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The Oxford Handbook of American Film
History

The Oxford Handbook of American Film History

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The Autobiography of Mr. Spock

"A vast treasury of ideas, observations and innovation." - Francis Ford Coppola The triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made. Highly lauded film editor, director, writer and sound designer Walter Murch reflects on the six decades of cinematic history he has been a considerable contributor to - and on what makes great films great.Together with Francis Coppola and George Lucas, Murch abandoned Hollywood in 1969 and moved to San Francisco to create the Zoetrope studio. Their vision was of a new kind of cinema for a new generation of film-goers. Murch's subsequent contributions in film editing rooms and sound-mixing theatres were responsible for ground-breaking technical and creative innovations.In this book, Murch invites readers on a voyage of discovery through film, with a mixture of personal stories, meditations on his own creative tactics and strategies, and reminiscences from working on The Godfather films, Apocalypse Now, Lucas' American Graffiti, and Anthony Minghella's The English Patient and The Talented Mr Ripley.Suddenly Something Clicked is a book that will change the way you watch movies.

Suddenly Something Clicked

This book is the first dedicated edited collection that explores the virtualization of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies.

What is Real?

The Screens of Virtual Production

This groundbreaking book investigates the murky relationship between the Metropolitan Police Press Bureau and the British film industry, shedding new light on police-media relations. Beginning with the culture of suppression during the interwar period, when retired police inspectors were threatened with loss of pension should they become involved with the film industry, the relationship shifted when a forgotten pioneer of public relations, Percy Fearnley, was appointed to the role of Metropolitan Police Public Information Officer in 1945. Fearnley was the first-ever journalist to take up this role and, through him, the Metropolitan Police embarked on a series of collaborations with the highest echelons of postwar British cinema, including J. Arthur Rank, Ealing Studios and Gainsborough Studios. Using newly-declassified internal Metropolitan Police and Home Office correspondence, Alexander Charles Rock tells the story of the Metropolitan Police's project to manipulate the British film industry into producing propaganda under the guise of mainstream entertainment cinema. In doing so he offers a radical re-reading of the context of production of a number of canonical British films such as The Blue Lamp (1950), I Believe In You (1952) and Street Corner (1953).

Public Relations, Collaboration and Control

The Metropolitan Police and the British Film Industry, 1919-1956

NT Live and the Aesthetics of Spectacle, Materiality and Engagement

Livecasting in Twenty-First-Century British Theatre

Béla Lugosi’s commanding presence, hypnotic voice, and mesmerizing gaze made him the embodiment of Count Dracula, a role that has established him as a cultural icon and a legend of the silver screen forever. &nbsp;But there's so much more to this captivating individual than meets the eye.
&nbsp;
This definitive biography of the man behind that menacing cape takes you deep into the personal life of Béla Lugosi as no other biography can. Exclusive interviews by the author, Robert Cremer, with Lillian Lugosi Donlevy, his wife of 20 years, as well as with Béla’s closest Hungarian relatives and friends, reveal new insights into Béla’s humble beginnings in Transylvania, his political activism in Hungary ‒ which cost him his wife, family and almost his life, his harrowing transatlantic crossing to the U.S. and his struggles here to realize his dream of becoming a&nbsp;success on stage and in film. The story doesn't stop there, but also provides compelling insight into the reasons for Béla’s decline into B-movie productions in Gower Gulch in the 1950s. Exclusive interviews with Edward D. Wood, Jr. unlock heretofore unknown background on Béla’s involvement in the filming of the cult classics Glen or Glenda, Bride of the Monster and Plan 9 from Outer Space as only Ed Wood could provide.
&nbsp;
The ultimate book for cinephiles, horror enthusiasts, and fans of Bela Lugosi is not to be missed. Featuring over 700 photos, family artifacts, and historical documents, many of which have never been seen outside of Lugosi’s own family, collected here for the first time!

Bela Lugosi: The Man Behind the Cape

Naturbilder / Images of Nature

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei FrantiSek Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären anima vegetativa verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Florale Animationen in bildender Kunst, Film und Tanz Frankreichs um 1900

Anima vegetativa

Cinema Two

Hirokazu Koreeda

International Screen Industries

The Indian Television Industry

The definitive volume on the Alien film universe, covering the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware, and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant from an in-world perspective. The definitive volume on the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant. Structured in 3 traditional encyclopedic volumes - Non-Human, Human, Action in Nature - illustrated throughout with concept art, photography and illustrations, with a historical timeline and alphabetical index. From the Alien to Zeta 2 Reticuli, from the birth of Peter Weyland in 1990 to the USM Auriga's Earthfall in 2381, this is the comprehensive and authoritative official tome on the Alien films.

Alien Film Franchise Encyclopedia

Fundamentals

The Fundamentals of Film-Making provides an overview of the collaborative process of film-making.

The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production - pre-production, production and post-production - are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production.

The book concludes with an examination of film analysis, providing context and connections between film theory and practice.

The Fundamentals of Film Making

Networked Bollywood&nbsp;provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis.&nbsp;The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their ¿star switching power,¿ theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.

How Star Power Globalized Hindi Cinema

Networked Bollywood

The Oxford Handbook of American Film History

Informations bibliographiques

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