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Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

McCandless G: The Craft of Contemporary
Commercial Music

The Craft of Contemporary Commercial Music

Introduction: The Contemporary Commercial Composer and the Digital Audio WorkstationI. Fundamentals of Music and AudioIa: Fundamentals of Music Chapter 1: Introduction to Pitch Chapter 2: Introduction to Rhythm Chapter 3: Introduction to Harmony Chapter 4: Melody and CounterpointIb: Fundamentals of Audio Engineering and Sequencing Chapter 5: Introduction to Audio and MIDI Chapter 6: Manipulating Rhythm in the DAW Environment Chapter 7: Introduction to Acoustics Chapter 8: Melodic SequencingII. Music Production EssentialsIIa. Composition Essentials Chapter 9: Functional Diatonic Harmony Chapter 10: Expanding your Harmonic Vocabulary Chapter 11: Form and Development Chapter 12: Basic OrchestrationIIb. Audio Engineering Essentials Chapter 13: Introduction to Mixing Chapter 14: Recording and Editing Live Instruments Chapter 15: Mixing and Processing Chapter 16: Final Mix Considerations Chapter 17: Scoring for Short-Form Media Chapter 18: IV. The Business of Music Composition Chapter 19: Glossary

A New Philosophy of Opera

First published in 1945, this historic collection of songs composed by Jewish victims of the Holocaust is being made available for the first time in English, complete with introductory essays and biographies of the composers.

The First Collection of Holocaust Songs

Out of the Depths

Frontline Adventures Linking Punk, Reggae, Afrobeat and Jazz

Rebel Musix, Scribe on a Vibe

Black Music, Racism and Criminal Injustice

Policing the Beats

Music Theory in Britain, 1500–1700: Critical Editions

A Critical Edition, Volume 1

Thomas Morley: A Plaine and Easie Introduction to Practicall Musick (1597)

The 1960s marked the dawning of a new era - and nowhere was this more manifest than in black America. Social shifts and artistic attitudes fuelled by flower power, as well as opportunities afforded by the economic boom, saw black Americans make astonishing gains, paving the way for a reimagining of modern culture. By the 1970s, new wealth, higher aspirations and a visible black middle class had begun to reshape the arts, most noticeably the music scene. The seeds of a new music were sown, and Funk flourished in the new, fertile cultural climate. A vocal celebration and embracing of blackness, it became the soundtrack that drove and illuminated the social and artistic revolution. As its audience moved on up Funk relocated mainstream black music from the ghetto to suburbia. But its roots were never forgotten. Nobody ever doubted that this was a self-sustaining and self-defining black music - an awareness that enabled Funk to keep on developing its own rhythms. Soul's passion, jazz's adventure and the discipline of R&amp;B came together with a confidence, financial basis and sense of purpose to produce some of the best and biggest black music, from James Brown to Curtis Mayfield. An intimate portrait of a defining sound, Funk Is Its Own Reward draws on contributions from a cast of musicians and producers, writers and directors, designers and executives, including George Clinton, Bootsy and Stevie Wonder, to weave together a rich social and cultural history. Astute and thoughtful, Lloyd Bradley examines Funk's significant contribution to and influence on modern culture - and the America that helped it thrive.

Funk is its Own Reward

Cambridge Companions to Music

The Cambridge Companion to Electronic Dance Music

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

An intimate, definitive exploration of Funk, the sound of a generation, that tells its stories, its triumphs and excesses.

Her Life and Music, Era by Era

Ariana Grande

From child prodigy to global superstar, Celine Dion's career has been nothing short of extraordinary. This charming book is a celebration of her dazzling journey - packed with fabulous facts, standout quotes and unforgettable milestones. Trace Celine's path from her childhood experiences and legendary Eurovision win to her chart-topping hits and game-changing Las Vegas residencies. Relive her bold fashion choices and discover the profound influence she continues to have on fans and fellow artists around the globe. Whether you've followed the singer from the beginning or are just discovering her powerhouse vocals, this delightful guide captures the spirit, talent and charisma of a true pop and style icon. Sample Content: "I worked really hard, and I surpassed myself... I didn't have, visually, what it took. I was not pretty, I had teeth problems, and I was very skinny. I didn't fit the mould." Celine Dion "I'm not looking for career attention, for more success, more money. I'm just singing songs I chose because I love them." Celine Dion "If I can't run I'll walk. If I can't walk. I'll crawl. But I won't stop." Celine Dion Celine Dion recorded her very first song at just 12 years old. The song, titled Ce n'était qu'un rêve ("It Was Only a Dream"), was co-written by her mother Thérèses and brother Jacques, showcasing the family's early belief in her talent. That single track caught the attention of her future manager, launching a career that would soon take the world by storm.

My Voice Will Go On: The Little Guide to Celine Dion

The Craft of Contemporary Commercial Music

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