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Blackwell Manifestos

Andrew Dudley: What Cinema is!

What Cinema is!

Breaking the Book is a manifesto on the cognitive consequences and emotional effects of human interactions with physical books that reveals why the traditional humanities disciplines are resistant to 'digital' humanities.
* Explores the reasons why the traditional humanities disciplines are resistant to 'digital humanities'
* Reveals facets of book history, offering it as an example of how different media shape our modes of thinking and feeling
* Gathers together the most important book history and literary criticism concerning the hundred years leading up to the early 19th-century emergence of mass print culture
* Predicts effects of the digital revolution on disciplinarity, expertise, and the institutional restructuring of the humanities

Print Humanities in the Digital Age

Breaking the Book

from Dante to Dylan

The Myth of Popular Culture

The Use and Abuse of the Bible

The Savage Text

Marvel Studios' The Infinity Saga

The official art book for the movie Black Panther, the 17th title reissue of the 24-book Marvel Studios' The Infinity Saga series published as a resized matching set. The 17th of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. Following the events of Captain America: Civil War, T'Challa returns home to Wakanda to take his place as king. But when two new enemies conspire to destroy the country, the Black Panther must team up with members of the Dora Milaje, Wakanda's special forces, and CIA agent Everett Ross to protect his home from being dragged into a world war. Go behind the scenes with stunning concept artwork and in-depth analysis from the filmmakers in this collectible volume. Discover everything you need to know about the making of the movie from all the key players--including Director Ryan Coogler, Executive Producer Nate Moore, Production Designer Hannah Beachler, the talented cast, concept artists, and other talented individuals who worked on the set and behind the scenes to create the art of Marvel Studios' Black Panther.

Marvel Studios' The Infinity Saga - Black Panther: The Art of the Movie

Bloomsbury Adaptation Histories

Noted scholar Imelda Whelehan looks at key adaptations released during this period and considers the impact of social change, film consumption and film tastes, as well as noting the most popular genres at this time. The latter part of the 20th century saw cinema becoming increasingly significant as an art-form, even while its status as 'art' was still openly contested. This installment in the Bloomsbury Adaptation Histories series discusses a rich and exciting period of cinema history: Hollywood in the latter stages of its golden age, releasing masterpiece adaptations such as It's A Wonderful Life (1946), The Treasure of the Sierra Madre (1948), The Third Man (1949), All About Eve (1950), Rear Window (1954), The Night of the Hunter (1955) and Vertigo (1958).

1946-59

Post-war Adaptations

101 Things

Awesome ideas to entertain kids

101 Things for Kids to do Screen-Free

Routledge New Directions in PR & Communication Research

As one of the key thinkers of social theory, public relations scholars have repeatedly turned to Habermas' work to inform their own scholarship. This book systematically reviews the distinct body of PR literature that has applied Habermas' theories to provide an in-depth and nuanced discussion on what this influential social theorist has to offer PR research. Demonstrating the applications and challenges for PR ethics and organizational communications, while opening less well-known concepts such as reflexivity, and double politics as avenues for future research, this unique source book will be of interest to all scholar and advanced students of public relations and communication studies.

Applying Habermas in Theory and Practice

Social Theory and Public Relations Research

The Feminist Film Philosophy Reader

Handbooks of Applied Linguistics [HAL]

Linguistic and cultural diversity is raising profound challenges and new opportunities for health practitioners, consumers and researchers in applied linguistics. Increasing mobility and changing demographics are adding to this complexity in all areas of health provision. The Handbook of Intercultural Communication in Health Care provides an authoritative examination of methodological and conceptual directions in the field, highlighting new domains of research that are at the forefront in exploring and addressing issues of communication raised by this complexity. These include issues of ethics, expertise and accountability; trust and risk; inequality and access; agency and self-efficacy, team collaboration; and education and training. This is the first book to establish a bridge between research and practice through the inclusion of complementary contributions from health practitioners. The book thus provides a unique focus on the relevance of intercultural communication research in health care, including the range of modes of involvement of participants, practitioners and researchers, and the subsequent impact of research on lives, practices, professions, organisations and policy.

Handbook of Intercultural Communication in Health Care

Feminist Media Histories

Women’s Film History in France, 1927–1978

Archiving the Past

Routledge Studies in Environmental Communication and Media

This book explores twenty-first century environment-themed advertising with a global reach in relation to three key emerging persuasive themes: governance, morality and transnational rhetoric. Adopting a social semiotic approach, and exploring key examples including Greenpeace's "Everything is NOT Awesome" brandjacking advert, Volkswagen's "Think Blue" campaign and Unilever's "Why Bring a Child Into This World?" advert, Alexander puts forward a number of observations about the ideological character and function of environmental advertising as a new form of transnational persuasion.

New Forms of Transnational Persuasion

Environmental Advertising

Cambridge Handbooks in Psychology

The Cambridge Handbook of Personal Relationships

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Women's Film History in France, 1927–1978

Topics and Issues in National Cinema

The Settled Screen: Landscape and National Identity in New Zealand Cinema is the first title to explore the relationship between the representation of landscape and the development of both a national cinema and a national identity. Through the early years of New Zealand's cinema, prior to any formalized governmental support, those few feature length narrative films repeated wholesale the modes of representing the landscape and its inhabitants, while the developing documentary and travelogue industries would construct the fantasy of 'Maoriland' with New Zealand becoming internationally known as a green paradise, a Pacific idyll with an exotic, tamed, indigenous population. This precursor of the now contemporary 'Brand New Zealand' - itself a modern, politically-corrected version of these earlier narratives - would be adjusted and amended over time, especially with the formation of the New Zealand Film Commission in the late 1970s, but never entirely discarded. Beginning with a discussion on films in which landscape - and particularly the colonial or settler landscapes - have been represented in other Western cinemas, like The Searchers and Thelma &amp; Louise, Wilson compares in indigenous films like Whale Rider, To Love a Maori and The Piano to exemplify the simultaneous strands of New Zealand cinema: a way of marketing the country based on the success of such spectacular films as Peter Jackson's Tolkien epics, and the simultaneous attempts by Maori, immigrant and minority filmmakers to find a way to represent other stories in this land without recourse to the tropes of a by-now dominant national industry.

Landscape and National Identity in New Zealand Cinema

The Settled Screen

What Cinema is!

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres de la collection: Blackwell Manifestos

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