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Wellington Robert: Versailles Mirrored

Versailles Mirrored

The Power of Luxury, Louis XIV to Donald Trump

The Life and Work of Isaac Deutscher

The Heretic

Text and Afterlives

Shakespeare’s First Folio 1623-2023

Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

Flame Tree Pocket Notebooks

A new title in the Flame Tree Pocket Notebook collection, combining beautiful art with high-quality production. Featuring lined pages, a pocket at the back, two ribbon bookmarks and a magnetic side flap. Perfect slipped into handbags, for personal use or as a dazzling gift. A FLAME TREE POCKET NOTEBOOK. Beautiful and luxurious the journals combine high-quality production and FSC-certified paper with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red endpapers, all FSC-certified. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Pavilion, Brighton, was constructed as the seaside pleasure palace of King George IV. Queen Victoria visited the Pavilion on a number of occasions between 1837 and 1845. The hand-painted wallpaper in her bedroom was recently returned to the Pavilion from Buckingham Palace and restored. With its jewel colours and exotic plants and birds, it must have transported the young queen to another world, far from the busy streets of Brighton. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Royal Pavilion, Brighton: Queen Victoria's Bedroom (Foiled Pocket Journal)

Beyond Belief

The Tonality of Thought

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

D-Day – Trial by Battle

Sword

A fascinating biography of the philanthropist Albert Barnes, whose pioneering collection of modern art was meant to transform America’s soulFrom prominent critic and biographer Blake Gopnik comes a compelling new portrait of America’s first great collector of modern art, Albert Coombs Barnes. Raised in a Philadelphia slum shortly after the Civil War, Barnes rose to earn a medical degree and then made a fortune from a pioneering antiseptic treatment for newborns. Never losing sight of the working-class neighbors of his youth, Barnes&nbsp;became a ruthless advocate for their rights and needs. His vast art collection—181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos—was dedicated to enriching their cultural lives. A miner was more likely to get access than a mine owner.Gopnik’s meticulous research reveals Barnes as a fierce advocate for the egalitarian ideals of his era’s progressive movement. But while his friends in the movement worked to reshape American society, Barnes wanted to transform the nation’s aesthetic life, taking art out of the hands of the elite and making it available to the average American.The Maverick’s Museum&nbsp;offers a vivid picture of one of America’s great eccentrics. The sheer ferocity of Barnes’s democratic ambitions left him with more enemies than allies among people of all classes, but for a circle of intimates, he was a model of intelligence, generosity, and loyalty. In this compelling portrait, Gopnik reveals a life shaped by contradictions, one that left a lasting impact.

Albert Barnes and His American Dream

The Maverick's Museum

The two volumes of The Russian Experience of War demonstrate the critical significance of the war myth to Russia through primary documents.

The Russian Experience, The Napoleonic Wars to the Twenty-First Century

Voices of War

An examination of how comics represent, confront, and sometimes perpetuate gendered violence. Lee Okan argues that comics, with their hybrid form of image and text, possess an ability to express the unspeakable dimensions of trauma while also raising ethical questions about spectatorship, representation, and storytelling. Through close analysis of contemporary and independent comics, as well as anthology collections, this book shows how artists navigate the tension between testimony and spectacle, visibility and exploitation. Rather than treating comics as an isolated medium, Okan situates these works within broader cultural and media discourses on sexual violence, arguing that comics shape and are shaped by feminist activism, visual culture, and reader response. Sexual Violence in Comics traces how creators reframe the terms of witness, challenge dominant narratives, and reclaim narrative authority, particularly in the wake of the #MeToo movement and beyond.

The Ethics of Visualizing Trauma

Sexual Violence in Comics

Showcasing the diverse and memorable architecture and interiors of Camper shoe stores worldwide, designed by such luminaries as Gaetano Pesce and Shigeru BanFounded in 1975 in Mallorca, the Spanish footwear brand Camper is a fourth generation family business. Known for its sustainable, comfortable and often playful designs, Camper is continually inspired by tradition as well as modernity. The first Camper store opened in Barcelona in 1981. Today, there are more than 400 stores around the world, each with its own personality. In 2006, the brand named its store design initiative "Camper Together" as a nod to the collaborative approach taken with the architects and designers that it commissions to design its physical spaces. Architects and designers include: Jasper Morrison, Gaetano Pesce, Nendo, Kengo Kuma, Jo Nagasaka, Fernando Amat, Müller van Severen, Jonathan Olivares, Shigeru Ban, Jaime Hayon, Alfredo Häberli, Campana Brothers, Achilles Ion Gabriel, Michele De Lucchi, Tokuyin Yoshioka, Erwan and Ronan Bouroullec, Tomás Alonso, TAF Studio, Isabel López, David Saik.

The Architecture of a Brand

Camper Together

Versailles Mirrored

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