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Amelie Berger-Soraruff: Technics of
Existence

Technics of Existence

Sartre, Foucault and Stiegler

Áskesis as a Route to Sex Education

Care of the Sexual Self

Philosophical Practice

Prospects, Perspectives and Practices

The Arts in Philosophical Practice

What goes wrong when emotions get turned into digital data to be measured, monitored and managed. Data from facial emotion recognition, brain-computer interfaces, virtual reality, global emotion surveys and sentiment analysis offer an extraordinary new terrain for scientific exploration. Emotion sensing promises to decode and even to augment and control the very essence of human experience. But what if the science and technology of emotion measurement get emotions wrong? In Governing Global Emotions, Jessica Pykett argues that we must shift our thinking on digital emotional governance and calls for a radical reassessment of the fundamental claims of emotion science. Pykett offers a groundbreaking account of how emotions are defined, used and governed through emerging digital technologies, arguing that emotions, senses and feelings have become a crucial new arena for political, economic and cultural struggles. She describes how technologies create emotional data, how smart cities use sensors to monitor residents’ feelings and how global economies measure happiness. Drawing on twenty years of interdisciplinary social science, Pykett documents how emotion science continues to delve deeper, as researchers look for evolutionary continuity, biological certainty and neuroscientific consensus. What she finds instead is a divided field vulnerable to significant criticism. Pykett concludes that standardised, universal and instrumentalised scientific accounts of emotions are machinic, and when divorced from context, they can never be global.

Technology and The New Science of Feeling

Governing Global Emotions

New Encounters: Arts, Cultures, Concepts

Photography, Conflict Transformation, and Peacebuilding

Picturing Peace

New Critical Humanities

Engaging with the concept of contestation, this collection highlights tensions that emerge from various modes of contestation and outlines a negative ideal theory of contestation in relation to politics.

Refusal, Disobedience, Resistance, Decolonization

Philosophizing Contestation

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

A Semantic Account of Perception

Existence and Illusion

Collective Studies in Knowledge and Society

Truth, Science, and How to Preserve Democracy

Veritocracy

A Systems Defense Against Democratic Skepticism

Political Knowledge and Democracy at Scale

Routledge International Handbooks

The Routledge International Handbook of Ethnographic Film and Video

An exploration of the limits of identity by Edward Said, a distinguished Palestinian scholar and essential voice in decolonization theory Banned by the Freud institute in Vienna, this controversial lecture eventually became Edward Said's final book. Freud and the Non-European builds on Said's abiding interest in the psychoanalyst's work to examine Freud's assumption that Moses was an Egyptian and from there explore the limits of identity. Such an unresolved, nuanced sense of identity, Said argues, might one day form the basis for a new understanding between Israelis and Palestinians. Published here with an introduction by Christopher Bollas and a response by Jacqueline Rose.

Freud and the Non-European

Technics of Existence

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