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Mitra Royona: Unmaking Contact

Unmaking Contact

Choreographing South Asian Touch

Forms of Drama

"Provides a clear guide to Kathakali, exploring the origin, evolution and characteristics of the form today and the ways it has adapted for a 21st-century audience. This introduction to this mode of dance drama traces the distinctive features of Kathakali - which is sometimes tightly structured with fixed conventions and sometimes fluid enough to incorporate flights of fancy. It charts how the form has changed over the centuries and assesses its cultural legacy today. It also includes translations of extracts from poems, plays and performance manuals, as well as interviews with actors and cultural historians"--

Tradition, Innovations and Transitions in the Dance Drama of Kerala

Kathakali

Oxford Handbooks

The Oxford Handbook of Indian Dance

Cambridge Companions to Music

"A Companion not only to Stravinsky's path-breaking score, but to the ballet's legacy across the centuries. It illuminates the controversial Ballets Russes premiere in 1913 and the complex artistic developments and scholarly debates it set in motion, intertwining music, theatrical ballet and modern dance with the wider world of ideas"--

The Cambridge Companion to the Rite of Spring

30 Years of Greenwich + Docklands International Festival

Above and Beyond

A Real Negro Girl explores the life and career of performing artist, writer, and civil and human rights activist Fredi Washington. Although Washington is largely unknown today, during the early decades of the twentieth century, she was a movie star who was a household name in the black community and well-known in mainstream America and abroad.

Fredi Washington and the New Negro Renaissance

A Real Negro Girl

Unmaking Contact interrogates "contact" through the examination of South Asian aesthetics, bodies, discourses, and philosophies on physical and intersubjective touch and relations within dance, and shifting its conceptualisation beyond contact improvisation.

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

The Oxford Handbook of Black Dance Studies

Comprehending Cinema

A Memoir

Out Loud

Routledge Library Editions: Broadcasting

Broadcast Voice Performance (1989) incorporates the insights and experience of more than 100 successful practising voice performers to succinctly and realistically examine the techniques, equipment and criteria of announcing within the context of major types of radio and television productions and programming formats.

Broadcast Voice Performance

Writing on Raving is the definitive mix of voices from the Brooklyn underground rave scene and beyond, providing fresh language for the shared and infinitely varied experience of dancing through the night until the morning.
New York rave culture is having a moment. The music, mostly, is techno, certain flavors of which became the soundtrack to a dancefloor culture that is queer in a different way to house music centered gay nightlife.&nbsp;Wark, Mak and Beery want to document and annotate and celebrate, but also critique, this world in the making. Writing on Raving centers the New York scene, but isn’t limited to it.
This is a book for all of those who need the rave. Who need to dance. Who have at some point needed that beat in their lives. This is a book for all those who have journeyed through the night, through sound, through movement, through chemistry, into other places, other times, other encounters.
This seeking gives us hours, years, on the dance floor to think about why we rave, to locate these reasons in our bodies and the space around us. But the rave is not the place to articulate them. It is too loud; our friends are too distracted, or too high. At the afters, tired and drained and covered in schmutz, we think some more. We look around at our raver friends, and wonder: How did we get here? What happened to us? What is this tentacular, thrashing, swelling thing that we all made together? That thing that is now slumped and aching and coming down now into our fragmentary, singular lives?
Between all of us, there are many answers to such questions. Wark, Mak and Beery have gathered their favorite ones to share in this first-ever anthology of writing on raving. 
Writing on Raving is a night of readings and performances about nightlife, dancing, and techno, about why we love these things, but also how that love is complicated. It brings together a diverse range of writers whose dispatches from dance floors, bedrooms, and their own histories hold a mirror to a community whose cultural preservation is still emergent. The series was founded in 2021 by Geoffrey Mak, Zoë Beery and McKenzie Wark and has included events in Brooklyn, San Francisco, and Los Angeles.

Writing on Raving

Unmaking Contact

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