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"This anthology offers a guide to classical Indian approaches to emotion"--

Heim M: Words for the Heart

Words for the Heart

A Treasury of Emotions from Classical India

The Democratic Republic of Georgia, 1918–1921

The First Social Democracy

How are comics and Latin elegy related? Comics tell their stories by placing individual images in a sequence, and Latin elegy builds narrative through sequence, encouraging readers to connect poems in order to reveal narrativity. Despite this, there has yet to be a definitive methodology that inspires readers to examine the function of this narrative tool. Examining Ovid's Amores, Swain argues a comics-based methodology can offer us important new insights into the ancient genre of Latin elegy. This book applies theories such as the gutter (the space that exists between two comics panels), Groensteen's braiding (the interaction of panels outside of a linear sequence), and the comics page-turn, all to release new readings that reveal the narrative found across the three books of this text. By analysing the way that Ovid creates a complex narrative mosaic in which key characters and motifs repeat across poems, this book explores how story segments are connected into a larger unified narrative.

Comics Theory, Elegy, and Segmentary Narrative

Narrative in Ovid's Amores

The questions posed by disability studies scholarship are increasingly of interest to medieval studies scholars and there have been a wealth of books published on the intersection of these two fields of research over the past two decades. More recently, medieval scholars have developed a framework for considering more specifically medieval ways of thinking about disability, analyzing the medieval conception of the different or 'othered' body and thinking through 'medieval things': such as the responses to injury and resulting impairment in contemporary law, literature, and art; the impaired body as a site for miraculous transformation; the presence of physical and mental difference in different cultural modes than exist in the modern world; and the role of theosophical thought in characterizing difference. This is the first volume to survey this field as a whole, bringing together the most notable scholars in the field alongside up-and-coming academics, to analyse recent studies and to suggest directions for future research. Chapters are organized into four categories that treat broadly the current questions of the field as they apply to each contributor's area of expertise: Articulations of Difference; Critical Perspectives; Traditions of Medieval Thought; and Disability and Material Cultures. Each category is introduced by a leading figure in the field, and the volume is concluded with an Afterword.

The Ashgate Research Companion to Medieval Disability Studies

This book gathers a group of scholars whose work has been influenced by the distinctive dialogue between ancient philosophy (and rhetoric) and critical theory promoted by the scholarship of James I. Porter. A classicist who has pushed classics beyond itself - beyond its traditional boundaries - Porter has demonstrated that antiquity cannot be studied without participating in what is sometimes dismissively labeled "reception." The collection here does not simply celebrate the work of a major figure in the field of classics through a series of Porterian writing experiments, but locates the futures of classics in its predisposition to endless transformation, alteration, reconfiguration, and fugitive or exilic deterritorialization. Philology is a practice of philosophy in that contact with the ghosts of antiquity and its diachronic manifestations in modernity confronts the interpreter with opportunities for unlearning as well as learning, unthinking as well as thinking, and for engaging with impossibilities as well as possibilities. The essays gathered here, unified by these themes, include contributions on ancient philosophy (Democritus, the sophists, Aristotle, and Lucretius); reflections on the sublime, which Porter has pivotally elucidated; interventions on the theme of philology and exile (in Nietzsche, Marx, Freud, and Derrida); and theoretical musings on the "agony of immanence," the "biomatic," the "atmospheric," and the relationship between immigration and classical reception.

Essays in Honor of Jim Porter

The Philology of the Future

Leadership in Xenophon’s Anabasis

A Philosophical Guide to Our Most Misunderstood Emotion

How to Love

The Cultural Revolution in China

Bombard the Headquarters!

Medicine and the Body in Antiquity

This monograph bridges the gap between ancient medical and socio-economic history, addressing an audience of both social and economic historians as well as historians of medicine and technology.

Retail Therapy

Selling Pharmaka, Buying Health in Ancient Greece and Rome

The Cambridge China Library

Volume 2 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1949‿1958. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Mao Zedong

Gods and Heroes of the Ancient World

Theseus

Smart Thinking

Psychological answers to life’s key questions

How To Spot A Narcissist

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city's spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini's creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942.

Roman Archaeology Under Italian Fascism

Words for the Heart

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