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Mitra Royona: Unmaking Contact

Unmaking Contact

Choreographing South Asian Touch

Comprehending Cinema

This book is a vital and creative resource for musicians and ensembles who wish to improve their performance through a series of inspiring and collaborative rehearsal techniques. It illuminates chamber music playing as teamwork and cultivates human connection, inclusion, and empathy. The authors share expertise in a variety of subjects helpful in improving the rehearsal process, and draw inspiration from their joyful community of chamber music mentors, teachers, colleagues, and students. The paperback edition features many color images, with the hardcover edition presented in black and white.

Chamber Music Rehearsal Techniques and Team Building

The Art of Collaboration

The untold history of the extraordinary women who drove the modern dance movement and changed cultural narratives about sex, power and women's rights.

The Untamed Women of Modern Dance

Wild Grace

This book offers an inclusive lens through which to study the music and dance of South Asia, its diasporas, and the people who produce and use these cultural expressions. Each chapter's central argument ties into a participatory exercise that provides active ways to understand and engage with cultural meaning.

Music and Dance as Everyday South Asia

The Glasgow Improvisers Orchestra and the Theater of Home

New Directions in Musical Collaborative Creativity

Golden Sands Resort

Golden Sands Resort 2: The Secret of Our Hope

From the backstreets of Buenos Aires to Parisian high society, this is the extraordinary story of the dance that captivated the world - a tale of politics and passion, immigration and romance.

The Story of the Argentinian Dance

The Meaning Of Tango

We Are Walukuba

Community-based Arts, Research and Activism in Uganda

Broadway Lights

Broadway Lights 1: Broken Shine

"Sweeping in scope, Antifascism and the Avant-Garde is a major contribution to both film studies and fascism studies. Julia Alekseyeva is singularly positioned to undertake a comparative study that moves with ease between decolonizing France, postimperial Japan, and the Soviet Union. Her insightful analysis reveals how filmmakers of the antifascist avant-garde undertook formal experiments and created affective atmospheres that subverted the positivism and rationality of traditional documentary, grounding their work in an understanding of the relationship between aesthetics and politics, between perception and antifascist consciousness."--Jackie Wang, author of Carceral Capitalism "As the clouds of right-wing populism gather on the horizon of late capitalism, Alekseyeva's brilliant and accessible study of experimental documentary filmmaking deftly argues for the value of art that celebrates ambiguity and uncertainty while simultaneously nurturing the militant optimism necessary to carry on the fight for justice."--Kristen R. Ghodsee, author of Everyday Utopia: What 2,000 Years of Bold Experiments Can Teach Us about the Good Life "Antifascism and the Avant-Garde explores the important and timely question of antifascist aesthetics--how antifascism can look and how it can operate. From a deep grounding in French and Japanese documentary film of the 1960s, Alekseyeva weaves a fascinating picture of echoes, resonances, and conflicts among filmmakers concerned with the use of cinema to counter fascism."--Jennifer Coates, author of Film Viewing in Postwar Japan, 1945-1968: An Ethnographic Study "A tour de force of genuinely global film studies. Alekseyeva maps out a fascinating net of site-specific but deeply interconnected cinematic quests for radical media literacy that spans the Soviet Union, Japan, and France--quests that only gain more burning significance in our current media situation. Astonishing in its breadth, and essential reading for anyone truly invested in global film dynamics."--Alexander Zahlten, author of The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies "With an extraordinary depth of expertise in French, Japanese, and Russian film, theory, and history, a political commitment to an internationalist approach and revolutionary phenomenology, and the curious eye and heart of a close reader of Marxist culture and avant-garde documentary, Alekseyeva introduces us to the critical tradition of antifascist documentary. Here we learn of a range of films and theories, all aligning the political and the psychological, pain and liveliness, pleasure and discomfort, subjectivity and objectivity. Alekseyeva compellingly argues that their shared antifascist aesthetic forefronts epistemological inquiry. While rooted in films from the 1960s, she demonstrates how this approach is and must be part of an ongoing and responsive project against power, one that teaches us how to see--a radical media literacy for radicals! In this critical contribution to documentary studies most broadly, Alekseyeva establishes how this tradition of engaged documentary contributes to a daily and human antifascist project, abetted by cinema: one of passion, critique, ambiguity, complicity, and disruption."--Alexandra Juhasz, producer of The Watermelon Woman and coauthor of We Are Having This Conversation Now: The Times of AIDS Cultural Production

Radical Documentary in the 1960s

Antifascism and the Avant-Garde

Dance Humor Politics

Funny Moves

Elements in Musical Theatre

This Element discusses Budapest from the 1920s until 1968. The field of entertainment began to be considered a cultural product that had to adhere to new political requirements. By 1968, the revue's cultural relevance had become almost insignificant with the appearance of new genres of entertainment.

From Cosmopolitan Night-Clubs to Stalinist Dogma

The Revue in Twentieth-Century Budapest

Unmaking Contact

Informations bibliographiques

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Informations bibliographiques

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