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Zombie Futures in Literature, Media and
Culture

Zombie Futures in Literature, Media and Culture

Pandemics, Society and the Evolution of the Undead in the 21st Century

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility. Resisting dogma, the authors cast a critical eye on past and present practices as they argue for the feminist dramaturg's role in shaping a theatre company's sense of its production potential.

The Road Less Traveled

Adventures in Feminist Dramaturgy

Oxford World's Classics

Mary Shelley's The Last Man is a novel set in the aftermath of climate disaster and a war between Greece and Turkey in the late twenty-first century. Shelley's 'Journal of Sorrow' was written after the death of her husband and provides the personal background to the novel.

The Last Man and The Journal of Sorrow

In the village of Rixton, the vicar's daughter--plagued by visions of strange monsters and blamed for the sudden deaths of several village girls--realizes the monsters she sees in the woods are actually lost souls seeking her help and decides to travel into the hellish purgatory where they reside in hopes of bringing her late mother back to life, only to uncover horrifying family secrets along the way.

Bitterbloom

'Tense, chilling' MARIANA ENRIQUEZ, author of Our Share of Night'Lays bare intergenerational horror, feminine rage and the taking back of power' STYLIST'Incredible' FINANCIAL TIMESThe house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a small-time hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can't leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice. Layla Martínez's eerie debut novel Woodworm is class-conscious horror that drags generations of monsters into the sun. Translated by Sophie Hughes and Annie McDermott**Readers love Woodworm**'It draws you in and slams the door behind you''A monstrous debut''I want to read this book again and again''Biting and inventive''Shirley Jackson by way of Lina Wolff''Deeply, and wonderfully, unsettling''Evokes horrific imagery with a poetic, gnashing tongue''Extraordinary!'

Woodworm

Ensure your movie stays on schedule and within budget by learning how to draft professional grade storyboards. Whether you're an independent filmmaker new to the task or an artist aspiring to launch a career as a movie storyboard artist, this book is for you.Featuring the work and insight of the legendary Trevor Goring (Watchmen; The Cabin in the Woods; Thor: The Dark World), Storyboarding Fundamentals (KEEP?) is laced with invaluable information and techniques that simply can't be found anywhere else. The authors cover: * Creating different kinds of storyboards for different stages of your movie (pitch, financing, shooting, etc) * Analyzing scripts, breaking down scenes, and how these impact your storyboard vision * Working with digital tools (Wacom, 3D and other software) * Filmmaking techniques and styles (camera angles and movements, etc) The authors also provide a trove of practical career advice for those looking to launch a career as a professional storyboard artist, with lessons on freelancing, promoting your work, networking, visiting studios and much more.

Visualizing story in film, tv, advertising and games

Storyboards, Animatics and PreViz

A terrifying and powerful dark academia novel about Jewish folklore, grief, and other things locked in the archives. Perfect for fans of T. Kingfisher, Tori Bovalino and Sunyi Dean.

The Way It Haunted Him

We Call Them Witches

Environmental Cultures

Providing a methodology for identifying literary narratives of climate change, this book draws on historical narrative strategies and analysis of the current popular trends to assess the effectiveness of literary narratives on global issues.

Anglophone Literature and the Fight Against Climate Change

The Brilliant Soul Duology

The Faithful Dark

The Hill in the Dark Grove

The first collection to provide an overview of the well-known psychoanalytic theory of the death drive in literary and cultural theory, this book features contributions from a range of prominent scholars working in the area of literature and psychanalysis. After its Freudian theorization, the death-drive has been re-interpreted by various psychoanalysts (including Melanie Klein, Jacques Lacan, and Slavoj Zizek), philosophers (Jacques Derrida, Gilles Deleuze, and Jean Baudrillard), political theorists (Judith Butler), queer theorists (Laurent Berlant, Lee Edelman), and posthumanist thinkers (Rosi Braidotti). This volume brings together some of the leading thinkers and theorists about the death-drive as a psychological, aesthetic, and theoretical principle in literary and cultural theory, examining texts by writers such as Plato, Henry James, and Ezra Pound.

Philosophy, Literature, Theory

The Death Drive

Zombie Futures in Literature, Media and Culture

Informations bibliographiques

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Informations bibliographiques

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