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The Art of Life

Art Nouveau Posters and Visual Culture of the Hungarian Secession (1895 – 1914)

Marsh's multichannel visual interventions articulate the criticality of infrastructure, the technological image, spatial expansion, surveillance, collective labor and much morePart reader, part monograph, part visual essay, She Moves Me synthesizes the installation and performance pieces of Canadian artist Lynne Marsh (born 1969). Marsh's filmed and choreographed interventions look behind the scenes, underscoring the camera's power to delineate social spaces. This book was published in conjunction with Press Enter

Performance, Moving Image, and Lynne Marsh’s Lens

She Moves Me

Palais de Tokyo

kriegundfreitag

kriegundfreitag: Postkartenkalender 2026

Greeting Cards

Gorgeous foiled, handmade pack of 6 greeting cards, blank inside and shrink-wrapped with a gold envelope, printed on FSC paper and wrapped in biodegradable cellobag, perfect for all occasions! Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books, our greeting cards are printed on FSC®-certified paper and wrapped in a biodegradable cellobag. This example features Anna Stead's Medieval Herbal artwork. Anna Stead is an illustrator working from her home in the beautiful North Cotswolds. She draws inspiration from nature, legend, history, folklore, literature, folk art and the mythic arts. She has a background in medieval studies and is a lover of fantasy literature. She can be found with a cat in her lap, playing video games or sketching on her iPad whenever she gets a chance.

Pack of 6

Anna Stead: A Medieval Herbal Greeting Card Pack

Gorgeous foiled, handmade pack of 6 greeting cards, blank inside and shrink-wrapped with a gold envelope, printed on FSC paper and wrapped in biodegradable cellobag, perfect for all occasions! Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books, our greeting cards are printed on FSC®-certified paper and wrapped in a biodegradable cellobag. This example features an antique map by Pieter van den Keere. Pieter van den Keere (1571–c. 1646) was a Flemish engraver, publisher and globe maker who came to England as a Protestant refugee. Settling in Amsterdam in 1593, he continued to work and began engraving a series of miniature county maps for the British Isles Atlas in 1599. His works also include a map of Ireland, urban panoramas of Utrecht, Cologne, Amsterdam and Paris, as well as a collection of world maps.

Pieter van den Keere: Antique Map Greeting Card Pack

A Process Roadmap for Distinctive Products and Services

Differentiation by Design

Routledge Research in Museum Studies

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

The Power of the Canon

Latin American Art at The Museum of Modern Art

A beautiful botanical illustration to be coloured in and unfolded to reveal a frieze nearly five feet long. A new format for sophisticated colourists! Join best-selling botanical artist Leila Duly on a nature adventure in frieze form.

A Botanical Colouring Frieze

Floralicious

Flame Tree Notebooks

New title in the Flame Tree Notebook collection, combining beautiful art with high-quality production, with lined pages, a pocket at the back, two ribbon bookmarks and a solid magnetic flap. Perfect as a gift, or personal choice for notetakers and journal users of all kinds. A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production and FSC-certified paper with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red endpapers, all FSC-certified. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Anna Stead is an illustrator working from her home in the beautiful North Cotswolds. She draws inspiration from nature, legend, history, folklore, literature, folk art and the mythic arts. She has a background in medieval studies and is a lover of fantasy literature. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Anna Stead: Parliament of Fowls (Foiled Journal)

An in-depth exploration of the work of Frederick Kiesler, the visionary architect, with a special focus on his Mobile Home Library. Frederick Kiesler: Vision Machines explores the work of Austrian architect, theater designer, and theorist Frederick Kiesler (1890–1965). The book’s centerpiece is a close examination of Kiesler’s iconic but unrealized Mobile Home Library, which will be fabricated for the first time and photographed for the publication. Built around a speculative essay by Mark Wasiuta, tracing Kiesler’s visionary, even obsessive interest in sight, dreams, looking, and reading, the book covers Kiesler’s research and teaching at Columbia University’s School of Architecture in the late 1930s and 1940s, focusing on the main projects he developed at his Design Correlation Laboratory, the Mobile Home Library and the Vision Machine. The Vision Machine was imagined as an ambitious device intended to visualize human sight, from optics and nerve stimuli to dream content and hallucinations. The Mobile Home Library was conceived as a dynamic, modular object—part device, part furniture—whose repertoire of rotating, spinning movements allowed variable forms of interaction with readers and users. At first glance these two projects barely resemble each other. Yet together they illustrate the strange and astonishing scope of Kiesler’s correalism, which spanned and confused his biotechnique (a biologically-oriented design process aimed at fostering human health) and his techno-oneiric surrealism. The book is published in conjunction with an exhibition at the Graham Foundation in Chicago in Fall 2024, but is a stand-alone volume. It presents Wasiuta’s substantial research and thinking on Kiesler, a wealth of photographs, drawings, documents, film stills, and pedagogical experiments from Kiesler’s laboratory, as well as photographs of the exhibition’s centerpiece, the (re)construction of the never-built Mobile Home Library. Frederick Kiesler was born in Czernowitz, Austria-Hungary (now Ukraine) in 1890 and died in New York in 1965. For a short time, he was a member of De Stijl, he briefly partnered with Adolf Loos in the 1920s, and he was an associate of many avant-garde artists, including Man Ray and Fernand Léger.

The Art of Life

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