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New Ceramics

Proctor Rebecca: Throwing Clay

Throwing Clay

The Art of Making Pottery On The Wheel

Working with Bone China and Porcelain Paperclay

Luminous Clay

From extracting clay to exporting your work, this is a practical guide to producing unique ceramic pieces with minimal environmental impact.

Ceramics: A Green Approach

A complete guide to fantastic special effects glazes for studio potters.

From drippy and crackle to ash and lichen glazes, experienced ceramicist Linda Bloomfield guides you through the world of special effect glazes. Beautifully illustrated with pieces from both emerging and established potters that showcase stunning copper oxide-blues, metallic bronzes and manganese-pink crystal glazes, Special Effect Glazes is packed full of recipes to try out: from functional oilspot glazes using iron oxide, to explosive lava glazes.

In this informative handbook discover how you can create these fantastic effects and learn the basic chemistry behind glazes in order to adjust and experiment with your unique pieces. Discussed are materials and stains, how to find them and how they affect the colour and texture of the glaze, alongside practical fixes to familiar glaze-making problems.

Special Effect Glazes is essential if you are interested in creating eye-catching glazes and wanting to develop your knowledge of glaze-making, or experiment with your own formulas to achieve the perfect finish.

Special Effect Glazes

This book is going to be one of the first in our exciting new ceramic series, which offers more space for both images and text, giving a more modern and contemporary feel to the books. This book is aimed at those in ceramics who wish to move into print and transfers, a very exciting area which has enormous scope for creativity. Ceramic transfers or decals are one of the prime methods of decorating industrially made ceramics. They also offer exciting creative potential for studio-based artists or designer-makers. A ceramic transfer is traditionally made by printing ceramic ink onto a special paper and allows pictures, patterns or text to be transferred onto ceramic forms - 2D and 3D. Importantly, print can achieve distinct aesthetic effects on ceramics that are not possible by using other decoration methods such as hand painting. Drawing on over twenty years of experience, Kevin Petrie offers a focused analysis of the potential of ceramic transfer printing as a creative medium. The specific materials and techniques for making versatile screen-printed ceramic transfers are explained in detail - from the 'low tech' to the more sophisticated. Other approaches by artist researchers are also brought together in this book and recent developments with digital transfers appraised. A range of case studies shows the potential and diversity of approach in this area, which extends beyond ceramics to include printing on enamel, metal and glass.

Ceramic Transfer Printing

Discover the world of possibilities offered by paperclay with basic and more advanced techniques.

Now firmly established in the ceramics world, paperclay is a vital part of the modern clay artist and potter's repertoire. The workability of this material allows expressive freedom and imagination at every stage in the creative process, from wet to dry. Paperclay, made with new or recycled paper, is remarkable for its flexibility, unfired strength, and the ease with which it can be repaired, and allows the creation of beautiful finished forms.

In this book, pioneering artist, researcher and teacher Rosette Gault (M.F.A.) explains how you can make, fire and use paperclay. In addition to the basics such as ingredients, mixing and slips, she introduces you to more advanced techniques for building armatures, sculpting figures and making works for the wall.

Packed throughout with photographs of inspiring works by a new generation of paperclay artists, Paperclay is an essential introduction to the medium.

Art and Practice

Paperclay

A comprehensive guide to developing unique glaze effects from natural and sustainable sources. 

Making your own glazes is a fascinating and rewarding process, even more so when making them from collected ingredients. With little equipment and following a few basic principles, it is possible to harvest glaze ingredients from your local environment, such as clay, subsoil, plants and seashells, to achieve beautiful results in the kiln. 

Whether you wish to make an entire glaze using collected materials, or just want to use them as additions to existing base recipes, Miranda Forrest teaches you how to source and prepare natural ingredients, from degraded rocks to seaweed, and gives you step-by-step instructions for mixing a glaze, testing samples and finally applying glazes and firing your work. Contributions from contemporary ceramicists who use natural glaze ingredients give you a detailed insight into their working methods and intriguing results.

Encouraging experimentation and a creative approach, Natural Glazes is a vital resource for anyone wishing to work in a more natural and sustainable way to develop unique glaze effects.

collecting and making

Natural Glazes

A heart warming and irresistible novel about the rejuvenating power of pottery, for fans of Before The Coffee Gets Cold and What You Are Looking For Is In The Library. She rubbed the spoiled clay with her fingertips. Like a wound as it heals, the traces faded, and had soon vanished completely, as if they'd never been there at all. Burnt out by her newswriting job, Jungmin abruptly quits; she's worked tirelessly for years and she needs to make a change. Now, after months of hibernation, it's time to put her life back together. Venturing out into the streets near Seoul, she stumbles upon the Soyo pottery workshop. Drawn in by its light and warmth, and the smell of clay and coffee, Jungmin feels something unfurl within her... Here, everyone has a story to share, and as the seasons change, Jungmin returns to herself. Pot by pot, plate by plate, Jungmin discovers that as her hands become busier, her mind becomes calmer, and her heart opens up like never before. From a rising talent, this is an uplifting story of new friends and old practices, of finding community, and of what happens when you finally slow down in this fast-paced world.

The Healing Season of Pottery

Cool, camp and edgy - this is Danish knitting for a new generation, from cult Danish brand Spektakelstrik (137k Instagram followers).

Modern Danish Knitting

Earthen Sculpture in South Asia

Clay Works

A human history told through clay, from the critically acclaimed author of The Foghorn's Lament.

A Human History

Clay

With 20 stunning projects, find inspiration and creative air-dry clay crafting ideas to make for yourself, your home, or family and friends.

Easy air-dry clay projects to make at home

A young ceramicist's journey from apprentice potter to celebrated craftsmanFlorian Gadsby has devoted his life to pottery, refining his technique towards the point of perfection - and as his skill has grown, so has his social media following, which today numbers in the millions. Based at a studio in North London, he releases three new collections per year, characterized by simple forms and sharp edges, which sell out in a matter of minutes. In By My Hands, Florian tells the story of his artistic awakening, his education in England, Ireland and Japan, and of the sheer discipline which has led him to become the cultural sensation he is today. Arguing for the value in dedicating yourself to a craft, Florian weaves anecdotes about particular pots and processes into the narrative of his life, exploring what he has learnt from specific pieces he was taught to throw during his apprenticeships and how they have informed his philosophy and approach to his work. By My Hands is an ode to the beauty of small things, such as a simple hand-thrown mug or bowl, which can brighten life's daily rituals and make them more meaningful - as well as an inspiring testament to the power of perseverance.

A Potter’s Apprenticeship

By My Hands

Yale Collections

An exploration of southern China’s ceramic industry and its links to Korea, Japan, Southeast Asia, and beyond via the maritime trade

Chinese Ceramics from the 9th to the 14th Century

Celadon on the Seas

Magdalena Suarez Frimkess

Focusing on two fourteenth-century narrative programs in the tribune of Orvieto Cathedral: Giovanni di Bonino's stained-glass window and Ugolino di Prete Ilario's frescoes, this book explores the mysterious allure of the Virgin Mary and the manifestation of her cult in Italy. It shows how the narratives promoted agendas tied to the city's history.

Art, Devotion, and Liturgy in Orvieto

The Cult of the Virgin Mary in Medieval Italy

Elements in Archaeological Perspectives on Materials and Technologies

Of all the material culture of the Islamic World prior to the sixteenth century, only ceramics survive in a way which forms a continuous representative visual history. As such, ceramics provide a unique collection of material from which to study the history of technology.

Glazed Ceramics of the Islamic World 700–1600 CE

British School at Rome Studies

"This is an integrated analysis of written texts and the evidence of material culture (standing remains and recent archaeological discoveries) which provides a much fuller picture of tenth-century Rome than any previous study. It is intended for all those with interests in medieval Rome, medieval art, and medieval archaeology"-- Provided by publisher.

A History in Art

Rome in the Tenth Century

As climate change, war, social injustice, gender and racial inequality, unchecked technology and exploitative capitalism remain urgent issues, the worldwide craft community has responded in notable ways. In this follow-up to Craft is Political (Bloomsbury, 2021), D Wood and contributors demonstrate how global circumstances have given rise to additional craft scholarship that further interrogates the political agency of craft. With extensive global focus, this book features twenty-two essays on craft and politics that transcend the familiar Euro-American canon and demonstrate change through craft. Particular attention is brought to the Global South with authors writing about Brazil, Chile, India, Laos, Malaysia, Morocco, Nigeria and Thailand. Chapters look at the erasure of Moroccan women weavers' stories and digital archiving of Black craftspeople in the USA. They explore pottery and eel pots critical to the identity of Virginian Indian tribes, and women's roles in Nigeria as depicted in ceramic art. One author reveals the revival of traditional practices in Laos, and another the increasing recognition of previously-maligned Sami people of Sweden. Essays also explore craft sustainment in Finland, hand loom weaving in colonial north India, women's craft organizations in Northern Ireland and an Australian textile artist's exhibition devoted to climate change grief. Craft by LGBTQ artists from Malaysia and Canada is included. The mix of essays is topical, enlightening and intended to be provocative of the political agency of craft.

The Politics of Global Craft

Throwing Clay

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres de la collection: New Ceramics

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