This book is the first comprehensive study of documentary film on the Iraq War. In a series of close readings of some thirty American and European works, it analyzes how documentaries on the run-up, unfolding, and aftermath of the war (2003-2014) have adopted different points of view and aesthetics in order to address their publics.
This book is the first comprehensive study of documentary film on the Iraq War. In a series of close readings of some thirty American and European works, it analyzes how documentaries on the run-up, unfolding, and aftermath of the war (2003-2014) have adopted different points of view and aesthetics in order to address their publics.