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The hilarious and headline-stealing memoir from Kari Ferrell, AKA the 'Hipster Grifter', perfect for fans of Inventing Anna, Tinder Swindler and Cat Marnell's How to Murder Your Life

Ferrell K: You'll Never Believe Me

You'll Never Believe Me

Before Anna Delvey, before the Tinder Swindler, there was 'Hipster Grifter' Kari Ferrell

A Brother's Twenty-Year Quest to Uncover the Truth about His Sister's Death

A Better Ending

'One of boxing’s most honest and nuanced comment­ators'&nbsp;Times Literary Supplement 'A poignant farewell from a boxing obsessive to a sport he now barely recognises . . . characterised throughout by moral clarity”&nbsp;Literary Review ‘The Last Bell is one of the most engaging sports books I’ve read for a long time’ Mike Williams, ‘Today’, BBC Radio 4 ‘Few have covered professional boxing’s ugliness and exhilaration with McRae’s deftness of touch…artistry and compassion’ New Statesman Donald McRae has been immersed in boxing for fifty years. He has followed fighters around the world and won multiple awards for his writing. But, in recent years, McRae’s love has waned, as criminality and corruption consume the soul of boxing.&nbsp; &nbsp; In 2018, grieving the death of his sister and with his parents terminally ill, he sought refuge in boxing again – just as Tyson Fury completed an incredible comeback, proving that the ring can still offer exhilaration and redemption. &nbsp; From Fury’s resurrection to the first undisputed heavyweight champion this century, boxing can be epic and electrifying. It can also be disappointing, as McRae discovers when he documents doping’s insidious rise or travels to Saudi Arabia where boxing ignores state repression. In The Last Bell, McRae takes us ringside to thrilling bouts with great contemporary champions and fighters as different as Fury, Canelo Álvarez, Oleksandr Usyk, Katie Taylor, Regis Prograis and Isaac Chamberlain. Whether in London or Las Vegas, he shows us what it is like to see joy pour out of a boxer in the dressing room after a magnificent victory or to hold the hand of a fighter being wheeled away on a stretcher after a devastating defeat. As he tries to reconcile the contradictions which lie at boxing’s murky heart, McRae is unflinching and compelling. &nbsp; McRae helps boxers open up about their doubts and fears and charts the courage of fighters facing ordeals from depression to war. And in telling the heartbreaking story of Patrick Day, he faces death in the ring. The Last Bell is his most powerful and personal book yet, a riveting account of life, death and boxing.

Life, Death and Boxing

The Last Bell

A Memoir of Hope

Saving Five

Finding the Wisdom in Our Darkest Emotions

Hard Feelings

It's 1977, and punk rock has just hit Liverpool. The legendary Eric's club is home to the city's rebels, posers and misfits. It's a place of attitude, adventure and new possibilities, and it changes lives. Some become pop stars; Penny Kiley becomes a music journalist. The story traces Penny's relationship with the music scene from the turbulent political 1980s into the changing culture of the 21st century. Throughout these years, she never stops being a misfit, and the question remains: how do you navigate normal life when punk is dead and you don't know you're autistic? Atypical Girl begins as a coming-of-age story and ends as a midlife reinvention. What unites them is a search for identity and the role that music plays in all our lives.

Liverpool, Punk Rock and Trying to be Normal

Atypical Girl

A Jewish Family's Story of Escape and Exile

Ausländer

In 1940, Leonora Carrington - a twenty-two-year-old British-born Surrealist artist - was persuaded to flee France and the advancing German army for Spain. Already suffering from a psychotic break occasioned by the arrest of her lover by the Nazi authorities, she was soon confined to a mental institution, where she was subjcted to sadistic treatment under the guise of medical care. In her memoir, Down Below, she describes her experiences with an anthropologist's precision and an artist's sense of the fantastic. This volume also includes a selection of Carrington's best stories from across her lifetime, functioning as companion pieces to her surrealist-inflected non-fiction. They include 'The Debutante', in which a young woman, wishing to avoid a ball in her honour, swaps places with a hyena; 'White Rabbits', which sees a friendly neighbour come by to ask for spare decomposing meat; and 'My Flannel Knickers', in which a woman has sainthood forced upon her.

White Rabbits/Down Below

"Winterson is a master of her material, a writer in whom great talent deeply abides."--Vanity FairI can change the story because I am the story."One of the most daring and inventive writers of our time" (Elle) weaves together memoir, manifesto, and a feminist reimagining of One Thousand and One Nights in this impassioned exploration of the power of readingA woman is filibustering for her life. Every night she tells a story. Every morning, she lives one more day. One Aladdin Two Lamps cracks open the legendary story of Shahrazad in One Thousand and One Nights to reveal new questions and answers we are still thinking about today. Who should we trust? Is love the most important thing in the world? Does it matter whether you are honest? What makes us happy?In her guise as Aladdin--the orphan who changes his world--Jeanette Winterson asks us to reread what we think we know. To look again. Especially to look again at how fiction works in our lives, giving us the courage to change our own narratives and alter endings we wish to subvert. As a young working-class woman, with no obvious future beyond factory work or marriage, Winterson realizes through the power of books that she can read herself as fiction as well as a fact: "I can change the story because I am the story."An alluring blend of the ancient and the contemporary, One Aladdin Two Lamps ingeniously explores stories and their vital role in our lives. Weaving together fiction, magic, and memoir, Winterson's newest is a tribute to the age-old tradition of storytelling and a radical step into the future--an invitation to look closer at our stories, and thereby ourselves, to imagine the world anew.

You'll Never Believe Me

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