room. The beautiful wood engravings and illustrations in this calendar are by the acclaimed British printmaker Gertrude Hermes. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Ashmolean Museum: Gertrude Hermes Wall Calendar 2026 (Art Calendar)

Curated by Connor Hirst

DOMINION

A fine new mini wall art calendar from Flame Tree with joyful paintings of flowers from The Courtauld. This delightful mini wall calendar, made in partnership with The Courtauld, features a selection of well-loved floral artworks from the gallery's collection, from Monet's Vase of Flowers to William Henry Hunt's Chaffinch Nest and May Blossom and Ethel Walker's Flower Piece No. 4. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

The Courtauld: Floral Mini Wall Calendar 2026 (Art Calendar)

'A beautifully written memoir by one of the most important and original artists working today . . . utterly gripping, enraging, entertaining - and important. I can't recommend it highly enough' Jennifer Higgie A sparkling memoir and portrait of trailblazing artist Liliane Lijn as a young woman In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution - peopled and controlled almost entirely by men. In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: 'There never have been.' Liquid Reflections is her memoir of these years of experiment and adventure - years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. And she sought - and found - radical pleasure in the act of creative expression and in the living, sensuous world around her. Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. 'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity...' Liliane Lijn

Liquid Reflections

Thirty-Six Views of the Moon&nbsp;is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten&nbsp;centuries.Drink wine and look at the moon and think of all&nbsp;the civilizations the moon has seen passing by… — Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze.&nbsp;In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon. This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze.&nbsp;There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

Thirty-Six Views of the Moon&nbsp;is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten&nbsp;centuries.Drink wine and look at the moon and think of all&nbsp;the civilizations the moon has seen passing by… — Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze.&nbsp;In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon. This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze.&nbsp;There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

Ala Ebtekar: Thirty-Six Views of the Moon

A showcase of a collection spanning from Old Master prints to innovative contemporary works

Durer to Degas and Beyond

The Solomon Collection

Ground/work 2025

Menil Drawing Institute Series

Drawing at the Advent of Television and Video

Lines of Resolution

This calendar highlights 12 images of this serene and much-loved colour pairing. A fine new art calendar from Flame Tree. From Islamic tile panels and examples of Chinese ornament, to Japanese furnishings, Nigerian indigo-dyed cloths, and eighteenth century plate-printed cottons, the combination of blue and white hues has been popular across cultures and techniques for centuries. This calendar highlights a selection of objects from the magnificent V&amp;A collections, celebrating this serene and much-loved colour pairing, which forever conveys a sense of high-quality craftsmanship and tradition. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

V&A: True Blue Wall Calendar 2026 (Art Calendar)

Bold and fresh blue-toned works from the ever-impressive artists of the Royal Academy. A fine new art calendar from Flame Tree. Featuring the vibrant work of 12 artists from the Royal Academy (the leading talents Richard Spare, Carrie Lees, Bill Jacklin, Ana Alonso Albarracin, Iris Michael Craig-Martin, Richard Dyson, Peter Lawrence, Barbara Rae RA, Vanessa Gardiner, Eileen Cooper, Neville Goodwin and Fiona Watson), this wall art calendar displays bright, original, modern and contemplative works, all following the peaceful colour theme of blue. The datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Royal Academy of Arts Wall Calendar 2026 (Art Calendar)

Twelve iconic animals, real and imagined, from the medieval Bodley Bestiary manuscript. A new mini wall calendar from Bodleian Libraries and Flame Tree. The Bodley Bestiary is a medieval manuscript illuminated in Southern England around 1225–50. This beautiful mini Bodleian Libraries calendar features 12 incredible illustrations of animals and birds, real or legendary, which were used to draw out moral and religious lessons from the accompanying stories. Widely popular during the medieval period, these images continue to be much-loved. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Bodleian Libraries: Medieval Bestiary Mini Wall Calendar 2026 (Art Calendar)

2wenty-5ive

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