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Routledge Advances in Theatre & Performance Studies

This book is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective.

Bacon T: The Phenomenology of Blood in
Performance Art

The Phenomenology of Blood in Performance Art

AcknowledgementsIntroduction: The Phenomenology of Bloody Performance Art!T. J. Bacon and Chelsea CoonPart I: The Phenomenology of Bloody PainT. J. Bacon1. Intentionality of a Moment: Three Stages of a ReductionStuart Grant2. In Conversation: Franko B and Andrei MolodkinT. J. Bacon, Chelsea Coon and Becky Haghpanah-Shirwan`3. In Conversation: Louis Fleischauer and Ernst FischerT. J. Bacon4. Blood Rituals: A Provocation to Queer a Phenomenological SoilT. J. Bacon5. In Conversation: Hermann NitschT. J. Bacon6. The Phenomenology of the Visceral ResponseLynn Lu7. In Conversation: Mike ParrT. J. BaconPart II: The Phenomenology of Bloody CareT. J. Bacon8. Being Shattered: Fragility and Our PsychogenesisKelly Jordan9. In Conversation: ORLAN and Marina Abramovi¿T. J. Bacon and Kelly Jordan10. Experiential Traces: The Aesthetic of AbsenceChelsea Coon11. In Conversation: Mirabelle Jones and Chelsea CoonChelsea Coon12. In Conversation: Paola Paz Yee and Victor Martinez DiazChelsea Coon13. Tainted Blood? Thinking Blood and Bleeding with RaceAmber Jamilla Musser14. In Conversation: Jelili AtikuChelsea CoonPart III: The Phenomenology of Bloody DisruptionT. J. Bacon15. The Fluidity or Transmutability of Borders Held in the Lived Body of Trans and Non-Binary BodiesT. J. Bacon16. In Conversation: tjb and Ron AtheyChelsea Coon17. Bleeding Pulsing Biding Time: Durational Performance and Phenomenological Unmuting in the work of MC CobleRaegan Truax18. Reclaiming the Body: Blood, Trauma, ProtestRoberta Mock19. In Conversation: Marisa Carnesky and Poppy JacksonT. J. BaconReferencesIndex

Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.

Before, During and After Drama School

Being Black and British

This book is the accumulation of the many Clues from the First Folio of Shakespeare's plays (as opposed to any edited version) that help to inform contemporary performances and offers a complete understanding of the text.

As Revealed in The First Folio 1623

Shakespeare's 'Method' for Actors

Theatre activities ask adolescents to empathize with those who are different from themselves. Recognizing divergence invites self-reflection and kindles compassion. These actions tap students' inner cores while at the same time deepening their understanding of privilege, a key component of critical consciousness.

How High School Theatre Fosters Spiritual Strength and Critical Consciousness

Temporary Stages III

A Soft Touch of the Wounds with Interweaving Aesthetics

Experimental Xiqu Performances Endure

Social Circus in Context

Circus for Social Change

The Beginnings of Israeli Performance Art

From Object to Performance

Clowning, Improvisation, and the Unscripted in Early Shakespearean Performance

Embracing Disruption

This monograph examines the significance of body, space, sound/voice/music and objects of resistance in everyday performance of Dalit student protests, focusing on the protests which erupted after Rohith Vemula, a doctoral student died, by suicide in Hyderabad Central University on 17 January 2016 in Hyderabad (India).

The Justice for Rohith Movement

Performance and Performativity of Dalit Students Politics in India

The Art of Sensorial Language examines audience interaction, multisensory experiences that can be understood internationally and cross-culturally.

The Art of Sensorial Language

Bollingen Series

The Archetypal World of Henry Moore

How the arts can save your life

Art Cure

Understanding Religion and Society aims to help undergraduate students understand the roles that religion plays within social life, and how these roles influence the economic, political, and socio-cultural aspects of different societies. Scott-Jones reviews a range of key issues and debates within the social science study of religion, and explores key global religious trends. The book has a range of pedagogic features, including short case studies, reflective questions and activities, suggested readings, media and online resources.

Identity, Meaning and Knowledge

Understanding Religion and Society

Existentialism: An Introduction is a unique and contemporary textbook that goes beyond the traditional treatment of this important philosophical movement. Aiming to offer a more diverse understanding of existential thought this textbook asks questions such as, what is existence? What does it mean to be human? Can existence be justified? What is mental illness in existential terms? What is reality? by examining existential thought throughout history in Europe, Africa, Asia and the Americas. Features such as chapter summaries, further reading, examples and a comprehensive glossary make this the ideal textbook for students approaching the topic of existentialism for the first time.

A Global Introduction

Existentialism

Expanding Philosophy of Religion

A Transcendental Phenomenology of Religion

Material Spirituality

Does art have to be beautiful? What if it can be useful instead? In this cutting-edge book, John Byrne shows how the concept of 'Useful Art' is helping artists and communities fight back against the neoliberal takeover of our spaces, services and lives. Byrne demonstrates that networks of artist-led activism and community-based direct action can provide a collaborative playbook of impactful and inclusive alternatives. From Turner Prize-winning urban regeneration projects to bakeries, vegetable gardens and multi-use arts spaces, Useful Art has enormous potential for bringing people together, recovering and preserving local skills and knowledge and reclaiming artistic endeavour for real-world good. Exploring an international selection of projects, exhibitions and activism, this important new work champions the shift from aesthetics to use value, challenging traditional ways of seeing the world symbolically through art. Reaching beyond the financial logic of the art world, Byrne shows how Useful Art can offer an artistic toolkit for implementing radical change.

How Activist Artists Can Change the World

Useful Art

Routledge Environment and Sustainability Handbooks

Routledge Handbook of Social and Ecological Resilience

Incarcerated and Formerly Incarcerated Older Adults discusses two converging problems: the aging baby boomer generation and the large percentage of the American population in prison.

A National Challenge for Policy, Research, and Practice

Incarcerated and Formerly Incarcerated Older Adults

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Arden Studies in Early Modern Drama

Power, Gender and the Magic of the Theatre

Mirrors in Shakespeare and Early Modern English Drama

Published to coincide with an exhibition of the same name, Black Gold showcases recent and newly commissioned artworks reflecting on the resilience, struggles, and triumphs of African Americans who lived in California during its early statehood, from the Gold Rush in 1848 to the Reconstruction era.The project highlights figures and events often omitted from California's history, including the presence of slavery and the struggle for legal rights within this "free" state, the successes of Black entrepreneurs, and the experiences of the African American army regiments known as the Buffalo Soldiers.Black Gold brings together an essay by the exhibitions curator, Cheryl Haines; an artist roundtable discussion moderated by Key Jo Lee, chief of curatorial affairs and public programs, Museum of the African Diaspora, San Francisco, CA; new and archival materials addressing California's hidden history of slavery and anti-Black legislation; and texts detailing the contributions of each of the exhibitions artists—including&nbsp;Akea Brionne, Demetri Broxton, Adrian L. Burrell, the artists of Creativity Explored, Adam Davis, Cheryl Derricotte, Carla Edwards, Mildred Howard, Sir Isaac Julien CBE, Tiff Massey, Umar Rashid, Trina Michelle Robinson, Alison Saar, Yinka Shonibare CBE, Bryan Keith Thomas, Cosmo Whyte, and Hank Willis Thomas.Led by the FOR-SITE Foundation, Black Gold will be on view at San Francisco's historic Fort Point from June 4-November 1, 2025.

Black Gold

The Phenomenology of Blood in Performance Art

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