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Dziedzic Wright Kristina: Transcultural
Exchange through Art

Transcultural Exchange through Art

Encountering Otherness in South Korea and Kenya

French-colonial Policy, Rabbis and Halachic Writing

Indigenous Judaism in Colonial Algeria

This book is a groundbreaking interdisciplinary exploration of Mongolian Buddhism of the late nineteenth and early twentieth centuries, drawing on previously unexamined writings and artworks to shed new light on the intricate interrelationships that define this tradition.

Mongolian Buddhist Texts and Rituals

Art and Imagination

Fabrication, Forgery, and the Art of Islamic Ceramics

Invisible Hands

Routledge Studies in African Literature

Armed Peace in the Postcolonial Era

Violence and Memory in Zimbabwean Literature

Bloomsbury Studies in Digital Cultures

Metamodernism and the Postdigital in the Contemporary Novel

The Music, Culture and World De La Soul Made

Living in a D.A.I.S.Y. Age

The Tonality of Thought

Bloomsbury Studies in Material Religion

The Power of Objects

Indigenous Heritage in Siberia

SOAS Studies in Modern and Contemporary Japan

Contesting Memorial Spaces of Japan's Empire

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

Ahmed Amrani's Protesta, 1969

Resisting from Morocco's Margins

The 1960s marked the dawning of a new era - and nowhere was this more manifest than in black America. Social shifts and artistic attitudes fuelled by flower power, as well as opportunities afforded by the economic boom, saw black Americans make astonishing gains, paving the way for a reimagining of modern culture. By the 1970s, new wealth, higher aspirations and a visible black middle class had begun to reshape the arts, most noticeably the music scene. The seeds of a new music were sown, and Funk flourished in the new, fertile cultural climate. A vocal celebration and embracing of blackness, it became the soundtrack that drove and illuminated the social and artistic revolution. As its audience moved on up Funk relocated mainstream black music from the ghetto to suburbia. But its roots were never forgotten. Nobody ever doubted that this was a self-sustaining and self-defining black music - an awareness that enabled Funk to keep on developing its own rhythms. Soul's passion, jazz's adventure and the discipline of R&amp;B came together with a confidence, financial basis and sense of purpose to produce some of the best and biggest black music, from James Brown to Curtis Mayfield. An intimate portrait of a defining sound, Funk Is Its Own Reward draws on contributions from a cast of musicians and producers, writers and directors, designers and executives, including George Clinton, Bootsy and Stevie Wonder, to weave together a rich social and cultural history. Astute and thoughtful, Lloyd Bradley examines Funk's significant contribution to and influence on modern culture - and the America that helped it thrive.

Funk is its Own Reward

Create Your Own Comics is packed with story ideas, drawing tips, creative prompts and loads of fun suggestions to start you off on your way to becoming a comic master.

Everything You Need to Know

Create Your Own Comics

Transcultural Exchange through Art

Informations bibliographiques

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Informations bibliographiques

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