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Chess Shira: The Unseen Internet

The Unseen Internet

Conjuring the Occult in Digital Discourse

An inside account of the recent scandals which have engulfed Ireland's national broadcaster, RTÉ.

Den of Inequity

This book focuses on how the interests of corporations and governments to embrace a "new economy" have served to drive the development and uptake of mobile/ubiquitous media.

Everything, Everywhere, All the Time

Ubiquitous Connectivity and the Virtual Workplace

Lost in Cult Arcade Gaming

How Homo sapiens Came to Dominate the Planet

The Powerful Primate

Bloomsbury Studies in Digital Cultures

A World Elsewhere

Digital Humanities and the Cyberspace Decade, 1990-2001

A media scholar&nbsp;critically examines how US establishment media ran interference for Israel’s genocide in Gaza, with reporting that called the Flour Massacre “aid-related deaths,” and the Tent Massacre a “tragic mistake.” Over eight months, media coverage aligned with Israeli military narratives, condoning Israeli war crimes and the massacres of Palestinians as the world responded in outrage.
The Complicit Lens&nbsp;scrutinizes US media's portrayal of Israel’s war on Gaza post-October 7, 2023 Hamas attacks, contrasting it with social media reports and international news coverage. It reveals how reporting mystified Israeli bombings, used passive language to deflect blame, and repeated Israeli talking points. The analysis identifies consistent war tropes and atrocity propaganda—beheaded babies and mass rape—used to justify Israeli actions and obscure culpability.&nbsp;Israeli violence was presented as defensive and justified, either by the October 7 attacks, or by claims that Israel was targeting Hamas fighters and commanders not civilians. Later reporting included false claims that war crimes and massacres were mistakes or accidents.
The book&nbsp;documents the targeted killings of journalists and aid workers, underreported in US media, and critiques the editorial censorship that avoided terms like "genocide" and "massacre" for Palestinian deaths. As global protests against the Gaza genocide rose, the book also analyzes the biased media portrayal of these uprisings, particularly those led by young people and Jewish organizations. Examining specific incidents and language, the book exposes how media coverage facilitated the ongoing genocide in Gaza.&nbsp;

US Media Coverage of Israel's Genocide in Gaza

The Complicit Lens

How Audio Surveillance Became Artificial Intelligence

Listening In

Routledge Studies in Environmental Communication and Media

This book explores twenty-first century environment-themed advertising with a global reach in relation to three key emerging persuasive themes: governance, morality and transnational rhetoric. Adopting a social semiotic approach, and exploring key examples including Greenpeace's "Everything is NOT Awesome" brandjacking advert, Volkswagen's "Think Blue" campaign and Unilever's "Why Bring a Child Into This World?" advert, Alexander puts forward a number of observations about the ideological character and function of environmental advertising as a new form of transnational persuasion.

New Forms of Transnational Persuasion

Environmental Advertising

Dating apps have completely altered the way we we think and talk about our romantic lives. Swiping, situationships and shifting standards of communication have created an emotional gap between what we want and how we actually date, leading us to wonder if these apps are helping us find love, or leaving us lonelier than ever. In The Love Fix, journalist Rachel Thompson investigates how the internet shapes our expectations, self-esteem, and search for intimacy as we date online and in-person. Are 'preferences' every truly just that, or do they couch hidden prejudices? Can you feel a 'spark' when you meet someone online? How do you find meaningful connections while honouring your feelings and your mental health?Weaving personal anecdotes with ground-breaking research and interviews with real people, sociologists mental health experts, this book will help you make sense of the modern dating landscape, teach you how to confidently ask for things that work for you and provide you the tools to find the security and connections you deserve.

Reclaiming Intimacy in a Disconnected World

The Love Fix

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of 'drama' online for internet fame/infamy and financial gain. On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la 'aspirational' role-modelling is fast becoming stale to audiences in this very saturated space. Enter the use of 'online drama' to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media. Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the 'influencer apology', 'call out culture', 'cancel culture', and 'meme factories' to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

How Attention Economies are Changing

Provoking Online Drama

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

The Message

Routledge Contemporary Russia and Eastern Europe Series

This book argues that although Soviet ideology did not accept the principle of biologically based racial inferiority, aspired to achieve equality for all citizens under socialist internationalism and regarded "race" as a concept formulated by modern capitalism, nevertheless Soviet films that addressed issues of "race" still exposed their authors' views. Moreover, the book contends that these views made a significant contribution to popular perceptions and to the gradual rise of "white supremacy" thinking in the late Soviet period, with such thinking being now very widely held in post-Soviet, contemporary Russia. The book discusses a wide range of films including films about Africa, Africans and Afro-Americans, explores in detail the Soviet social construction of race, gender and identity and contrasts this with the development of racial thinking in the Western world. The book's rich and subtle analysis shows how Soviet cine-culture in a variety of popular genres, from adventure films to biopics and political drama, re-articulated meanings of "race" through allegedly anti-racist imageries of "blackness" and "whiteness".

Blackness and Race in Soviet Cinema

The Unseen Internet

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