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Orgel Stephen: The Texts of Shakespeare

The Texts of Shakespeare

The Transformation of Popular Theatre to Printed Book

Yiddish Voices

This book provides the first ever English translation of the Yiddish play, Mississippi. Penned in 1935 by Leyb Malakh, it was commissioned for production by a Warsaw-based experimental Yiddish theatre company and was focused on the racial injustice of the Scottsboro Boys case which began with the wrongful arrest of nine African-American youths in Alabama, 1931. The book includes a detailed, multifaceted scholarly introduction which ranges widely and effectively across the various historical and literary contexts in which the play can be appreciated.

As our volume shows, both the writer and the director, Michal Weichert, were keen to depict a dramatic episode from contemporary life that reflected the leftist goals and ideas to which they were devoted. Alyssa Quint examines the fact that while the plight of the Scottsboro Boys lasted throughout the 1930s and inspired works of Communist or leftist struggle by a substantial number of artists and writers in the United States, few beyond America took on the subject. She looks at how Malakh's drama reflects the influence of the African American writer Langston Hughes, who wrote Scottsboro Limited in 1931 after the Boys' first trial when they were sentenced to death. Writing in 1935, after a number of successful appeals, Malakh refers to the rallies that took place throughout Europe in protest of the Boys' arrest and sentencing. The introduction also shows how the play reflects the influence of 'synchronous theater' (akin to immersive theater) as well as other avant-garde theatrical strategies of the time. Quint goes on to consider the substantial success of Mississippi, which played on city stages at least one hundred times throughout Poland and attracted significant critical attention, and what this can tell us about the connection between the Jewish people of Europe and African-Americans around this time.

A Yiddish Play about the Scottsboro Boys

Mississippi (1935) By Leyb Malakh

Anthem symploke Studies in Theory

The Humanist Critic reexamines the careers of Lionel Trilling and Edward Said. It demonstrates how each critic turned to the modernist literary tradition to reinvent the role of the humanist intellectual during the rise of critical theory.

Lionel Trilling and Edward Said

The Humanist Critic

Volume V Divorce Tracts

The Complete Works of John Milton

Oxford Handbooks

Realism is an artistic practice that aims to faithfully represent reality. Historically, it has been practiced across different media, from early pictorial art and epic oral narratives, through literature and visual arts, to film, music, and digital media. However, an understanding of what it means to "faithfully represent reality" is not universal; rather, it varies from culture to culture. The Oxford Handbook of Global Realisms approaches realism as a transnational, transhistorical, and intermedial global phenomenon. It brings the diversity of global realisms to the fore, showcasing previously underrepresented and marginalized theories, practices, forms, and media of realist cultural production.

The Oxford Handbook of Global Realisms

De Gruyter Reference

A Handbook

Modern Languages and Cultures

Shakespeare Retold

The Tempest, Retold

Hag-Seed

Readings in Theatre Practice

Keywords and Concepts

Acting

Adventures in Theatre Criticism

New British Drama in 15 Scenes

Shakespeare and Adaptation

Jean-François Ducis and the First European Adaptations

Classicizing Shakespeare

Anthem Studies in Theatre and Performance

A fresh study of creative practice and exchange in theatre and the visual arts in eighteenth-century France, nourished by archival research and by histories of innovation, community and knowledge transfer in the Enlightenment.

Art and Theatre as a Community of Practice in Eighteenth-Century France

The Manchester Spenser

This book explores the English response to the sudden and devastating 1598 revolt against the Munster colony through two anonymous texts that have been associated with the poet and planter Edmund Spenser. Set against the background of nationwide unrest in Ireland and the ongoing Anglo-Spanish conflict, both the Brief Discourse and longer Supplication display huge vitriol against the untrustworthy Irish and their Catholic conspiracies and demand rapid action by the state in London to save the beleaguered colonists and England's control of Ireland as a whole. The more extreme, propagandistic and providentialist Supplication wanted revenge and was openly contemptuous of Queen Elizabeth for not doing her duty as a godly prince to defend those striving with their own blood and treasure to make Ireland a more civilized place. As well as contextualizing the documents and exploring the mentalities, themes and literary influences involved, this study also explores the problems of their authorship looking at a variety of English colonists, clergy and officials in Ireland in addition to Spenser himself. Eventually the laborious process of stylometric testing was used to compare the two anonymous texts against 21 other contemporary writings. The tests established Spenser as author of the Brief Discourse, which was already odds on, but discovered an entirely unexpected author for The Supplication who was not known to have been in Munster in 1598. These important texts have been fully annotated and are presented to the public in modernized English.

'A Brief Discourse of Ireland' and 'the Supplication of the Blood of the English' from the Munster Revolt of 1598

Spenserian Tracts

De Gruyter Studium

Die Editionswissenschaft ist eine Grundlagenwissenschaft für alle Fächer, in denen Medien der verschiedenen Art zuverlässig aufbereitet und zur Verfügung gestellt werden müssen. Entsprechend benötigen Editoren neben einem fundierten Fachwissen gute Kenntnisse in editorischer Theorie und Praxis. Da sich aber die Editionswissenschaft im wesentlichen aus der Germanistik entwickelt hat und oft noch als Hilfswissenschaft ohne großen Anspruch gilt, fehlt es an allgemeinen Richtlinien, die für alle Fächer gleichermaßen gelten können. Theoretische Überlegungen über die Fächergrenzen hinaus gibt es kaum. Das Studienbuch unternimmt den Versuch, sich nicht auf eine Disziplin und das Medium ,Text' zu beschränken. Es hat aus diesem Grund stets die anderen Fachrichtungen und Medien (Musik, Bild, Film) im Blick. Zudem geht es nicht allein um praktische Probleme, sondern ebenso um theoretische, die wiederum nicht allein Texte betreffen. Ziel ist es, die Editionswissenschaft auf eine einheitliche Basis zu stellen und so zu zeigen, dass es sich tatsächlich um ein eigenständiges Fach handelt.

Einführung in die Editionswissenschaft

The Texts of Shakespeare

Autres titres sur ce thème