This book presents a methodology for segmenting, transcribing, and analysing feature films, especially classical Hollywood films. The book bridges film performance theories with social semiotics, synthesising them into a cohesive framework. It is especially valuable for scholars and students of film studies and social semiotics.
This book presents a methodology for segmenting, transcribing, and analysing feature films, especially classical Hollywood films. The book bridges film performance theories with social semiotics, synthesising them into a cohesive framework. It is especially valuable for scholars and students of film studies and social semiotics.