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Anderson Wes: The Grand Budapest Hotel /
LF

The Grand Budapest Hotel

A Simon &amp; Schuster Book. Simon &amp; Schuster has a great book for every reader.

Untitled IMC

Cinema and Cultural Exchange

Film Festivals

Published to coincide with the release of Joker: Folie à Deux, the sequel to Todd Phillips’ iconic blockbuster, this imaginative reading sees Joker as an economic and political allegory, presenting unexpected and dazzling insights into contemporary capitalism.
What could be more surprising than the cinematic presentation of the&nbsp;Joker as a key to solving our present economic and political predicament?&nbsp;Send In the Clowns! leads us precisely there. Grip this movie’s visual language, its authors insist, and we can also grasp a political grammar, available to all, that articulates a new, world-changing solidarity.
The predicament Send In the Clowns! diagnoses is urgent: the way late capitalism ensures astonishing inequality, unleashing a backlash in conspiracy, violence, and authoritarianism. These pages map this unraveling onto the narrative of Joker. When the movie begins in 1981, neoliberal tides are shifting the sands: the rise of insecure work; the destabilizing of welfare; the explosion of racialized incarceration. A close reading of the film allows Kennedy and McNaughton to isolate and confront these phenomena.
Send In the Clowns! shows how melodrama has become late capitalism’s preferred genre. It appears in neoliberal economic theory; in a media seduced by caricatured villainy; in state justifications for war. Melodrama allows demagogues to depict themselves as saviors and decry political opponents as criminals, threatening the foundations of democracy itself.
The myth of the lone superhero has brought us to the brink of disaster. If we don’t want jokers for president, we must empower the clowns!

Popular Politics after Neoliberalism

Clown for President!

Routledge Advances in Film Studies

Stardom in Contemporary Global Hollywood

BFI Screen Guides

This cinematic guide is designed to help teenagers navigate a period of life that is by turns exciting, difficult and full of adventure. From The Freshmen (1925) to The Selfish Giant (2013), this diverse selection of films has something for everyone, whether they're looking to celebrate, explore, find respite from or reminisce about teenage life.

100 Films to Get You Through Your Teens

Film, in Theory tells the story of Paddy Whannel and Peter Wollen's revolutionary work at the BFI's Education Department and how this led to the establishment of film studies, theory and education in Britain during the 1960s and 1970s. Colm McAuliffe explores how Whannel and Wollen worked together to re-fashion the BFI as a modern and progressive laboratory of ideas, hosting experimental seminars, revamping BFI Summer Schools, and launching the Cinema One series (co-edited by Whannel and Penelope Houston, editor of Sight &amp; Sound magazine). Through extensive archival research and interviews with key figures, McAuliffe explores how the department became "a crucible for the future of film theory." He recounts how they transformed Screen from a teachers' journal into a theoretical publication, where a form of feminist film critique, led by Claire Johnston and Laura Mulvey, emerged. Johnston, Mulvey, and other feminist theorists were integral to the formation of a women's counter-cinema and, alongside Whannel and Wollen, sparked not just the birth of film studies, but an intellectual revolution. This book traces contemporary critiques of normativity-regarding race, gender, and sexuality-back to the heated debates that marked the opening up of film studies during the intellectually vibrant Sixties.

The BFI Education Department and Film Culture

Film, In Theory

The Oxford Handbook of American Film History

This book shows you how professional screenwriters actually write scripts. This reference manual explores all aspects of the form, from essential format requirements to the expressive, literary qualities of screenplay language. Organized in three parts, this book systematically reveals the full essence of the screenwriter's craft.

Mastering Screenplay Form and Style

Library of Gender and Popular Culture

"Bad Sex examines the representation of sex and sexuality in Anglo-American drama and 'dramedy' shows like Fleabag (2019), Sex Education (2019-), I May Destroy You (2020) and Please Like Me (2013-16), arguing that TV is a key cultural site in which the politics of sexuality and gender are negotiated under contemporary conditions of neoliberalism"--

Sexuality, Gender and Affect in Contemporary TV

Bad Sex

Four original, fun to perform plays from the author of The Gruffalo.

The Trial of Wilf Wolf and other plays

BFI Film Classics

Laura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (played by Dinah Stabb), a white middle-class woman living in London in the 1970s who is transforming her place in patriarchal culture. The film is recognised as one of the most important avant-garde films to have emerged from Britain during the 1970s and a classic of feminist cinema.
 
 Kimberly Lamm's study of the film examines its kaleidoscopic array of cinematic strategies and poetic devices and how it explores issues of female representation, the place of motherhood within society and mother-daughter relationships. Lamm delves into the context of the film's production and reception, considering its significance as the second collaboration between Mulvey and Wollen, and the ways in which it was inspired by Mulvey's work on "the male gaze". 
 
 She goes on to position Riddles as an essay film, analysing its formal experimentations, including the use of direct address and found footage, the rejection of continuity editing and its groundbreaking, haunting electronic score by Mike Ratledge of Soft Machine. Finally, considering the voice of the Sphinx, Lamm highlights how Mulvey and Wollen work with sound and images to reconfigure visual pleasure and create conditions in which the full range of women's voices can be listened to, heard, and valued.

Riddles of the Sphinx

The Grand Budapest Hotel

Informations bibliographiques

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