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James Grieve: 100 Notes on Theatre
Directing

100 Notes on Theatre Directing

Methuen Drama Engage

British Theatre 2010-2019

Staging Systemic Violence

The Toronto New Wave cinema that emerged in Canada in the 1980s spawned the careers of David Cronenberg, Don McKellar, Vincenzo Natali, Patricia Rozema, Sarah Polley, and many other unsung Canadian auteurs who produced films that betray anarchistic philosophies and apocalyptic propensities. This book recognises the intersection of anarchist-apocalyptic themes that the movies stage and interrogate, as it develops a new analytical paradigm that is consonant with the Canadian film production exigencies in which the Toronto New Wave was immersed. Chapters include discussions of historical contexts and auteur interviews, combined with sophisticated film analyses, to explore key themes within the Toronto New Wave. Topics include David Cronenberg's earliest films and the anarchist-apocalypse effect they engendered; Don McKellar's cohort of collaborators and the anarchist idea of "kissing this world goodbye"; and the anarchist-apocalyptic critique of cybernetic technology. The book also examines Vincenzo Natali's anarchist-apocalyptic critique of industrial technology and class-based incarceration; films and auteurs dedicated to anarchist-queering and anarchist-gendering the apocalypse; including representations of zombies and the end of time in post-millennium neo-TNW films and beyond. The text's eloquent dance with film studies' admixture of theory, history, and analyses is a ballet of insight and essential reading for anyone interested in the study of film and the exciting anarchist-apocalyptic contributions made to it by the Toronto New Wave and some of its progeny. The idea of a pending social apocalypse is a prescient issue in contemporary cinema theory and this study offers an original approach to issues keyed to anarchist values and apocalyptic revelation in an historically important but under-represented Canadian filmmaking group.

Toronto New Wave Cinema and the Anarchist-Apocalypse

Below the Waist: Pads, Hoops, Crinolines and Bustles provides a wide range of historical patterns and instructions to construct a range of underpinnings, simple pads, a farthingale, 18th century hoops, 19th century crinolines and bustles.

Below the Waist: Pads, Hoops, Crinolines and Bustles provides a wide range of historical patterns and instructions to construct a range of underpinnings, simple pads, a farthingale, 18th century hoops, 19th century crinolines and bustles.The silhouette that enables us to recognize and date historical female garments owes a great deal to the underpinnings that support the costume. Historical underpinnings were constructed to hold and shape the outer garment, creating a silhouette unique to a particular period. The examination of a wide range of original garments forms the basis for each pattern in this book and includes historical information to support each pattern, providing a unique shape that gives a wider choice for the costumer to create an accurate period silhouette. Many of the garments are from unseen collections and present new patterns for the reader. Clear step-by-step instructions, with supporting diagrams, will enable the reader to produce an accurate period undergarment.Mandy Barrington‘s method of pattern drafting allows anyone, from students on costume construction courses to professionals working in the costuming industry, to draft and make an authentic historical underpinning.

Below the Waist: Pads, Hoops, Crinolines and Bustles

Theatre: Theory – Practice – Performance

Stages of Mortality

Death in Modern Theatre

Dunbridge Academy

Sarah Sprinz creates a world that I enjoyed getting lost in. If Dunbridge Academy is taking applications, let me know!' ANNA TODD One single night turns Olive Henderson's whole life upside down. After a devastating fire at Dunbridge Academy, severe injuries force her to retake a year on her own, without her best friends, who are about to embark on their A levels. And that's without the added frustration of new student Colin Fantino. Determined to hate everything at Dunbridge, the young New Yorker would rather be anywhere else than in this Scottish exile. But then Olive starts to look underneath the surface, and with every crack in Colin's tough shell she feels more and more attracted to him. Until she discovers the true reason for his sudden departure from New York . . . Discover the new, heart-pounding romance series that's perfect for anyone who loves Hannah Grace, Elsie Silver and LJ Shen. 'I am absolutely obsessed with this book!' 5* reader review 'I laughed and I cried' 5* reader review 'Incredible, I couldn't put it down' 5* reader review

'Sarah Sprinz creates a world that I enjoyed getting lost in. If Dunbridge Academy is taking applications, let me know!' ANNA TODD One single night turns Olive Henderson's whole life upside down. After a devastating fire at Dunbridge Academy, severe injuries force her to retake a year on her own, without her best friends, who are about to embark on their A levels. And that's without the added frustration of new student Colin Fantino. Determined to hate everything at Dunbridge, the young New Yorker would rather be anywhere else than in this Scottish exile. But then Olive starts to look underneath the surface, and with every crack in Colin's tough shell she feels more and more attracted to him. Until she discovers the true reason for his sudden departure from New York . . . Discover the new, heart-pounding romance series that's perfect for anyone who loves Hannah Grace, Elsie Silver and LJ Shen. 'I am absolutely obsessed with this book!' 5* reader review 'I laughed and I cried' 5* reader review 'Incredible, I couldn't put it down' 5* reader review

an enemies-to-lovers BookTok hit

Anytime

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

War, betrayal and espionage in 1980s Ethiopia: a classic of African literature that sealed its author's fate

Oromay

Modern European Cinema and Love

Shakespeare in the Theatre

Shakespeare in the Theatre: Reduced Shakespeare Company

Ethiopia, 1982: After a decade of conflict, the government is determined to quash the Eritrean insurgency once and for all. As head of propaganda, it''s Tsegaye''s job to keep the people onside. When the Red Star Campaign lands him in Asmara, Tsegaye is swept up in the city''s nightlife, the bars and coffeehouses buzzing with spies and government agents. But even as Tsegaye begins to fall in love with Asmara ¿ and with bold, dazzling, enigmatic Fiammetta ¿ his misgivings about the campaign grow, and soon his loyalties will be tested to their limit. Tsegaye is confronted with the horror of war when the army attacks the insurgents'' mountain stronghold, and encounters betrayals that shake his faith in both the regime and human nature. A masterpiece of Ethiopian literature, Oromay is a thrilling political satire and a turbulent tale of love and war. It became an instant sensation when first published in 1983 and was quickly banned. Baalu Girma vanished in 1984, most likely kidnapped and murdered by the same regime in retaliation for this novel. Translated from Amharic by David DeGusta and Mesfin Felleke Yirgu

"Astonishing and compelling . . . Impossible to put down" Maaza Mengiste, author of The Shadow King Ethiopia, 1982: After a decade of conflict, the government is determined to quash the Eritrean insurgency once and for all. As head of propaganda, it's Tsegaye's job to keep the people onside. When the Red Star Campaign lands him in Asmara, Tsegaye is swept up in the city's nightlife, the bars and coffeehouses buzzing with spies and government agents. But even as Tsegaye begins to fall in love with Asmara ‒ and with bold, dazzling, enigmatic Fiammetta ‒ his misgivings about the campaign grow, and soon his loyalties will be tested to their limit. Tsegaye is confronted with the horror of war when the army attacks the insurgents' mountain stronghold, and encounters betrayals that shake his faith in both the regime and human nature. A masterpiece of Ethiopian literature, Oromay is a thrilling political satire and a turbulent tale of love and war. It became an instant sensation when first published in 1983 and was quickly banned. Baalu Girma vanished in 1984, most likely kidnapped and murdered by the same regime in retaliation for this novel. Translated from Amharic by David DeGusta and Mesfin Felleke Yirgu

100 Notes on Theatre Directing

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