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"A collection of often iconoclastic essays on a number of key Renaissance artists"--

Rowland I: The Lies of the Artists

The Lies of the Artists

Essays on Italian Art, 1450-1750

Additional Selling Points Introduction: The Lies of the Artists 1. Bronzes for the Ages (Bertoldo di Giovanni) 2. "A Painter Not Human" (Antonello da Messina) 3. The Gentle Genius (Raphael) 4. Roman Rivalries (Sebastiano del Piombo and Michelangelo) 5. Sublime, Exhilarating Andrea del Sarto 6. He Made Stone Speak (Michelangelo) 7. The Local, Universal Master (Titian) 8. The Fantastical Little Dyer (Tintoretto) 9. Irresistible El Greco 10. Radiant, Angry Caravaggio 11. Women Artists and the Boundaries of Art 12. Brutality and Brilliance (Artemisia Gentileschi) 13. He Had The Touch (Gianlorenzo Bernini) 14. Eros, Mystery, Menace (Giambattista Tiepolo 15. Giorgio Vasari’s Passionate Gamble Acknowledgments

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Palais de Tokyo

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

The Essential John Berger

The Moment of Cubism

The Extraordinary Life of Gala Dali

Surreal

Archaeological Orientations

Art and Archaeology

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Studien aus dem Warburg-Haus

Die Auseinandersetzung mit Positionen des Skeptizismus wurde in der Kunstgeschichte bisher geführt, indem man Thesen aus der Philosophie auf die Ikonographie von Gemälden bezog. Forschung, die sich mit Skepsis beschäftigte, fragte danach, wie philosophische Texte ihren Niederschlag in Kunstwerken fanden. "Visuelle Skepsis" analysiert stattdessen, wie Bilder aufgrund der ihnen eigenen medialen Struktur zum Ort von performativen Prozessen werden können, die mit den dialogischen Strategien des Skeptizismus vergleichbar sind. Eine Hauptthese lautet, dass dabei Widersprüche und Negationen auftreten, die den Charakter einer medialen Selbstbefragung haben. Bilder können ihren eigenen Status als Erkenntnismedien problematisieren - zum einen ausstellen, zum anderen aber auch in Zweifel ziehen.

Wie Bilder zweifeln

Visuelle Skepsis

Frühe Neuzeit

Von Strittigkeit der Bilder / [Strittigkeit der Bilder, Bände 1-3]

Kurdish Studies

"This book focuses on the cultural and intellectual activities of Kurdish migrant women through artistic and aesthetic forms of production in Belgium, France, Germany, Sweden and the UK. Using in-depth interviews with over 40 Kurdish women artists, Ozlem Galip examines how artistic, literary and cultural productions, incorporating the fields of film, theatre and music, are articulated within the structures of nation states, leading to the interrogation of the impact of western and local knowledge, patriarchy, the nation-state and globalisation. Galip also analyses how European policies affect the development of cultural engagement of Kurdish migrant women, and how such engagements help these women to integrate into European society"--

Intellectual and Cultural Production in Europe

Art, Gender and Migration in the Kurdish Diaspora

The al-Sabah Collection

"Dar al-Athar al Islamiyyah - The al-Sabah Collection, Kuwait."--Title page.

Metalwork from the Arab World and the Mediterranean

The Lies of the Artists

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