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The Unfinished

Isaacs C: The Unfinished

The Others

"When small-town athlete Avery's morning run leads her to a strange pond in the middle of the forest, she awakens a horror the townspeople of Crook's Falls have long forgotten. The black water has been waiting. Watching. Hungry for the souls it needs to survive. Avery can smell the water, see it flooding everywhere; she thinks she's losing her mind. And as the black water haunts Avery--taking a new form each time--people in town begin to go missing. Though Avery had heard whispers of monsters from her Kanien'kâeha: ka (Mohawk) relatives, she has never really connected to her Indigenous culture or understood the stories. But the Elders she has distanced herself from now may have the answers she needs"--

Hedgewitch

Step into the magical world of Hedgewitch, where the land of Faerie lies just beyond our own . . . The fourth book in the enchanting Hedgewitch series, perfect for children age 9+ and readers of Nevermoor and Michelle Harrison. To complete the next step in her witch's training, Cassie Morgan must invent a brand-new spell. However, she is struggling for inspiration - so she jumps at the chance to attend the Covenmoot. Every five years, covens from all over Britain and Ireland meet to take part in a series of challenging games in the hopes of winning the Covenmoot Cup. Cassie and her friends travel to Glen Carlin, a remote valley in the Scottish Highlands, to take part. But menacing forces haunt the moors and rumours of the ancient Stonewitch swirl through the camp. Cassie and her coven must work together to prove themselves in the Covenmoot, while long-hidden secrets come to light and the wicked Erl King's power grows. Witches aren't born, they're made ...

Book 4: The enchanting series brimming with mystery and magic

Hedgewitch: Stonewitch

Sonic the Hedgehog Young Readers

Sonic The Hedgehog Young Readers Level 2: Sonic Vs Dr. Eggman

Crow: Thief of Magic

Once Upon a Time in the Woods

A Lift-the-Flap Moomin Story

In the Theatre

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

“In the best modernist tradition, [Deschenes] pushes against the basic terms by which photography is conventionally defined: instantaneity, veracity, fixity, or reproducibility.” — curator and critic Matthew WitkovskyDeschenes uses durational photogram exposure to create unique, shifting surfaces that frequently function as sculptural or architectural, rather than photographic, objects. In her recent work, Deschenes exposes photographic paper to the night sky, develops it, and fixes the photogram with silver toner, creating misty silver surfaces brindled with slight changes in hue that are affected either by exposure to ambient light or the hand-application of the toner itself. Some of these photograms remain unframed and oxidize over time, further problematizing the role of the photograph as fixed image on surface. Instead, purged of representational content, the photograph, in Deschenes’s practice, functions as an object that records how it has been, and continues to be, acted upon.Deschenes’ work is held in the permanent collections of Centre Pompidou, Paris; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Walker Art Center, Minneapolis; Art Institute of Chicago; ICA/Boston; Pinault Collection, Paris; Montreal Museum of Fine Arts; Milwaukee Art Museum; Princeton University Art Museum; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Liz Deschenes

I Can Read Level 1

Fox the Tiger, Fox Is Late, Fox versus Winter, Fox at Night, Fox Has a Problem

Fox 5-Book I Can Read Box Set: Fox Box

You'll laugh, you'll scream, you'll never look at a spider the same way again

How to Survive Camping: The Lady in Chains: Volume 2

Winner of the 2024 National Book Critics Circle Award in Nonfiction • Winner of the 2024 Kirkus Nonfiction Prize • Shortlisted for the 2025 Andrew Carnegie Medal for Excellence in Nonfiction • A New York Times Notable Book of 2024 NEW YORK TIMES BESTSELLER • “Stunning…A heart-pounding thriller…Challenger is a remarkable book.” —The Atlantic • “Devastating…A universal story that transcends time.” —The New York Times • “Dramatic…a moving narrative.” —The Wall Street Journal From the New York Times bestselling author of Midnight in Chernobyl comes the definitive, “compelling, and exhaustively researched” (The Washington Post) minute-by-minute account of the Challenger disaster, based on fascinating and new archival research—a riveting history that reads like a thriller. On January 28, 1986, just seventy-three seconds into flight, the space shuttle Challenger broke apart over the Atlantic Ocean, killing all seven people on board. Millions of Americans witnessed the tragic deaths of the crew, which included New Hampshire schoolteacher Christa McAuliffe. Like the assassination of JFK, the Challenger disaster is a defining moment in 20th-century history—one that forever changed the way America thought of itself and its optimistic view of the future. Yet the full story of what happened, and why, has never been told. Based on extensive archival research and metic­ulous, original reporting, Challenger: A True Story of Heroism and Disaster on the Edge of Space follows a handful of central protagonists—including each of the seven members of the doomed crew—through the years leading up to the accident, and offers a detailed account of the tragedy itself and the inves­tigation afterward. It’s a compelling tale of ambition and ingenuity undermined by political cynicism and cost-cutting in the interests of burnishing national prestige; of hubris and heroism; and of an investigation driven by leakers and whistleblowers determined to bring the truth to light. Throughout, there are the ominous warning signs of a tragedy to come, recognized but then ignored, and later hidden from the public. Higginbotham reveals the history of the shuttle program and the lives of men and women whose stories have been overshadowed by the disaster, as well as the designers, engineers, and test pilots who struggled against the odds to get the first shuttle into space. A masterful blend of riveting human drama and fascinating and absorbing science, Challenger identifies a turning point in history—and brings to life an even more complex and astonishing story than we remember.

The Unfinished

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