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Jenkins P: The Sentry Omnibus David
Finch Cover

The Sentry Omnibus David Finch Cover

Of Flesh & Bone

What Roams Beneath the Stars

Widely acclaimed as a novelist, here Nicola Griffith displays her power, precision, and clarity of thought in multiple modes and forms.
Known for her gorgeously supple prose that soars effortlessly over genre boundaries, Griffith is also an incisive essayist whose ground-breaking, data-driven work on gender bias in the literary ecosystem sparked self-searching conversations worldwide. In this heady mélange of essays, poems, art, and stories—some seen here for the first time—the author makes foundational assertions about love versus ownership (“Wife”), advocates for the writer as explorer (“Branding: It Burns”), and points out the gaping hole in our literary landscape where we’d expect to find disability fiction (“Overwriting the Old Story”). These and other public-facing essays are followed by four powerfully intimate poems. Returning to prose, Griffith immerses us so seamlessly in her viscerally imagined fiction that we feel how it is to be hurled like light through the stars in “Glimmer,” hunted through the urban alleys of “Cold Wind” during a holiday blizzard, swept along irresistible currents of “Down the Path of the Sun,” and, in “Many Things in Dumnet,” a novella published here for the first time, brought ashore as a stranger to land where something is very wrong.
Finally, “Otherwise Unremarkable,” series editor Nisi Shawl's interview with the author, teases out sometimes startling and always satisfying answers to questions on power, activism, immigration, cognitive poetics, and art.

She is Here

The Disco at the End of the World

In this revolutionary book, Evie Kendal explores the potential that ectogenesis has to promote sexual equality in human reproduction and the role science fiction plays in imagining its realisation.

Reproductive Futures

Science Fiction and the Ethics of Artificial Wombs

The Story of Hercules as You've Never Read It Before, by the Nebula Award-Winning Author

Wearing The Lion

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

"Revelations - and frozen corpses - multiply in a small, European village "Male, Prussian, hussar soldier, frozen. That was the first body I found while digging in the frozen earth to bury my wife." At the dawn of the nineteenth century, European feudalism is starting to crumble. Newly widowed, Redo Hauptshammer arrives in a small town far from home to claim a plot of arable land and the simple life of a farmer. But when Redo begins to dig up the field, the perfectly preserved, frozen corpse of a soldier emerges. The next day, Redo uncovers two more soldiers, dressed in uniforms of an earlier age. And then there are more. As bodies from past and future wars proliferate exponentially, Redo enlists the aid of eccentric villagers, but risks exposing a precious personal secret and the great love at the heart of it. What will be excavated and what will remain buried? Subtle, subversive, and full of surprises, this ingeniously structured novel heralds a talented writer whose experimentations in style are as dazzling as his humane, spirited story of oppression, erasure, and endurance"--

Centroeuropa

Court of Shadows

Our Lady of Blades

Die Gods-of-New-Olympia-Reihe

Mit farbig gestaltetem Buchschnitt – nur in limitierter Erstauflage der gedruckten Ausgabe. Roman

Gilded Ruin – Gods of New Olympia

Sunyi Dean Untitled Book 2

Blood Week may have been banned in Rijou, but the streets still run red - and now murder is being sanctioned by the courts. Only a reckless fool would believe they can beat the system. But then, the Greatcoats have always been more than a little reckless . . . Rijou's notorious Court of Blades is as corrupt as it is cutthroat, destroying lives with impunity. Now the city's all-powerful Ascendant Houses have started buying and selling verdicts to enslave and even execute those who oppose them. Into this depraved world of licensed death comes a mysterious duellist who dares to foil the intrigues of the city's elite. They call her Lady Consequence, but years ago she had a different name, until her family was slaughtered and she was consigned to the hellish prison known as the House of Tears. Lady Consequence means to rescue her idealistic younger brother, restore their House and wreak vengeance upon those who betrayed them. But a far more dangerous game is unfolding in the shadows, one which threatens the freedom of the entire nation.

New Directions in Life Narrative

An exploration of how autobiographical stories of illness, precarity, loss, and trauma are communicated and negotiated into public and digital spaces through webcomics.

Digital and In/Visible Lives in Autobiographical Webcomics

The Sentry Omnibus David Finch Cover

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