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Anderson Christina: the ripple, the wave
that carried me home

the ripple, the wave that carried me home

Glyph

The Margellos World Republic of Letters

The instant bestseller from Djamila Ribeiro that sparked a major Black feminist movement in Brazil &nbsp; “Part theory, part manifesto, part history. . . . [Where We Stand] has the makings of a truly modern feminist classic.”—Literary Hub, “Most Anticipated Books of 2024” &nbsp; In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of “speaking place.” A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking. &nbsp; Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro invites all of us to recognize where we stand, to imagine geographies&nbsp;different from those we’ve inherited, and to speak a more humane world into being.

Where We Stand

There are very few sociology textbooks that attempt to provide a general introduction for students to modern Asia. Within the framework of the comparative sociology of Asian societies, this volume explores key issues in culture and social structure. In cultural terms, it considers religion, nationalism and popular culture. With regard to social structure, there is an emphasis on gender, the family, social class and ethnicity. This comparative study also examines major aspects of social change relating to contemporary globalization.

Asian Societies: An introduction

When Val and Milly find out they're both pregnant, the friends decide that they want to be near each other as they raise their children. Val, a journalist, moves to the posh Brooklyn neighbourhood where Milly, an internet-famous travel writer and influencer, lives with her husband, Harris, a restaurateur. The old friends attempt to pick up where they left off a decade ago, when they were best friends and roommates, before a shared tragedy set their lives on divergent paths. But motherhood hits them each differently. Val is left alone to take care of her newborn daughter as she remembers and retraces her own losses as a daughter. Meanwhile, Milly seems well-suited to new motherhood since she has the help of a supportive young nanny, Cleo, and continues to share online about her beautiful, affluent life, which now includes her baby. As Val begins to fall apart, Milly makes a generous offer: why don't they put the two girls into a nanny share? Cleo can care for them, and Milly won't expect Val to pay more than she can. Val accepts, and she begins to crawl out from under her solitude and unhappiness at being a mother; she forms a friendship with Cleo, a Brooklyn native, and an aspiring musician who depends on her paycheck from Milly. But as Cleo cares for their daughters, she becomes enmeshed in the unspoken tensions between Milly and Val that are finally rising to the surface as they navigate new identities as mothers. The three women wade through shifting allegiances, delicate power relations, and long-guarded silences as they decide who they will be to one another, and what it is they each desire for the future.

Untitled Coster 2

Last Evenings with Teresa

Black Gold: Stories Untold, published to coincide with an exhibition of the same name, showcases recent and newly commissioned artworks reflecting on the resilience, struggles, and triumphs of African Americans who lived in California during its early statehood, from the dawn of the Gold Rush in 1848 to the era of Reconstruction following the American Civil War. The project highlights figures and events often omitted from California's history, including the presence of slavery and the struggle for legal rights within this "free" state, the successes of Black entrepreneurs, and the experiences of the African American army regiments known as the Buffalo Soldiers.Black Gold brings together an essay by the exhibitions curator, Cheryl Haines; an artist roundtable discussion moderated by Key Jo Lee, chief of curatorial affairs and public programs, Museum of the African Diaspora, San Francisco, CA; new and archival materials addressing California's hidden history of slavery and anti-Black legislation; and texts detailing the contributions of each of the exhibitions artists—including Demetri Broxton, Adam Davis, Mildred Howard, Sir Isaac Julien CBE, Trina M. Robinson, Alison Saar, Yinka Shonibare CBE, Bryan Keith Thomas, and Hank Willis Thomas.Black Gold: Stories Untold will be on view at San Francisco's historic Fort Point from June 4-November 1, 2025.

Black Gold

Juicy Secret for Sale

Where slaves became drag queens - and changed the world

The House of Swann

Black History Lives

A Life in American History

Maya Angelou

Anti-Fascists in Search of the Beloved

The Captive Maternal

The razor-sharp debut thriller from Anna Sharpe. You couldn't save your sister, but maybe you can avenge hers...

‘A high-octane, page-turning thriller’ Jennie Godfrey

Notes on a Drowning

Glyph follows Ali Smith's 2024 novel Gliff and tells a story hidden in the first novel. Gliff is set in a near future rife with surveillance, where people can be labelled 'unverifiable' by the state. It follows siblings Briar and Rose as they attempt to survive in a world that strives to crush curiosity and meaning.

the ripple, the wave that carried me home

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