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Epalanga K: Whites Can Dance Too

Whites Can Dance Too


<p>
PRE-ORDER the sweeping love story of a war veteran and the woman he thought he'd left behind, perfect for fans of Nicholas Sparks and Jojo Moyes.   Afghanistan, 2007. Carl meets Sarah, a nurse, at Camp Bastion and feels an instant connection with her. But when he discovers that she's the childhood sweetheart of his fellow soldier, Danny, he vows to keep his distance. Little does he know how much she wishes he'd reach out. . .   After many gruelling months, Carl, Sarah and Danny make it home - now living miles apart, no longer in neighbouring tents. Honouring the lives of the friends he lost to war with a tattoo of six poppies, Carl vows never to forget their stories. Many miles away, Sarah tries to forget the man she swore to leave behind.   But Carl and Sarah are thrown back together, it's clear that both of them are broken - and that the scars of what they went through together run deep. . .</p>


Six Poppies

War, betrayal and espionage in 1980s Ethiopia: a classic of African literature that sealed its author's fate

Oromay

And He Shall Appear

The extraordinary and enthralling book club debut of 2025 you don’t want to miss!

When the Fireflies Dance

the new magical mystery from the bestselling author of Spells for Forgetting

A Sea of Unspoken Things

Holy Boy

Family Drama

Pushkin Classics

The Birds


<p>
Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¿low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ«ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner. The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions, and extends our understanding of nineteenth-century music in general.</p>


Tchaikovsky's Writings about Music

A Time of Loss

There's No Turning Back

Silence

Whites Can Dance Too

Informations bibliographiques

Mots-clés

Informations bibliographiques

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