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Gordon R: The Theatre of Kander and Ebb

The Theatre of Kander and Ebb

Introduction: Kander and Ebb in the Broadway Tradition .
Chapter 1. The Broadway Musical as Popular Culture: Context and Theory
Chapter 2. ‘Sing Happy’: Flora the Red Menace (1965) and the Invention of the Liza Persona
Chapter 3. Cabaret (1966) as Meta-Musical: Collaborative Visions and Revisions:
Chapter 4. Self-Reflexive Story-Telling: The Happy Time (1968) and Zorba (1968)
Chapter 5. Crime stories as Meta-Musicals: 70, Girls, 70 (1971) and Curtains (2004)
Chapter 6. ‘All That Jazz’: the Many Lives of Chicago (1975)
 Chapter 7. The Acts: Shows for Star Personae – Minnelli (Liza with a Z, 1973, New York, New York and The Act, 1977), Streisand (Funny Lady, 1973) and Bacall (Woman of the Year, 1981)
Chapter 8. The Drama of Conflicting Memories: The Rink (1984)
Chapter 9. The Political is Personal: Kiss of the Spiderwoman (1993)
Chapter 10. Reality and Illusion in Steel Pier (1996): the American Dream as Dance Marathon
Chapter 11. Minstrel Show as Metaphor: The Scottsboro Boys (2010) and the Exposure of American Racism
Chapter 12. Musicalising Modern Drama: Over and Over/All About Us (1998 and 1999) and The Visit (2015)
Conclusion: The Kander and Ebb legacy

Far Above The World

Critically Acclaimed, Sort of Famous

Thinking Through Theatre

Acts of Knowledge and the Performance of the Many

A Theatre of Powerlessness

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. 

Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.

The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

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33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

A definitive 'A to Z' biography of iconic rock legends Led Zeppelin.

The A to Z of Led Zeppelin

Valhalla!

The funny, touching, fascinating memoir of a rural childhood surrounded by rock stars, for fans of Nina Stibbe.

‘An insane amount of fun' Andrew Miller

My Family and Other Rock Stars

Shakespeare in Performance

Troilus and Cressida

33 1/3 Oceania

A study of Eyeliner's Buy Now, a vaporwave homage to the kitsch electronic sounds of the 80s and 90s.

Brimming over with fake wind-chimes, dreamy synth pads, and hyperactive slap-bass, Eyeliner's Buy Now is an ebullient homage to the kitsch sounds of the 80s and 90s. Self-released in 2015 on Bandcamp and on cassette by US label Beer on the Rug, the album has come to be regarded as a vaporwave classic. The perfect product for an anxious, hyperreal world, Buy Now poses the question: what is the appeal of the "fake" and "uncool" sounds of the past?

 Born in 1983, New Zealand computer-musician Luke Rowell came of age as the digital revolution upturned the music industry and helped shape the outlook of the millennial generation. Buy Now epitomizes a new kind of album for our times: DIY, all-digital, free, licensed as Creative Commons, and belonging to a "virtual" genre, an internet-based scene without geographic center. Drawing on the album's production archive and interviews with Rowell, this book argues that Buy Now offers both musical pleasure and mental survival-training for an era when sincerity and irony can appear dangerously indistinguishable.

Eyeliner's Buy Now

On the fiftieth anniversary of Waterloo – the song, not the battle - one super-fan sits down to listen to the ABBA Gold album from start to finish, and looks back over the half-century he has spent in the company of ABBA’s music, and attempting to unlock the secrets of its hold on him, and on all of us.&nbsp;

ABBA Through the Ages

My My!

The Theatre of Kander and Ebb

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