This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region including Australia, Japan and Korea, and sixteen additional national entities who have had less continuous participation in this global art event.
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region including Australia, Japan and Korea, and sixteen additional national entities who have had less continuous participation in this global art event.