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Hundred Flowers

Ruskola Teemu: The Unmaking of the
Chinese Working Class

The Unmaking of the Chinese Working Class

A Worker Inquiry Amid China's Youth Unemployment Wave

Involution

'Cultural Marxism' is one of the far right’s favorite buzzwords – but what does this term mean and where did it come from? This book uncovers the bizarre story of the cult leaders, right-wing intellectuals, and neo-Nazi terrorists who believe that ‘Cultural Marxists’ are conspiring to trigger the demise of modern civilization. In this deeply researched account, Woods explains how the ‘Frankfurt School’ group of German thinkers were recast as the orchestrators of a plot to destroy the West. Instead of simply ‘debunking’ this conspiracy theory, Woods offers a sharp analysis and critique of the political movements who have advanced this damaging idea. Only when we identify the specific practices and agendas of those who promote the 'Cultural Marxism' conspiracy theory can we hope to neutralize its repressive and often fatal consequences. This is an essential book for anyone who wants to understand the ideological currents that are shaping right-wing politics in the 21st century.

Why the Right Blames the Frankfurt School for the Decline of the West

The Cultural Marxism Conspiracy

Transforming the Politics of Housing

Feeling at Home

A fairer, healthier, more caring and sustainable society is entirely within our grasp. This book shows us the way. How do we ensure that everyone has good health and is cared for when in need?How do we provide education that allows every child to flourish?How do we ensure safety, justice and a healthy environment now and for future generations?How can we finally solve the problems of poverty and inequality that drive all the others?Kate Pickett is one of the most renowned thinkers and leaders in social science. Her life's work has been to identify the underlying causes behind society's key challenges and how to solve them. In The Good Society she draws on the deepest insights and the strongest evidence produced by social science over the last three decades to present a roadmap for change. Ultimately, she shows that solving the fundamental problems of poverty and equality would enhance the quality of life for us all.

And How We Get There

The Good Society

Demonstrating a wide array of influences-from Chinese calligraphy to Expressionism-Liu Wei's work deals with universal themes of humanity. With a career spanning over thirty years, he has proved a master of rendering human flesh and combining figuration with text and abstraction. Liu Wei's deft grasp of technique and acute awareness of color and composition is evident in his lush landscapes, in which flora and fauna often escape the confines of the canvas and spill out onto the Rococo-style frames. Featuring texts by distinguished specialists in contemporary Chinese art, this first major English-language monograph provides an in-depth look at the historical context and traces his development from his early paintings reflecting disenchantment with political and artistic utopias through the lenses of skepticism and satire, to lush landscapes, striking portraits, and more recent philosophic and contemplative calligraphic works on paper. LIU WEI (*1965, Beijing), studied printmaking at the Central Academy of Fine Arts in Beijing, where he still lives today. He first rose to prominence as a preeminent figure in China's "cynical realism" movement of the 1990s. His paintings have been shown in museum exhibitions and biennials worldwide, including the Museum of Contemporary Art, Sydney, the Singapore Art Museum, the San Francisco Museum of Modern Art, and the Venice Biennale.

Liu Wei

*Longlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

The Keys of the Kingdom

Intertextual Echoes and Reader Evaluation in Pakistani Anglophone Fiction

Weaving Words, Shaping Worlds

Vagabonds

To change the world, we need a money revolution. Yet the debate over money has been dominated by two perspectives: those free-market capitalists who want money to rule everything, and those who want the state to harness money's power. Decolonizing Money presents an anarchist theory of money which sets out strategies for collective liberation beyond state and capital. 

Drawing on anarchist, abolitionist and anti-colonial feminist traditions, Julio Linares makes the heretical argument for a grassroots democratic movement to abolish the imperialist US dollar as a necessary step towards the cancellation of debt and establishing a worldwide basic income. Linares shows that money, beyond a store of value and a medium of exchange, is a series of promises a society makes to itself - and he challenges us to make them otherwise. 

This innovative book takes up lessons from global history and social movements in order to unleash the political imagination. It shows us how the creation, use and most importantly the destruction of money are forms of power that need to be reclaimed through direct action, as part of a radical democratic project for autonomy and self-determination.

The Unmaking of the Chinese Working Class

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres de la collection: Hundred Flowers

Autres titres sur ce thème