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In this book, author Louise K. Stein analyzes early modern opera as appreciated and produced by Gaspar de Haro y Guzmán (1629-87), Marqués de Heliche and del Carpio and a distinguished patron of the arts in Madrid, Rome, and Naples. It also reveals his lasting legacy in the Americas during a crucial period for the growth and development of opera and the history of singing.

Stein Louise K.: The Marqués, the Divas,
and the Castrati

The Marqués, the Divas, and the Castrati

Gaspar de Haro y Guzmán and Opera in the Early Modern Spanish Orbit

<ul><li>Introduction: An Extraordinary Patron</li> <li>Chapter 1. Inventing Hispanic Opera: Opera as Epithalamium</li> <li>Material Traces of an Interest in Music</li> <li>Heliche's Temperament</li> <li>Heliche, Mariana, and Theatrical Production in Madrid</li> <li>Heliche and the Renovation of the Coliseo del Buen Retiro</li> <li>Artistic Collaboration</li> <li>Performers</li> <li>Women Singing Onstage</li> <li>Opera Production in Madrid; The Context for the "Lost" La púrpura de la rosa</li> <li>The Music of Celos aun del aire matan</li> <li>Conclusion</li> <li>Epilogue: Exile and Subsequent Travel</li> <li>Chapter 2. Negotiating Operatic Culture in Rome 1677-82</li> <li>A First Experience of Italian Opera</li> <li>Italian Opera as Heard by Spanish Compatriots</li> <li>Amidst the Vicissitudes of Opera Production in Rome</li> <li>Entertainments With a Spanish Flavor</li> <li>The 1681 Serenata in Piazza di Spagna</li> <li>Patron and Protector in Rome</li> <li>Spanish Productions at Palazzo di Spagna</li> <li>Conclusion: "el buen gusto romano"?</li> <li>Chapter 3. Naples, Opera, and Spanish Viceroys to 1683</li> <li>The Count of Oñate and the First Operas in Naples</li> <li>Spaces for Opera in Oñate's Naples</li> <li>Viceroys and Inconsistent Levels of Support</li> <li>Operas at the Teatro di San Bartolomeo After the Fire</li> <li>Operas for Special Occasions</li> <li>Spanish Operas for Dynastic Celebrations</li> <li>Conclusions</li> <li>Chapter 4. Carpio and the Integration of Opera in Public Life, Naples 1683-87</li> <li>Practical Considerations</li> <li>--Theaters and Finances for Opera in Naples</li> <li>-- A Palace Theater</li> <li>--A Public Commercial Theater</li> <li>--Libretti and the Schedule of Productions</li> <li>--Opera Finances in Naples</li> <li>--Musicians and Singers</li> <li>The 1683-84 Naples Opera Season</li> <li> --L'Aldimiro o vero Favor per favore</li> <li> --La Psiche, ovvero Amore innamorato</li> <li>--Giulia Francesca Zuffi and the donnesca voce</li> <li>--Giovanni Francesco Grossi and Amore</li> <li> --Il Pompeo</li> <li>--La Tessalonica in 1684</li> <li>The 1684-85 Naples Opera Season</li> <li> --Il Giustino</li> <li>--L'Epaminonda</li> <li>--Il Galieno</li> <li>--Summer Festivities</li> <li>The 1685-86 Naples Opera Season</li> <li> --Il Fetonte</li> <li>--Olimpia vendicata</li> <li>--L'Etio</li> <li>Carpio's Final Season 1686-87</li> <li>--L'Olimpo in Mergellina (serenata)</li> <li>--Il Nerone</li> <li>--Clearco in Negroponte</li> <li>--Il Roderico</li> <li>Tutto il mal: a private opera in 1686 or 1687</li> <li>Carpio in Naples, Some Conclusions</li> <li>Chapter 5. An Operatic Legacy in the Americas </li> <li>The Context for Opera in the American Viceroyalties</li> <li>La púrpura de la rosa in Lima 1701</li> <li>--Legitimizing Public Secular Music and the Emerging Criollo Culture</li> <li>--The Extant Lima Score</li> <li>--Torrejón as Composer or Compiler?</li> <li>--Hidalgo's Music Inside Torrejón's Opera</li> <li>--Hidalgo's Music Reaching Lima</li> <li>--Torrejón y Velasco and the Loa</li> <li>--Coplas, estribillos, bailes, freely declamatory song</li> <li>Opera in New Spain</li> <li>--Celos aun del aire matan?</li> <li>--The Italian paradigm in New Spain</li> <li>--La Partenope, El Zelueco, and Neapolitan models</li> <li>--The Sumaya Question</li> <li>An Appreciable Contemporaneity</li> <li>Epilogue: Lima 1943</li> <li>Appendices</li> <li>--Appendix 1: Plot Synopses, Celos aun del aire matan and La púrpura de la rosa</li> <li> --Appendix 2: Theaters in the Carpio Inventories</li> <li>--Appendix 3: Singers in Carpio's Naples Productions</li> <li>Bibliography</li> <li>Printed Sources Before 1800</li> <li>Printed Sources After 1800</li> <li>Index</li> </ul>

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

George Michael: A Life in Pictures

Cities of the Ancient World

Cádiz presents a synthesis of the history of the city from its foundation by the Phoencians until the death of Franco in 1975, building upon recent developments in archaeological fieldwork and historical research. Two themes run through the book: the relationship of Cádiz to Andalucía, and its role as a nexus point between the Iberian Peninsula and the wider world, both the Mediterranean and Atlantic.Cádiz is the first full, scholarly treatment of the history of this fascinating city, from its origins as Gadir through to the 20th century.

Cádiz

Elliot Carter

A Life in Music

To Be Or Not To Be

This book provides a unique history of modern America told through the story of the U.S. Supreme Court. Recognizing the Court as both a legal and political institution, George Conyne introduces the reader to the principal methods of analysis of both political and legal history. The History of the United States Supreme Court sees the important events in the life of the Supreme Court interpreted in a way that demonstrates and explores its complex role in American life, including both the ways in which it has shaped the United States and how in turn it has been shaped by the nation it serves.

This comprehensive text includes material on the Court's origins, the John Marshall years, the difficulties that arose from US expansion and the Civil War, the rise of corporations, the reform movements, civil liberties concerns, the clash over the New Deal, the civil rights movements, abortion and privacy, and many other key issues in American history. There are clear explanations of differing judicial analysis methodologies throughout as well as useful case studies, a glossary and a further reading list.

A Modern Commentary and Analysis

The History of the United States Supreme Court

Global Politics and the Responsibility to Protect

This books assesses the opportunities for the normative and practical advancement of the Responsibility to Protect (R2P)&nbsp;in Latin America.

A New Map

The Responsibility to Protect in Latin America

The Best-Kept Secret of the Cold War

The CIA Book Club

Religious Cultures in the Early Modern World

This is a unique study of the relationship between religious ritual and ceremonial dining. Blunt's work is based on primary sources documenting the daily running of the king's household and will be of interest to scholars researching the court of Charles I and its material culture as well as the religious and political history of his reign.

Ceremony, Ritual and Kingcraft at the Court of Charles I

Histories of the Modern Nations

The History of the United States

Feminist Media Histories

Women’s Film History in France, 1927–1978

Archiving the Past

Routledge Monographs in Classical Studies

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

The Invention of Self-Conscious Fiction

Metafiction in Classical Literature

The Marqués, the Divas, and the Castrati

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