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Youn I: Super String: Marco Polos Reise
ins Multiversum 01

Super String: Marco Polos Reise ins Multiversum 01

Der Action-Hit von Star-Mangaka Boichi

Pumpkin Night

Pumpkin Night 7

Mieruko – Die Geister, die mich riefen

Mieruko-chan - Die Geister, die mich riefen 11

Happy Sugar Life

Happy Sugar Life 4

RAINBOW

RAINBOW 04

Shadows House

Shadows House 16

Dai Dark

Dai Dark 9

Routledge Research in Asian Education

Despite its successful image, Japan has long seen its own education system as problematic. This book analyzes the trials and errors in Japanese education reforms during the last three decades, and is a call for wider exploration of the goals of education reform in our contemporary, interconnected global age.

A Sociology of Education Reforms, Opportunities, and Mass Education

Japanese Education and Society in Transition

TONIKAWA - Fly me to the Moon

TONIKAWA - Fly me to the Moon 28

Cutie and the Beast

Cutie and the Beast 4

MOBILE SUIT GUNDAM THE ORIGIN

MOBILE SUIT GUNDAM THE ORIGIN 06

Shikimori's Not Just a Cutie

Shikimori's not just a Cutie 17

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Super String: Marco Polos Reise ins Multiversum 01

Informations bibliographiques

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