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2wenty-5ive

Arts of Life 2000-2025

Honor Song is published to coincide with the first major retrospective exhibition of the artist Hock E Aye Vi Edgar Heap of Birds, known internationally for his conceptual artwork—colorful text-based prints, drawings, paintings, sculptures, and public interventions—that addresses Indigenous rights, sovereignty, and relationships to place. Organized with the artist, the book spans more than four decades of his making, tracing Heap of Birds’ trajectory from the 1970s to the present through prints, drawings, abstract paintings, blown-glass vessels, and public sculptures. The publication includes texts by exhibition co-curators Pablo N. Barrera (Wixáritari) and Anna Vittoria Pickett, David Levi Strauss, Suzan Shown Harjo (Cheyenne and Arapaho Nation/ Hotvlkvlke Mvskokvlke, Nuyakv), Kiona Millirons, and Shanna Ketchum-Heap of Birds (Navajo Nation). The work of Edgar Heap of Birds is housed in numerous public collections worldwide, including Art Basel U.S. Corp. (NY), the Center for Exploratory and Perceptual Art Gallery (NY), FORGE Project Collection (NY, Unceded lands of the Moh-He-Con-Nuck), Museum of Modern Art (NY), Walker Art Center (MN), and Whitney Museum of American Art (NY). Exhibition dates: January 30–October 20, 2025 | Mary LeFlore Clements Oklahoma Gallery February 20–August 4, 2025 | Eleanor Kirkpatrick Main Gallery Opening April 24, 2025 | Campbell Art Park

Hock E Aye Vi Edgar Heap of Birds: Honor Song

A record of the rise and fall of the BMC farm that foregrounds the voices of a new cast of characters Black Mountain College (BMC) was a wellspring of 20th-century creative unorthodoxy. From its founding in 1933 and over its celebrated 23-year history, the small liberal arts school in rural North Carolina attracted a remarkable number of famous and soon-to-be famous artists, writers and visionaries including Anni and Josef Albers, Ruth Asawa, John Cage, Merce Cunningham, Willem de Kooning, Buckminster Fuller, Ray Johnson, Charles Olson and M.C. Richards. The exploits of these BMC cultural luminaries have been recounted time and time again. David Silver's fascinating new book offers a very different perspective. The farm was vital to BMC. Throughout the Depression and World War II it provided vital sustenance, while serving as a testing ground for self-sufficiency, communal living and collaboration--the most precious and precarious ingredient at the college. Through deep original research, The Farm at Black Mountain College follows renegade students, faculty and farmers as they establish a campus farm in the 1930s, build a better farm in the 1940s and watch it all collapse in the 1950s. We meet a new cast of BMC characters whose stories have seldom, if ever, been explored, and whose adventures in agriculture illuminate what exactly happened at BMC across the decades, from optimistic community building to its plunge into substance-addled scarcity. In these engrossing pages, we encounter the extraordinary folk whose endeavors on the land helped shape the Black Mountain College of myth and extraordinary reality. David Silver (born 1968) is professor and chair of environmental studies at the University of San Francisco. He teaches classes on urban agriculture, hyperlocal food systems and food, culture and storytelling.

A record of the rise and fall of the BMC farm that foregrounds the voices of a new cast of characters Black Mountain College (BMC) was a wellspring of 20th-century creative unorthodoxy. From its founding in 1933 and over its celebrated 23-year history, the small liberal arts school in rural North Carolina attracted a remarkable number of famous and soon-to-be famous artists, writers and visionaries including Anni and Josef Albers, Ruth Asawa, John Cage, Merce Cunningham, Willem de Kooning, Buckminster Fuller, Ray Johnson, Charles Olson and M.C. Richards. The exploits of these BMC cultural luminaries have been recounted time and time again. David Silver’s fascinating new book offers a very different perspective. The farm was vital to BMC. Throughout the Depression and World War II it provided vital sustenance, while serving as a testing ground for self-sufficiency, communal living and collaboration—the most precious and precarious ingredient at the college. Through deep original research, The Farm at Black Mountain College follows renegade students, faculty and farmers as they establish a campus farm in the 1930s, build a better farm in the 1940s and watch it all collapse in the 1950s. We meet a new cast of BMC characters whose stories have seldom, if ever, been explored, and whose adventures in agriculture illuminate what exactly happened at BMC across the decades, from optimistic community building to its plunge into substance-addled scarcity. In these engrossing pages, we encounter the extraordinary folk whose endeavors on the land helped shape the Black Mountain College of myth and extraordinary reality. David Silver (born 1968) is professor and chair of environmental studies at the University of San Francisco. He teaches classes on urban agriculture, hyperlocal food systems and food, culture and storytelling.

The Farm at Black Mountain College

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Palais de Tokyo

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

Featuring strikingly lyrical contributions by Black, Latin American, and Native American artists, Black Earth Rising assembles over 200 contemporary artworks that explore the complex ties between colonialism and the climate crisis--and in so doing, dramatically expands visual narratives on climate change. Taking as its origin the forced migration of people and early networks of commerce that reshaped lives and landscapes globally after European arrival in the Americas, the book offers an urgent reframing of climate discourse that places people of color at the center of the debate.

Black Earth Rising

The Orient Within

Art and Identity in Spain, 1833-1956

A fresh and engaging celebration of the customs, places, objects and peoples that make up what we know as "folk." By its nature, folk is ephemeral: tricky to define, hard to preserve and even more difficult to resurrect. But folk culture is all around us; sitting in our churches, swinging from our pubs and dancing through our streets, patiently waiting to be discovered, appreciated, saved and cherished. &gt;In The Lost Folk, Lally MacBeth is on a mission to breathe new life into these rapidly disappearing customs. She reminds us that folk is for everyone, and does not belong to an imagined, halcyon past, but is constantly being drawn from everyday lives and communities. As well as looking at what folk customs have meant in Britain's past, she shines a light on what they can and should mean as we move into the future - encouraging us to use the book as an inspiration, and become collectors and creators of our very own folk traditions.

From the Forgotten Past to the Emerging Future of Folk

The Lost Folk

A rich history of Gilded Age partisan politics, aesthetics, and the creation of New York City’s Civil War monuments

Civil War Monuments in Gilded Age New York

Politics and Memory

The first published account of the German-Jewish magnates who won an international reputation as the leading art collectors of Edwardian Britain.

The German-Jewish Collectors of Edwardian Britain

Magnates and Masterpieces

An exploration of the rich creative influence of Italian Renaissance art on the designs of contemporary Italian fashion houses &nbsp; Successful Italian fashion houses such as Armani, Dolce &amp; Gabbana, and Versace are among the most high-profile and cutting-edge on the global fashion scene. Many of the innovative designs created by these and other major Italian houses draw on imagery from Italy’s rich cultural and artistic past. Weaving together insightful texts and vivid illustrations, this book explores the creative, cultural, and social dialogues between contemporary Italian fashion houses and the enduring legacy of Renaissance Italy. &nbsp; During the Renaissance, the Italian peninsula was dominated by powerful aristocratic families or “houses,” such as the Medici in Florence and the Sforza in Milan, whose members used fashion and art to communicate their power. Through essays by scholars and fashion industry professionals, including Luca Missoni of the House of Missoni and Stefania Ricci, director of the Ferragamo Museum, this book provides an insider look at the creative connections between Italian Renaissance “houses” and contemporary Italian fashion houses, and the design innovations that celebrate the vital legacy of Italian Renaissance imagery. Art directed by Luca Stoppini, former Vogue Italia creative director, this book features an inventive, oversize design reminiscent of Vogue magazine’s storied annual “September Issue,” conveying a gripping story about contemporary Italian fashion and enlivened with runway and art images, as well as original photography inspired by nostalgic glossy editorials. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 9, 2025–February 1, 2026)

The Enduring Italian Houses

Renaissance to Runway

2wenty-5ive

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