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A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

LaRocca E: This Skin Was Once Mine and
Other Disturbances

This Skin Was Once Mine and Other Disturbances

Newly turned Mexican vampire, Maria, is not just out for blood, she wants answers. From the twice Bram Stoker-nominated author of The Haunting of Alejandra and Immortal Pleasures, a gripping tale of empowerment, desire and belonging, perfect for readers of A Dowry of Blood and Certain Dark Things.

Maria the Wanted

Three Stories

Love and Enchantment

The Man with Many Names

The Regicide Report

Virago Modern Classics

Barbara Comyns' witty and touching classic The Vet's Daughter tells the story of Alice, a young woman from Edwardian South London who is gripped by strange and mysterious powers.

A Virago Modern Classic

The Vet's Daughter

The Earth From My Flesh

When Monsters Wake

A thrilling, spine-chilling YA graphic novel from debut author Victoria Setian and Bloom artist Savanna Ganucheau-a modern spin on the classic horror novel Dracula Mina Murray is followed by death-at least, that's the rumor in her small town of New Whitby. An aspiring photojournalist, she has a knack for finding herself in unsettling situations to find interesting shots, like on the deck of the recently crashed boat the Demeter. While exploring the wreckage, Mina comes across large cases of dirt and debris-and the decaying body of the ship's captain. Intrigued by the ghastly scene, Mina tries to unearth more information about the abandoned ship, the captain, and the missing crew. Instead, she finds herself roped into her high school's newspaper club covering the big school dance her BFF, Lucy, is coordinating. It's a major bummer, but all might not be too bad if it gets her closer to Jon, her crush and guitarist for the local punk band the Romeros. But instead of catching Jon's eye, Mina enters the orbit of Raf, the brooding (and frankly, hot) transfer student who has everyone under his thrall. As Raf's popularity grows and the dance draws near, sinister events begin to shake the core of the school: The head of the newspaper club gains an unseemly appetite for flies. Jon is getting close to Raf. And Lucy falls ill . . . with strange puncture wounds on her neck. Mina starts to suspect that new student is hiding a dark and terrible secret . . . but will she be able to figure it out before it's too late?

A Graphic Novel

Children of the Night (When Monsters Wake Book 1)

Twenty haunting stories from the Bram Stoker Award nominated, and bestselling author of&nbsp;Come With Me.

We Should Have Left Well Enough Alone

Why I Write

An illuminating reflection on the creative process from acclaimed fiction writer, essayist, and translator Lydia Davis &nbsp; When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable.&nbsp;Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why. &nbsp; In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended. &nbsp; Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

Into the Weeds

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

Special Ramsey Campbell Edition

The Incubations

A woman searching for her birth-parents unlocks the secrets of her horrific past, as she tries to stop the goblin within in this kaleidoscopic dark psychological horror about identity and belonging, with a dread-inducing climax you will never forget. Perfect for fans of Eric LaRocca and Catriona Ward.

Myrrh

This Skin Was Once Mine and Other Disturbances

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